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Jacques Callot
The Slave Market (Le Marche de Esclaves)

1629

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  • Dimanche en Bretagne
    By Jean-Emile Laboureur
    Located in New York, NY
    Jean-Emile Laboureur (1877-1943), Dimanche en Bretagne, etching, 1939, signed in pencil lower left and inscribed “ep d’artite” lower right. Reference: Laboureur 543, second state (of...
    Category

    1930s Realist Figurative Prints

    Materials

    Etching

  • The Anglers
    By Adriaen van Ostade
    Located in New York, NY
    Adriaen Van Ostade (1610-1685) etching The Anglers, circa 1647, Godefry 26, Bartsch 26. Very good condition, with small (1/2 inch) margins, on cream laid paper, archival mounting. 4 ...
    Category

    1640s Old Masters Landscape Prints

    Materials

    Etching

  • Suite of 12 Views of Italy
    By Franz Weirotter
    Located in New York, NY
    Franz Weirotter (1730-1771), Suite of 12 Views of Italy, etchings, 1759 [most signed in the plate by Weirotter]. Reference: Nagel 5. 10 printed in pairs on one sheet; one on a small...
    Category

    1750s Old Masters Landscape Prints

    Materials

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  • The Anglers
    By Adriaen van Ostade
    Located in New York, NY
    ADRIAEN VAN OSTADE (1610-1685) The Anglers etching, circa 1647-53, on laid paper, without watermark, a very fine impression of the rare third/ fourth state (of seven), printing with a light plate tone, with traces of burr on the bridge and elsewhere and fine wiping marks, with narrow margins, in very good condition. References: Bartsch, Hollstein, Godefroy 26, plate 113 x 166 mm., sheet 116 x 169 mm. Provenance: Richard Fisher...
    Category

    1640s Old Masters Landscape Prints

    Materials

    Etching

  • Disparate Pobre (Two Heads are Better Than One) – Trial Proof
    By Francisco Goya
    Located in New York, NY
    Francisco de Goya y Lucientes (1746-1828), Disparate Pobre (Two Heads are Better Than One) – Trial Proof, with burnished aquatint, drypoint and engraving, c. 1812; plate 11 from Los...
    Category

    1810s Old Masters Figurative Prints

    Materials

    Engraving, Drypoint, Etching, Aquatint

  • Descending from the Cross, by Torchlight
    By Rembrandt van Rijn
    Located in New York, NY
    Rembrandt Harmensz. van Rijn 1606 Leiden – Amsterdam 1669 The Descent from the Cross by Torchlight 1654 etching and drypoint; sheet 213 x 163 mm (8 3/8 x 6 7/16 inches) Bart...
    Category

    17th Century Old Masters Figurative Prints

    Materials

    Drypoint, Etching

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  • Fabricius (Ponte Cestio) Bridge : Framed 18th C. Piranesi Architectural Etching
    By Giovanni Battista Piranesi
    Located in Alamo, CA
    This framed 18th century etching by Giovanni Battista Piranesi is entitled "Dimostransi nella Tav. presente la Pianta, ed Elevazione del Ponte, oggi detto Quattro Capi egli è antichissimo, e chiamavasi Fabrizio da L. Fabrizio Presid. delle Strade, che lo fabbrico' nel fine della Repubblica. "(The Plan and Elevation of the Bridge, today called Quattro Capi. The architect is very ancient, and was called Fabrizio da L. Fabrizio Presid. delle Strade, who built it at the end of the Republic). This is plate 18 in volume 4 of Piranesi's "Le antichita romane opera di Giambatista Piranesi architetto veneziano" (Roman antiquities by Giambatista Piranesi Venetian architect). It was published in Rome in 1756-1757. This etching depicts the plan and elevation of the bridge now called the Ponte dei Quattoro Capi or Ponte Cestio (Bridge of the Four Heads), which in antiquity was called the Bridge of Fabricius after L. Fabricius, the Superintendant of the Streets who built it at the end of the Republic, around 62 BC. It was also been known in the Middle Ages as ‘Ponte Giudeo’ (Bridge of the Jews). The bridge crossed from the left bank or northeast side of the Tiber River to Tiber Island...
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    1750s Old Masters Landscape Prints

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  • Christ and the Woman of Samaria Among Ruins by James Bretherton after Rembrandt
    By Rembrandt van Rijn
    Located in Middletown, NY
    Bretherton, James (After Rembrandt van Rijn). Christ and the Woman of Samaria Among Ruins. London: c 1775. Etching on light cream laid paper, 4 3/4...
    Category

    18th Century Old Masters Figurative Prints

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    Handmade Paper, Etching, Laid Paper

  • Paysage; Azle D'Aligre
    By Charles-Emile Jacque
    Located in Middletown, NY
    Etching on Chine collé mounted to cream wove paper, 3 5/8 x 5 1/8 (90 x 129 mm), full margins. With a pencil notation in the right margin on the recto (outside of image area), as we...
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    Mid-19th Century Old Masters Landscape Prints

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    Handmade Paper, Etching

  • The little waterfall (Der kleine wasserfall), from Four Landscapes.
    By Herman van Swanevelt
    Located in Middletown, NY
    Etching with engraving on cream laid paper, 7 x 10 3/4 inches (184 x 273 mm), thin margins. Printing anomaly in the lower left quadrant with associated fold. Scattered handling wear...
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    Early 17th Century Old Masters Landscape Prints

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  • Fountains of Rome
    By Giovan Battista Falda
    Located in Middletown, NY
    A charming scene with romping dogs and spectators watching the cascading water play a trick on an unsuspecting man who is sprayed as he descends the steps, as the fountain was design...
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  • Le Tour de Clermont en Dauphine apartenant a Monsieur de Tonnerre
    By Israel Silvestre
    Located in Middletown, NY
    Etching and engraving on handmade cream laid paper, 3 7/8 x 6 7/8 inches (97 x 173 mm), full margins. In good condition, consistent with age. Several small notations in pencil in t...
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    Handmade Paper, Laid Paper, Engraving, Etching

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