Jean CocteauJean Cocteau - Spanish Guitarist - Original DrawingCirca 1930
Circa 1930
About the Item
- Creator:Jean Cocteau (French)
- Creation Year:Circa 1930
- Dimensions:Height: 47 in (119.38 cm)Width: 33 in (83.82 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Collonge Bellerive, Geneve, CH
- Reference Number:1stDibs: LU16125653332
Jean Cocteau
Jean Cocteau was a French painter, poet, designer, printmaker, playwright and filmmaker. He is one of the most important figures of French Surrealism, although he always denied being in any way connected to the movement.
Cocteau was born to a socially prominent Parisian family. His father, George Cocteau, was an amateur painter who committed suicide when Jean was only a child. Jean became famous in Bohemian circles as "The Frivolous Prince." In 1912, he collaborated with the Ballets Russes. After World War I, Cocteau met the poet Guillaume Apollinaire and the artist Pablo Picasso. In 1917, thanks to Sergei Diaghilev, a Russian impresario, Cocteau wrote a scenario for the ballet Parade — the set of this important ballet was realized by Pablo Picasso and the music was composed by Erik Satie. In the late 1920s, Cocteau wrote the libretto for Igor Stravinsky’s opera-oratorio Oedipus Rex. In 1918, he met the French poet Raymond Radiguet. They worked and went on many journeys together, and Cocteau promoted his friend's works in his artistic group.
Cocteau is well-known for his novel Les Enfants Terribles (1929) and the films The Blood of a Poet, Beauty and the Beast and Orpheus. During World War II, he created sets for the Théâtre de la Mode. In 1955, he was elected to the Académie Française and the Royal Academy of Science, Letters and Fine Arts of Belgium. He was commander of the Legion of Honour, a member of the Academié Mallarmé, the Academy of Arts (Berlin) and the American Academy of Arts and Sciences.
Find Jean Cocteau art today on 1stDibs.
- ShippingRetrieving quote...Ships From: Collonge Bellerive, Geneve, Switzerland
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- Pablo Picasso - Painter and His Model - Original LithographBy Pablo PicassoLocated in Collonge Bellerive, Geneve, CHPablo Picasso - Original Lithograph Title: Painter and his Model Edition of 180 From the book "Regards sur Paris" (Paris: Andre Sauret, 1962) Unsigned, as issued Dimensions: 39 x 30 cm References: Mourlot 354, Bloch 1035 Pablo Picasso Picasso is not just a man and his work. Picasso is always a legend, indeed almost a myth. In the public view he has long since been the personification of genius in modern art. Picasso is an idol, one of those rare creatures who act as crucibles in which the diverse and often chaotic phenomena of culture are focussed, who seem to body forth the artistic life of their age in one person. The same thing happens in politics, science, sport. And it happens in art. Early life Born in Malaga, Spain, in October of 1881, he was the first child born in the family. His father worked as an artist, and was also a professor at the school of fine arts; he also worked as a curator for the museum in Malaga. Pablo Picasso studied under his father for one year, then went to the Academy of Arts for one year, prior to moving to Paris. In 1901 he went to Paris, which he found as the ideal place to practice new styles, and experiment with a variety of art forms. It was during these initial visits, which he began his work in surrealism and cubism style, which he was the founder of, and created many distinct pieces which were influenced by these art forms. Updates in style During his stay in Paris, Pablo Picasso was constantly updating his style; he did work from the blue period, the rose period, African influenced style, to cubism, surrealism, and realism. Not only did he master these styles, he was a pioneer in each of these movements, and influenced the styles to follow throughout the 20th century, from the initial works he created. In addition to the styles he introduced to the art world, he also worked through the many different styles which appeared, while working in Paris. Not only did he continually improve his style, and the works he created, he is well known because of the fact that he had the