Items Similar to THE CAPTURE OF MAJOR ANDRE
Want more images or videos?
Request additional images or videos from the seller
1 of 5
James SmillieTHE CAPTURE OF MAJOR ANDRE
About the Item
Smillie, James and Robert Hinshelwood and Alfred Jones. THE CAPTURE OF MAJOR ANDRE. Engraving after the painting by Asher B. Durand, 1845. Printed on cream-colored wove paper. 13 1/8 x 17 inches 333 x 431 mm.(image). In the margin, just under the image, left: "Painted by A.M. Durand," center: "Figures engr'd by Alfred Jones," right: "Landscaped engr'd by Smillie & Hinshelwood." Ttiled "The Capture of Major Andre" in the margin, Center, and further annotated "From a painting by A. B. Durandin the possession of the Honble James K.Paulding / Published by the American Art Union exclusively for the members 1845," with the Seal of the American Art Union, center. Also in the margin: "Printed by W. E. Smith," and "Entered accoding to Act of Congress 1846 by The AmericanArt Union in the Clerk's Office of the District Court of the Southern District of New York." In very good condition.
John Andre (1750 or 1871 - 1780) was a British Army Officer who served, inter alia, as the head of the Army's Secret Service in America during the Revolutionary War. In this capacity, he met with the American General Benedict Arnold, for the purpose of arranging to pay Arnold 20000 pounds (now about 3.5 million pounds) for the surrender of the fort at West Point, NY, of which Arnold was the commander. Andre arrived by ship, and planned to return on it, but it came under American fire and was forced to leave without him. Arnold gave Andre the plans of the Fort, showing how it could be attacked and captured, provided him with a horse and civilian clothes and he attempted to make his way back to his lines. He was inercepted by three American militiamen, who he mistook for British soldiers, and to whom he made incriminating statements. He was searched, and the plans of West Point were found in his boot. He was arrested by them and turned over to their commander, who, not suspecting that Gen. Arnold was the traitor, reported the capture to him. Arnold immediately left West Point and defected to the British. He lived in England thereafter until his death in 1801. George Washington convened a Court Martial to try Andre. It consisted of some of the most distinguished military men of the Revolutionary War. Andre was found guilty and sentenced to death. He asked Washington to allow him to be shot by firing squad, but he was hanged. Andre was a apparently a very engaging, intelligent and accomplished man, and many on the American side lamented his fate, albeit recognizing that it was deserved by his actions. In 1821 his body was returned to England and he bus buried in Westminster Abbey. During the British occupation of Philadelphia, Andre lived in Benjamin Franklin's house. At the behest of his commanding General, Andre removed a portrait of Franklin from the house. In 1906 this portrait was returned to the U.S. by Britain.
James K. Paulding, 1778-1860, was a cousin of John Paulding, one of three militiamen who captured Major Andre. He was a writer of Anti-British satirical works. Although he was from New York, he was pro-slavery and a secessionist. He served as Secretary of the Navy under President Martin Van Buren.
The Durand painting was commissioned by the American Artist's Union in 1845. It is now in the collection of the Birmingham Art Museum in Alabama.
- Creator:James Smillie (1807-1885, American)
- Dimensions:Height: 20 in (50.8 cm)Width: 28 in (71.12 cm)Depth: 1 in (2.54 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Portland, ME
- Reference Number:1stDibs: LU367312957362
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Gold Seller
Premium sellers maintaining a 4.3+ rating and 24-hour response times
Established in 1966
1stDibs seller since 2016
345 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Shipping from: Portland, ME
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllTHE REVELATION OF SAINT JOHN THE DIVINE.
Located in Portland, ME
Crite, Alan Rohan. THE REVELATION OF SAINT JOHN THE DIVINE. Limited Editions Club, NY, 1995. Number 88 of the edition of 300 copies. Large folio (22 x 16 inches) clamshell box in black cloth with morocco label, book in Black Cloth, with morocco label, 58 pages with the text of Revelations in the King James Version, and fifteen "relief engravings" (wood-engravings?) by Alan Crite...
Category
1990s Figurative Prints
Materials
Engraving
THE GREAT FAIR GIVEN AT THE CITY ASSEMBLY ROOMS, NEW YORK, DECEMBER, 1861
By Winslow Homer
Located in Portland, ME
After Homer, Winslow. THE GREAT FAIR GIVEN AT THE CITY ASSEMBLY ROOMS, NEW YORK, DECEMBER, 1861 IN AID OF THE CITY POOR. Wood engraving after a drawing by Homer, published in Harper'...
Category
Mid-19th Century Figurative Prints
Materials
Engraving
SUR LA PLACE
By Jean Jansem
Located in Portland, ME
Jansem, Jean (French 1920-2013). SUR LA PLACE. Drypoint, 1964. Dalavez, page 48. Edition of 40 plus 10 Artist's Proofs. Signed in pencil and numbered 35/40. 13 1/2 x 10 3/4 inches, 2...
