Items Similar to Stone Head, Surrealist Offset Lithograph by Horst Antes
Want more images or videos?
Request additional images or videos from the seller
1 of 9
Horst AntesStone Head, Surrealist Offset Lithograph by Horst Antes1975
1975
About the Item
Stone Head
Horst Antes, German (1936)
Portfolio: Omaggio a Michelangelo
Date: 1975
Offset Lithograph, signature in the printing
Image Size: 11 x 9.5 inches
Size: 15 x 10.5 in. (38.1 x 26.67 cm)
- Creator:Horst Antes (1936, German)
- Creation Year:1975
- Dimensions:Height: 15 in (38.1 cm)Width: 10.5 in (26.67 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Long Island City, NY
- Reference Number:Seller: 660011stDibs: LU46614882422
Horst Antes
Horst Antes (born 28 October 1936 Heppenheim, Germany) is a German artist and sculptor. After his Abitur, he studied from 1957 to 1959 under the important woodcutter HAP Grieshaber at the Akademie der Bildenden Künste (today known as the Staatliche Akademie der Bildenden Künste Karlsruhe) in Karlsruhe. In 1959, the artist's work was honoured with two prizes, art prize of the city of Hanover and the Pankofer prize on the occasion of the German Youth Art prize. In his early paintings, Antes sought a path somewhere between figurative painting and the L'Art Informel. One of his most important role models was Willem de Kooning. Around 1960 Antes discovered his 'Kopffüßler' (literal translation: Head-Footer), a form which preoccupied the artist in numerous variations and artistic techniques. By 1963 his 'Kopffüßler' was fully developed in its stylistic and contextual premises and became also compulsory for his sculptural work, which began the same year. The artist was given several scholarships and awards in the 1960s, including the Villa-Romana-Prize in Florence in 1962 and the Villa Massimo scholarship in Rome in 1963. Three years later, aged only 29, Antes accepted a teaching post at the Akademie in Karlsruhe. This was followed by a post as a professor also in Karlsruhe which he held from 1967 to 1973, as well as a one-year guest-professorship at the Staatliche Hochschule für Bildende Künste in Berlin. The artist resumed teaching at the Akademie in Karlsruhe in 1984 and continued teaching there for another 16 years. The regional capital awarded him the Hans-Molfenter-prize in 1989. Since 1990 Antes has been living and working in Karlsruhe, Florence and Berlin. His oeuvre includes not only paintings and graphic art, but also sculptures in public spaces. His works are exhibited throughout the world and are represented in all the most important German collections, et al. at the Kunsthall Hamburg, the Museum Ludwig in Cologne, the Nationalgalerie Berlin, and the Museum of Modern Art.
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1979
1stDibs seller since 2014
2,973 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Shipping from: Long Island City, NY
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllBauhaus, The Corcoran Gallery of Art, Exhibition Poster by Saul Steinberg
By Saul Steinberg
Located in Long Island City, NY
A vintage exhibition poster for famed New Yorker artist, Saul Steinberg at The Corcoran Gallery of Art, Washington DC.
Category
1980s Modern Figurative Prints
Materials
Offset
Chagall at Kunsthaus Zurich, 1967 Offset Print after Marc Chagall
By (after) Marc Chagall
Located in Long Island City, NY
Artist: Marc Chagall (after)
Title: Chagall at Kunsthaus Zurich
Year: 1967
Medium: Offset Lithograph
Size: 51 x 36.5 in. (129.54 x 92.71 cm)
Frame: 52...
Category
1960s Modern Figurative Prints
Materials
Offset
Sousaphone Player in Marching Band, Modern Print by Byron Browne
By Byron Browne
Located in Long Island City, NY
Artist: Byron Browne (after), American (1907 - 1961)
Title: Sousaphone Player in Marching Band
Year: circa 1940
Medium: Collotype, signed in the plate
Image Size: 26.5 x 20.5 in. (67...