ability to create in any style which was prominent during the time. Russian ballet In 1917, Pablo Picasso joined the Russian Ballet, which toured in Rome; during this time he met Olga Khoklova, who was a ballerina; the couple eventually wed in 1918, upon returning to Paris. The couple eventually separated in 1935; Olga came from nobility, and an upper class lifestyle, while Pablo Picasso led a bohemian lifestyle, which conflicted. Although the couple separated, they remained officially married, until Olga's death, in 1954. In addition to works he created of Olga, many of his later pieces also took a centralized focus on his two other love interests, Marie Theresa...Category
1960s Modern Portrait Prints
MaterialsLithograph
- Jean Cocteau - Original LithographBy Jean CocteauLocated in Collonge Bellerive, Geneve, CHUntitled Original Lithograph by Jean Cocteau with the printed signature, as issued Dimensions: 40 x 30 cm Including artist's stamp Jean Cocteau Writer, artist and film director Je...Category
1950s Modern Figurative Prints
MaterialsLithograph
- Jean Cocteau - Young Woman - DrawingBy Jean CocteauLocated in Collonge Bellerive, Geneve, CHJean Cocteau - Young Woman - Drawing Circa 1912 27 x 21 cm Unsigned With an attestation of authenticity by Annie Guédras, Jean Cocteau Writer, artist and film director Jean Cocte...Category
1920s Modern Figurative Prints
MaterialsInk
- Marc Chagall - Revolution - Original 1960s Poster for Galiera MuseumBy Marc ChagallLocated in Collonge Bellerive, Geneve, CHafter Marc CHAGALL (1887 - 1985) Poster for "Les peintres témoins de leur temps Musée Galiera" 1963 Created by Charles Sorlier after Chagall's 1937 painting...Category
1960s Modern Figurative Prints
- Jean Dubuffet - original lithograph from XXe Siecle magazineBy Jean DubuffetLocated in Collonge Bellerive, Geneve, CHJean Dubuffet - Original Lithograph from XXe Siecle magazine 1958 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. Unsigned and unumbered as issuedCategory
1960s Modern Figurative Prints
MaterialsLithograph
- Alexander Calder - Original Lithograph - Behind the MirrorBy Alexander CalderLocated in Collonge Bellerive, Geneve, CHAlexander Calder - Original Lithograph - Behind the Mirror Original lithographs produced in 1976 Dimensions: 38 x 56 cm Source: Derrière le miroir (...Category
1970s Modern Portrait Prints
MaterialsLithograph
- Bohemian Woman - Rare and Signed Graphite Portrait Drawing on Textured PaperLocated in Soquel, CABohemian Woman - Signed Graphite Portrait Drawing on Textured Paper Portrait of a woman in a Boehme Bandana with exaggerated eyes and a parted smile. A Carbon Pencil and eraser original drawing by Eugene Hawkins (American, b. 1933). Signed and dated upside-down along the bottom edge: "Eugene May 13th 1976" Presented in a new black mat. Mat size: 20"H x 16"W Paper size: 15"H x 11"W Eugene Hawkins (American, b. 1933) is a BIPOC artist known for his detailed portraiture and printmaking. He is listed in Who Was Who in American Art, 1564-1975, and his work was exhibited in the Whitney Museum of American Art. He spent the majority of his life working and exhibiting in Southern California. His work frequently touches upon socio-political subjects, making strong statements about the world. The California African American Museum features Eugene Hawkins's work in the Permanent Collection.Exhibition: 2017 Paperworks: Selections from the Permanent Collection focuses on works on paper produced from 1800?2000 and includes figurative, impressionistic, and abstract styles. The exhibition showcases the radically diverse range of works on paper created by African American and other artists over the last two centuries, and includes drawings, prints, paintings, and collages by Edward Mitchell Bannister...Category
1970s American Modern Portrait Prints
MaterialsCarbon Pencil, Paper
- Silkscreen with Old Testament Psalm 57 pencil signed 255/300 provenance letterBy Ben ShahnLocated in New York, NYBen Shahn Silkscreen inspired by Old Testament Psalm 57, 1967 Silkscreen on Japon paper Hand signed and numbered 255/300 by the artist on the front, with a copy of the provenance let...Category
Mid-20th Century Modern Figurative Prints
MaterialsScreen, Pencil
