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Jacques CallotLe Defile a Pied (Parade on Foot)1627
1627
About the Item
Jacques Callot (1592-1635), Le Defile a Pied (Parade on Foot), etching, 1627, from the Combat a la Barriere (Combat at the Barriere). Lieure 583, probably first state of 2. In very good condition, trimmed on or just outside of the plate mark, 6 x 9 1/2 inches, archival mounting. On old laid paper with the Countermark 4 Lorrain (Lieure’s watermark 36).
A very fine strong and early impression. An impression, printed before the (also lifetime) presentation book which included Callot’s prints and a narrative on the event by the poet Henry Humbert.
Provenance: Helmut H. Rumbler (noted print dealer, with his stamp on mat verso)
The prints in the Combat series (10 prints in all) were created to commemorate a tournament sponsored by Duke Charles IV of Lorraine, in his palace at Nancy, in honor of his beautiful cousin the Duchess of Chevreuse who was in exile at Lorraine after the discovery of her role in the plot against Richelieu.
Lieure notes that the watermark 4 Lorrain is one of those associated with the very first impressions pulled of this print, before the edition (“Le filigrane de ce tout premier tirage”). Other watermarks, including the Cross of Lorraine, are found on the impressions which were included in the Hubert book (these too are fine lifetime impressions). (There were also later posthumous impressions, with other marks.)
Lieure notes rather vaguely that in the first state of this print the area of the curtain at the right was not bitten properly; and that this was later corrected in the second state. Our impression does show a small area of inadequate biting, and this, in addition to the very early watermark, inclines us to believe (contrary to a graphite mark verso) this is a first state impression. The printing is far clearer and stronger than the Hubert edition impressions we have seen, although in those too the curtain is not printed perfectly. Most of the prints in the Combat were one state only, and one suspects that may be the case with Le Defile.
The print depicts the entry of the parade into the vast celebration hall. At the left we can see a balcony filled with women, including the honoree the Duchess. All quite spectacular.
- Creator:Jacques Callot (1592 - 1635, French)
- Creation Year:1627
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU51531453393
Jacques Callot
Jacques Callot, at the age of 12 years old, he runs away in Italy with gypsies. Callot returned for the third time to Italy together with an embassy of Duke Henry II to the Holy See. In 1611, Callot entered the workshop of Tempesta, a famous Italian engraver, for three years. In 1614 Callot left Rome for Florence in the service of Cosimo II de Medici. Callot produced drawings and etchings that drew influence from Flemish art and Mannerist works in Roman churches. Callot’s career began in Florence in 1612 when he started work in the Medici court, where he was employed to make pictorial records of entertainments such as fairs and festivals and where he also drew and etched courtiers, beggars and other characters, excelling particularly at caricatures. Returning to his native France in the latter end of his career, Callot’s work became markedly soberer as he documented the horrors of the 30 years of war in his Miseries of War series, which would continue to influence the artistic representation of conflict social injustice into the 19th and 20th Centuries.
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