Category
1960s Figurative Prints
Materials
Drypoint
GIRL WALKING - PILLAR - SOLDIER
By Reginald Marsh
Located in Portland, ME
Marsh, Reginald GIRL WALKING - PILLAR - SOLDIER. S. 219. Engraving, 1942. State II of II. One of two proofs in this State, annotated "State II, 1/2" and signed by Marsh in pencil. Sa...
Category
1940s Figurative Prints
Materials
Engraving
THE CLINIC
By Peggy Bacon
Located in Portland, ME
Bacon, Peggy. THE CLINIC. Flint 109. Drypoint, 1932. Edition size not known, but likely very small as the print is rare. 4 15/16 x 6 7/8 inches, plus wide margins (the sheet is 11 x ...
Category
1930s American Modern Figurative Prints
Materials
Drypoint
THE BRIDGE
By Frank Benson
Located in Portland, ME
Benson, Frank. THE BRIDGE. Paff 227. Drypoint on copper, 1923. A trial proof of the second state, printed on uncalendared Japanese Vellum, annotated "B-1," the first of two trial pro...
Category
20th Century American Realist Figurative Prints
Materials
Drypoint
You May Also Like
Jorge Castillo - EROTIC COMPOSITION Etching on paper Spanish Surrealism
By Jorge Castillo
Located in Madrid, Madrid
Jorge Castillo - COMPOSICIÓN ERÓTICA (Erotic Composition)
Date of creation: 1977
Medium: Etching on paper
Edition: 75 + 20 E.A.
Size: 50 x 65,5 cm
Condition: In perfect conditions an...
Category
1970s Surrealist Figurative Prints
Materials
Engraving, Etching
The Archer, a Moor holding a Bow
By Johannes Visscher
Located in Stockholm, SE
“The Black Archer” is a striking 17th-century Dutch engraving, executed by Johannes (Jan) de Visscher (c. 1633–c. 1712). It reproduces a captivating design “drawn from life” by his e...
Category
17th Century Baroque Portrait Prints
Materials
Paper, Engraving
Scene Champretre, original lithograph, Epreuve d' Artiste
By Pierre-Eugène Clairin
Located in Belgrade, MT
This piece is part of my private collection of artist lithographs, etchings and engravings from the 20th Century. It is a limited edition Epreuve d' Artiste.
Pierre Eugene Clairin...
Category
20th Century Impressionist Figurative Prints
Materials
Paint, Illustration Board, Engraving, Lithograph
Woman's Head (Vrouwekop), Marguerite Adolphine Helfrich
By Jan Toorop
Located in Fairlawn, OH
Woman's Head (Vrouwekop), Marguerite Adolphine Helfrich
Drypoint, 1897
Signed lower right in pencil: J Toorop; by later hand
Toorop's model for this print was Marguerite Adolphine H...
Category
1890s Jugendstil Figurative Prints
Materials
Drypoint
Darius at 10
By Darius Steward
Located in Fairlawn, OH
Darius at 10
Drypoint, 2022
Signed, titled and numbered in pencil
Printed by Rebekah Wilhelm
Her drystamp lower right
Published by the artist
Edition 14, plus proofs
Condition: Excel...
Category
2010s American Realist Figurative Prints
Materials
Drypoint
Interiors I: Family Reunion — A penetrating scene with a hidden homage to Eadwea
By Peter Milton
Located in Middletown, NY
Interiors I: Family Reunion
1984
Resist ground etching and engraving on BFK Rives wove paper, 20 x 36 inches (501 x 913 mm), full margins. Signed, titled, dated and numbered 49/175 in pencil, lower margin. In excellent condition with minor mat tone. A luminous, rich, and well-inked impression of this haunting image, with astonishing detail and depth. Framed handsomely under museum grade glass with archival materials in a solid wood frame with silver finish. [Milton 107]
Intended to be a stand alone image in its inception, Family Reunion ended up spawning seven additional images, and became a sort of Primo Pensiero in the sprawling, masterpiece suite now known as Interiors. The suite took eight years to complete, and consists of works of varying format, psychological intensity, and subject matter. The thematic darkness in the eight images waxes and wanes, and Milton intentionally included several interlude works to lighten the tension he felt while composing several of the darker images. The first two in the series, Family Reunion, and Hotel Paradise Café, were meant to be companion pieces. The equilibrium of each composition is anchored on a central brooding figure; a man (perhaps based on a Thomas Eakins portrait of the American anthropologist Frank Hamilton...
Category
1980s American Modern Figurative Prints
Materials
Etching, Engraving