- Alpine Landscape - Drawing by Marie Hector Yvert - 19th centuryBy Marie Hector YvertLocated in Roma, ITAlpine Landscape is an original Artwork, Drawing, realized in the second half of the 19th Century by Marie Hector Yvert. Original pencil and white chalk on brown paper. Stamp of At...Category
19th Century Modern Figurative Prints
MaterialsPaper, Chalk, Pencil
- Transparency, signed limited edition print from pioneering British Pop ArtistBy Joe TilsonLocated in New York, NYJoe Tilson Transparency, 1970 Color silkscreen Signed and numbered 166 from the edition of 500 in pencil in upper margin Frame Included: held in the original vintage wood frame A lov...Category
1970s Pop Art Figurative Prints
MaterialsScreen, Pencil
- Madonna NYC 83 Figurative Pop historic Pop poster hand signed by photographerBy Richard CormanLocated in New York, NYRichard Corman Madonna NYC 83, 2013 Offset lithograph poster on high quality thin card paper (hand signed by the photographer) Hand signed by Richard Corman on the lower left front 3...Category
2010s Pop Art Portrait Prints
MaterialsOffset, Pencil, Lithograph
- O'Neill accuses Faulkner of lack of loyalty and support (Nancy & Jim Dine)By R.B. KitajLocated in New York, NYRonald B. (R.B.) Kitaj Nancy and Jim Dine, or O'Neill accuses Faulkner of lack of loyalty and support (Kinsman 40), 1970 16 Color Silkscreen with collage and coating on different wove papers Hand signed and numbered in pencil 29/70 on the front. The back (which is framed) bears the Kelpra Studio blindstamp Frame included: held in the original vintage metal frame Very rare stateside. Other editions of this work are in the permanent collections of major institutions like the British museum, which has the following explanation: "The artist Jim Dine and his wife Nancy were close to Kitaj and his family, especially after the death of Elsi, Kitaj's first wife in 1969. They sometimes stayed with the Dines at their farm in Vermont during Kitaj's second teaching sojourn in the United States. Dine and Kitaj held a joint show at the Cincinnati Museum of Art in 1973. In the catalogue both artists contributed an insightful 'essay' on each other with Dine stressing Kitaj's obsession with all things American and baseball-related...' The alternate title, "O'Neill accuses Faulkner of lack of loyalty and support" can be seen on the artwork itself, and clearly is some kind of inside joke among friends. By the way -- do you see the way the colored dots are placed over the figures? Kitaj was doing this well before Baldessari who made it famous; that's how pioneering he was at the time. Referenced in the catalogue raisonne of Kitaj's prints, Kinsman, 40 Published and printed by Chris Prater of Kelpra Studio, Kentish Town, United Kingdom Ronald Brooks (RB) Kitaj Biography R.B. (Ronald Brooks) Kitaj was born in 1932 in Cleveland Ohio. One of the most prominent painters of his time, particularly in England where he spent some four decades spanning the late 1950s through the late 1990s, Kitaj is considered a key figure in European and American contemporary painting. While his work has been considered controversial, he is regarded as a master draughtsman with a commitment to figurative art. His highly personal paintings and drawings reflect his deep interest in history; cultural, social and political ideologies; and issues of identity. Part of an extraordinary cohort who emerged from the Royal College of Art circa 1960, which included Peter Blake, Patrick Caulfield, and David Hockney, Kitaj was immediately pegged as one of its leading figures. The London Times greeted his first solo show in 1963 as a long-awaited and galvanizing event: “Mr. R.B. Kitaj’s first exhibition, now that it has at last taken place, puts the whole ‘new wave’ of figurative painting in this country during the last two or three years into perspective.” In 1976, KItaj curated the exhibition The Human Clay, and in the essay he wrote for it he proposed the existence of a “School of London”—a label which stuck to a group of painters that includes Francis Bacon, Frank Auerbach, Lucian Freud, Leon Kossoff, Michael Andrews...Category
1970s Pop Art Figurative Prints
MaterialsMixed Media, Screen, Pencil