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Ian PhillipsCatching the Light2021
2021
$2,625.66
£1,950
€2,299.47
CA$3,637.50
A$4,079.70
CHF 2,136.48
MX$49,572.33
NOK 27,129.66
SEK 25,720.83
DKK 17,164.35
About the Item
Ian Phillips
Catching the Light
Limited Edition Linocut Print on Paper
Edition of 12
Image Size: H 83cm x W 122cm x D 0.01cm
Sold Unframed
Free Shipping
Please note that in situ images are purely an indication of how a piece may look.
Catching the Light is a limited edition seascape print by Ian Phillips. The light colours palette and bold style of this work makes it a delight to look at.
My printing process starts today, as it’s always done, by going walking with my sketchbook. I follow lonely trails over empty hills, down twisting forest tracks, or along sea cliffs looking for colour, pattern and texture to draw. Then it’s back to the studio to cut, mix colours and print.
In 2001 I moved to Mid Wales to study the landscape and improve my printmaking. Since then I have been creating sequential series of large scale landscape and seascape linocuts. Utilising all the inspiring mark making, patterns and techniques I have absorbed over the intervening years from a wide variety of sources. Including artists from the Torres Strait Islands at Djumbunji Print workshop in Cairns, studying with Professor Wang Chou in Hangzhou, China and working with the Pine Feroda collaboration.
I now specialise in prints based on drawing long distance walks and exploring landscapes of iconic interest and lonely beauty.
- Creator:
- Creation Year:2021
- Dimensions:Height: 32.68 in (83 cm)Width: 48.04 in (122 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Deddington, GB
- Reference Number:1stDibs: LU63239646782
Ian Phillips
Ian Phillips, print maker, is available for sale online and in our art gallery at Wychwood Art.My printing process starts today, as it’s always done, by going walking with my sketchbook. I follow lonely trails over empty hills, down twisting forest tracks, or along sea cliffs looking for colour, pattern and texture to draw. Then it’s back to the studio to cut, mix colours and print. In 2001 I moved to Mid Wales to study the landscape and improve my printmaking. Since then I have been creating sequential series of large scale landscape and seascape linocuts. Utilising all the inspiring mark making, patterns and techniques I have absorbed over the intervening years from a wide variety of sources. Including artists from the Torres Strait Islands at Djumbunji Print workshop in Cairns, studying with Professor Wang Chou in Hangzhou, China and working with the Pine Feroda collaboration. I now specialise in prints based on drawing long distance walks and exploring landscapes of iconic interest and lonely beauty.
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