Category
1940s American Modern Figurative Prints
Materials
Offset
As The Mountains Are Round, Jerusalem 1925, Modern Offset lithograph
By Reuven Rubin
Located in Long Island City, NY
Reuven Rubin, Israeli (1893 - 1974) - As The Mountains Are Round, Jerusalem 1925, Medium: Offset lithograph, signed in the plate, Size: 12 x 16 in. (30.48 x 40.64 cm), Frame Size...
Category
1970s Modern Figurative Prints
Materials
Offset
King David, Modern Poster by Reuven Rubin
By Reuven Rubin
Located in Long Island City, NY
Reuven Rubin, Israeli (1893 - 1974) - King David, Year: 1971, Medium: Poster, signed in pencil, Image Size: 22.5 x 17.5 inches, Frame Size: 32 x 26 inches
Category
1970s Modern Figurative Prints
Materials
Offset
Waiting, Pop Art Framed Offset Print by Will Barnet
By Will Barnet
Located in Long Island City, NY
Waiting from the Kent Bicentennial Portfolio
Will Barnet, American (1911–2012)
Date: 1975
Offset Lithograph (unsigned as issued)
Image Size: 11.25 x 11 inches
Size: 17 x 14 in. (43.1...
Category
1970s American Modern Figurative Prints
Materials
Offset
You May Also Like
French Modernist Mourlot Lithograph Vintage Air France Poster Roger Bezombes
By Roger Bezombes
Located in Surfside, FL
Vintage French Travel Poster, Air france
Roger Bezombes
(1913-1994) French
Bezombes was a painter, sculptor, medalist, and designer. He studied in Paris, at the École des Beaux-Arts, and was much influenced by his friendship with Maurice Denis. Heavily influenced by surrealism, He worked principally as a painter, adopting the saturated Fauvist colors of Henri Matisse in landscapes and figure studies often based on observation of “exotic” cultures, notably Mediterranean and North African. Constrained, because a very young orphan, to all kinds of professions which provide him with the material means to devote himself to painting - he participated in 1930 in the installation of the exhibition of the Bauhaus at the Grand Palais-, Roger Bezombes is student of the National School of Fine Arts in Paris. (Ecole des Beaux Artes) He was trained in the art of fresco by Paul Baudoüin, René Barotte nonetheless restores that the young man's preference goes to the practice of "truancy" which he uses to make copies at the Louvre Museum. It’s the time when Paul Gauguin’s paintings, Vincent Van Gogh and Henri Matisse are revealed to him by Maurice Denis with whom he will remain close until his accidental death, painting him on his funeral bed on November 14, 1943. He executed surrealist tapestry designs for Aubusson and Gobelin tapestries, posters (winning the Grand Prix de l'Affiche Francaise in 1984), costumes and sets for ballets at the Metropolitan Opera House in New York, reliefs and murals. In 1965 he took up medal-making, expressing in his numerous metallic works for the Paris Mint that obsession with found objects which is also evident in his large-scale sculpture and in his posters.
He designed posters for Air France and for the French national railways.
Roger Bezombes went to Africa for the first time in 1936 thanks to a travel grant and received the same year the second grand prize of Rome . In 1937 he traveled around Morocco where he became friends with Albert Camus. The year 1938 offered him both his first solo exhibition at the Charpentier gallery in Paris with paintings and gouaches on the theme of Morocco and the attribution of the national grand prize for the arts, earning him a great journey which , from Dakar to Algiers , takes it through Chad , Tamanrasset and Hoggar.
Roger Bezombes became a professor at the Julian Academy in 1950. For him, 1951 was the year of a trip to Greece and the year where he began his relationship with tapestry work.
