Nursemaids: les bonnes de Luxembourg.
View Similar Items
James Abbott McNeill WhistlerNursemaids: les bonnes de Luxembourg.1894
1894
About the Item
- Creator:James Abbott McNeill Whistler (1834-1903, American)
- Creation Year:1894
- Dimensions:Height: 20 in (50.8 cm)Width: 16 in (40.64 cm)Depth: 0.75 in (1.91 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Storrs, CT
- Reference Number:1stDibs: LU33522870803
- The Venetian MastBy James Abbott McNeill WhistlerLocated in Storrs, CTThe Venetian Mast. 1879-80. Etching and drypoint. Kennedy catalog 195 state .vi; Glasgow catalog 219 state x/xii. 13 3/8 x 6 3/8. Glasgow records 53 impressions. A fine, atmospheric...Category
1870s American Impressionist Landscape Prints
MaterialsDrypoint, Etching
- The Church Across the WayBy Childe HassamLocated in Storrs, CTThe Church Across the Way. 1916. Etching. Cortissoz, Clayton 66. 8 1/4 x 4 3/8 (sheet 10 1/16 x 6 1/8). A fine impression with carefully-wiped plate tone printed on white laid paper ...Category
1910s American Impressionist Landscape Prints
MaterialsEtching
$3,500 Sale Price22% Off - Laguna Veneta.By Otto Henry BacherLocated in Storrs, CTLaguna Veneta. 1880. Etching. 5 x 7 1/4 (sheet 8 3/4 x 11 1/4). Venetian series, #22. A rich impression printed on chine collé mounted on white wove paper. Printing fold in the right-hand margin, well outside the image. Signed 'Otto' and dated 'August 23 80' in the plate; "Otto H. Bacher" in pencil. A similar impression is in the Hood Museum of Art, Dartmouth, New Hampshire. Housed in a 16 x 20-inch archival mat, suitable for framing. The view is looking towards the Salute. Laguna Veneta is the bathing ground where Whistler practiced diving. Otto Henry Bacher was a book illustrator and etcher. He joined a colony of American painters established by Frank Duveneck in Polling, Bavaria. In 1880 the 'Duveneck boys', a group that also included John White Alexander...Category
19th Century American Impressionist Landscape Prints
MaterialsEtching
- The Little Wheelwright'sBy James Abbott McNeill WhistlerLocated in Storrs, CTThe Little Wheelwright's. 1886. Etching. Kennedy 245; Glasgow 242. 2 1/2 x 3 3/4 (sheet 5 1/8 x 6 1/8). There was no lifetime edition. Glasgow lists only 13 other known impressions. A fine impression printed in black ink on white laid paper. Monogrammed with the butterfly in the plate. Housed in a 10 X 11 1/2 X 1-inch gold leaf period carved Celtic...Category
Mid-19th Century American Impressionist Figurative Prints
MaterialsEtching
- The Master SmithBy James Abbott McNeill WhistlerLocated in Storrs, CT
The Master Smith. 1895. Lithograph. Way 84; Levy 123; Tedeschi, Stratis and Spink 120.i/ii. 4 1/2 x 5 1/2 (sheet 76 x 5 3/8). Only 15 lifetime impressions (in 2 states) were listed by Way; Goulding printed 38 impressions on 14 December 1903. The stone was erased in 1903. Printed on cream wove proofing paper. Monogrammed with the butterfly in the stone. A fine impression of this extremely rare lithograph.
Tedeschi, Stratis, and Spink write, page 366: As originally transferred to stone, the image includes trial marks made with a pointed crayon to the left of the sitter's shoulder. There is also a smudge at lower right below the image and a small stry mark upper right. Only one impression of this state has been located. Now in the Britigh Museum, London, it once belonged to Thomas Way and is illustrated in the Levy (1975) catalogue.' The impression illustrated above lacks the stray mark on the right, as the sheet is too small to accommodate it.
Tedeschi, Stratis and Spink write, page 366: 'This portrait of George Govier, was drawn ad the master smith conversed with the artist during a break from his work. Govier was born in Lyme Regis...
CategoryLate 19th Century Impressionist Figurative Prints
MaterialsLithograph
$5,000 Sale Price33% Off - Rue FurstenbergBy James Abbott McNeill WhistlerLocated in Storrs, CTRue Furstenberg. 1894. Lithograph. Way 59; Levy 90; Tedeschi, Stratis and Spink catalog 97. Only state. 8 7/8 x 6 1/4 (sheet 14 1/4 x 8 7/8). A fine ...Category
Late 19th Century Impressionist Figurative Prints
MaterialsLithograph
$5,000 Sale Price33% Off
- Original Bruxelles Foire Internationale vintage travel posterLocated in Spokane, WAOriginal linen-backed Bruxelles (Brussels) Foire Internationale oversize vintage travel poster. The poster features the most famous Grand Pal...Category
1950s American Impressionist Figurative Prints
MaterialsLithograph
$958 Sale Price20% Off - Original "Spain" original 1943 travel poster DelpyLocated in Spokane, WAOriginal SPAIN; vintage European antique travel poster. Size: 24.5" 38.25". Year: 1943. Artist: Delpy. Archival linen-backed vintage lithograph, ready to frame. Print...Category
1940s American Impressionist Figurative Prints
MaterialsLithograph
$478 Sale Price20% Off - "Under the Apple Tree", Figurative Chromolithograph after George Niles, 188/250By Louis PrangLocated in Soquel, CAOriginal chromolithograph by Louis Prang (German/American, 1823-1909) of L. Prang & Co. (American, founded 1860), after "Under the Apple Tree" by George E. Niles (American, 1837-1898). This late 19th century figurative chromolithograph depicts a small boy in a country setting and period dress under an apple tree, reaching into a barrel with a basket of apples spilling into the grass. A German style chromolithograph, this limited edition 188/250 print was created with heavy, oil-based inks which were applied in several layers to impart a texture similar to an original oil painting. Signed and dated in the plate "G.E. Niles 1867". Tag on verso with "Prang's American Chromos - Under the Apple Tree, after Niles - Chromolithographed and published by L. Prang & Co. ...Boston". Displayed in a rustic giltwood beveled frame. Image size: 9"H x 7.25"W. Louis Prang was a foremost lithographer and publisher in New York City from the mid to the end of the 19th Century. Born in Breslau, Germany to a father who was a calico printer, he was an apprentice to his father during his teen-age years and then spent five years as a journeyman, learning printing and dyeing and living in Austria, France and England. However, Prang's liberal political vliews caused him to be deported by the Prussian government during the Revolution of 1848, and fled via Bohemia and Switzerland to get to America. In 1850, Prang went to Boston, having stopped briefly in New York City, and became a publisher and taught himself wood engraving. In 1856, he turned to lithography in partnership with Julius Mayer. In 1860, he founded Louis Prang and Co., which was his own company and the first stiff competition to Currier and Ives. A primary reason for this competition was Prang's active imagination and energetic pursuit of his business. During the Civil War, he published maps and battle plans so that people at home could follow military movements. He also created printed card portraits of Union soldiers...Category
Late 19th Century American Impressionist Figurative Prints
MaterialsLithograph, Cardboard
- Skier, Pop Art Lithograph by Alan MardonLocated in Long Island City, NYSkier Allan Mardon, Canadian (1931) Date: Circa 1980 Lithograph, signed and numbered in pencil Edition of 300 Size: 29 in. x 21 in. (73.66 cm x 53.34 cm)Category
1980s American Impressionist Figurative Prints
MaterialsLithograph
- Duck PondBy Harold AltmanLocated in San Francisco, CAArtist: Harold Altman (American, 1924-2003) Title: Duck Pond Year: circa 1980 Medium: Original color lithograph Edition: 285. This one: 29/285 in pencil Paper: Arches Image size...Category
Late 20th Century American Impressionist Landscape Prints
MaterialsLithograph
- Three ChairsBy Harold AltmanLocated in San Francisco, CAArtist: Harold Altman (American, 1924-2003) Title: Three Chairs Year: 1978 Medium: Original color lithograph Edition: Numbered 61/185 in pencil Paper: ...Category
Late 20th Century American Impressionist Landscape Prints
MaterialsLithograph