Roger Bezombes visited Israel in 1953, Tunisia and Egypt in 1954. He was appointed official painter of the Navy in 1955. Pierre Mazars analyzes that “after a period where we notice the influence of Van Gogh and GeorgesBraque, particularly in his landscapes of Provence, he came to a more schematic writing, the colored spots and the thicknesses of material taking more of importance as the subject. He even performed composite works, half-watercolors, half-pasted papers, in which he incorporated pieces of newspapers”. He was elected titular to the Academy of Overseas Sciences in 1978. "The range of Bezombes' talent forms is remarkable,” writes Lynne Thornton, “ranging from paintings, murals, travel posters, tapestry cartons, book illustrations, monumental ceramic decorations, ballet and theater sets, totem sculptures, sculpture objects, jewelry and medallions”. He was part of the mid century mod School of Paris that included Leon Zack, Bernard Lorjou, Paul Augustin Aizpiri, Gabriel Godard, Michel Henry, Hans Erni, Bengt Lindstrom, Alfred Manessier, Andre Hambourg, Raymond Legueult and Jean Rigaud.
Select Solo Exhibitions:
1938: Galerie Charpentier, Paris
1950, '53, '55, '57: Galerie Andre Weil, Paris
1953:Wildenstein Gallery, London
1954: Institut Francais, Cologne
1956: Galerie Matarasso, Nice
1957: Horn Gallery, Luxembourg; Guilde de la Gravure, Paris
1958: Denys-Puech Museum, Rodez
1962: Musee de l'Athenee, Geneva;
Chateau Grimaldi, Cagnes-sur-Mer
1966: Galerie des Ponchettes, Nice
1967: Galerie Martel, Montreal
1968: Romanet-Vercel Gallery, New York;
Reattu Museum, Arles; Le Corbusier Center, Firminy
1969: Galerie Philippe...
Category
1980s Modern Abstract Prints
Materials
Lithograph, Offset
French Modernist Mourlot Lithograph Vintage Air France Poster Roger Bezombes
By Roger Bezombes
Located in Surfside, FL
Vintage French Travel Poster, Air France
Roger Bezombes
(1913-1994) French
Bezombes was a painter, sculptor, medalist, and designer. He studied in Paris, at the École des Beaux-Arts, and was much influenced by his friendship with Maurice Denis. Heavily influenced by surrealism, He worked principally as a painter, adopting the saturated Fauvist colors of Henri Matisse in landscapes and figure studies often based on observation of “exotic” cultures, notably Mediterranean and North African. Constrained, because a very young orphan, to all kinds of professions which provide him with the material means to devote himself to painting - he participated in 1930 in the installation of the exhibition of the Bauhaus at the Grand Palais-, Roger Bezombes is student of the National School of Fine Arts in Paris. (Ecole des Beaux Artes) He was trained in the art of fresco by Paul Baudoüin, René Barotte nonetheless restores that the young man's preference goes to the practice of "truancy" which he uses to make copies at the Louvre Museum. It’s the time when Paul Gauguin’s paintings, Vincent Van Gogh and Henri Matisse are revealed to him by Maurice Denis with whom he will remain close until his accidental death, painting him on his funeral bed on November 14, 1943. He executed surrealist tapestry designs for Aubusson and Gobelin tapestries, posters (winning the Grand Prix de l'Affiche Francaise in 1984), costumes and sets for ballets at the Metropolitan Opera House in New York, reliefs and murals. In 1965 he took up medal-making, expressing in his numerous metallic works for the Paris Mint that obsession with found objects which is also evident in his large-scale sculpture and in his posters.
He designed posters for Air France and for the French national railways.
Roger Bezombes went to Africa for the first time in 1936 thanks to a travel grant and received the same year the second grand prize of Rome . In 1937 he traveled around Morocco where he became friends with Albert Camus. The year 1938 offered him both his first solo exhibition at the Charpentier gallery in Paris with paintings and gouaches on the theme of Morocco and the attribution of the national grand prize for the arts, earning him a great journey which , from Dakar to Algiers , takes it through Chad , Tamanrasset and Hoggar.
Roger Bezombes became a professor at the Julian Academy in 1950. For him, 1951 was the year of a trip to Greece and the year where he began his relationship with tapestry work.
Roger Bezombes visited Israel in 1953, Tunisia and Egypt in 1954. He was appointed official painter of the Navy in 1955. Pierre Mazars analyzes that “after a period where we notice the influence of Van Gogh and GeorgesBraque, particularly in his landscapes of Provence, he came to a more schematic writing, the colored spots and the thicknesses of material taking more of importance as the subject. He even performed composite works, half-watercolors, half-pasted papers, in which he incorporated pieces of newspapers”. He was elected titular to the Academy of Overseas Sciences in 1978. "The range of Bezombes' talent forms is remarkable,” writes Lynne Thornton, “ranging from paintings, murals, travel posters, tapestry cartons, book illustrations, monumental ceramic decorations, ballet and theater sets, totem sculptures, sculpture objects, jewelry and medallions”. He was part of the mid century mod School of Paris that included Leon Zack, Bernard Lorjou, Paul Augustin Aizpiri, Gabriel Godard, Michel Henry, Hans Erni, Bengt Lindstrom, Alfred Manessier, Andre Hambourg, Raymond Legueult and Jean Rigaud.
Select Solo Exhibitions:
1938: Galerie Charpentier, Paris
1950, '53, '55, '57: Galerie Andre Weil, Paris
1953:Wildenstein Gallery, London
1954: Institut Francais, Cologne
1956: Galerie Matarasso, Nice
1957: Horn Gallery, Luxembourg; Guilde de la Gravure, Paris
1958: Denys-Puech Museum, Rodez
1962: Musee de l'Athenee, Geneva;
Chateau Grimaldi, Cagnes-sur-Mer
1966: Galerie des Ponchettes, Nice
1967: Galerie Martel, Montreal
1968: Romanet-Vercel Gallery, New York;
Reattu Museum, Arles; Le Corbusier Center, Firminy
1969: Galerie Philippe...
Category
1980s Modern Abstract Prints
Materials
Lithograph, Offset
POISE
By Robert Rauschenberg
Located in Aventura, FL
Offset lithograph in colors. Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 48. All reasonable off...
Category
1990s Modern Abstract Prints
Materials
Paper, Lithograph, Offset
$6,800 Sale Price
20% Off
Don't Go Anywhere (framed hand signed lithograph)
By Mr. (Iwamoto Masakatu)
Located in Aventura, FL
Offset lithograph in colors on wove paper. Hand signed and dated lower front by Mr. Hand numbered 25/300 lower front. Artwork size 26.75 x 26.75 inches. Frame size approx. 32.5 x...
Category
Early 2000s Modern Figurative Prints
Materials
Paper, Lithograph, Offset
$1,500 Sale Price
25% Off
Gasp! So Good! (framed hand signed lithograph)
By Mr. (Iwamoto Masakatu)
Located in Aventura, FL
Offset lithograph in colors on wove paper. Hand signed and dated lower front by Mr. Hand numbered 104/300 lower front. Artwork size 25.5 x 19.25 inches. Frame size approx. 31.5 x...
Category
2010s Modern Figurative Prints
Materials
Paper, Lithograph, Offset
$1,500 Sale Price
25% Off
Harajuku Kiss (framed hand signed lithograph)
By Mr. (Iwamoto Masakatu)
Located in Aventura, FL
Offset lithograph in colors on wove paper. Hand signed and dated lower front by Mr. Hand numbered 134/300 lower front. Artwork size 25.6 x 19.6 inches. Frame size approx. 31.5 x ...
Category
2010s Modern Figurative Prints
Materials
Paper, Lithograph, Offset
$1,500 Sale Price
25% Off
Recently Viewed
View AllRead More
Romare Bearden’s Humanity Infuses His Bright, Bold Art
Through collage, painting and printmaking, the artist foregrounded Black life in America in revolutionary new ways.
Chryssa’s 1962 Neon Sculpture Was Way ahead of the Art-World Curve
By working with lettering, neon and Pop imagery, Chryssa pioneered several postmodern themes at a time when most male artists detested commercial mediums.