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Jean-Emile LaboureurUne Marmite1916
1916
$875
£678.29
€767.77
CA$1,252.31
A$1,366.55
CHF 709.32
MX$16,349.62
NOK 9,003.54
SEK 8,433.50
DKK 5,735.03
About the Item
Jean-Emile Laboureur (1877-1943), Une Marmite, engraving, 1916, signed in pencil lower left; titled, dated and inscribed “epreuve de 1er etat” bottom margin edge [with the initial and date in the plate]. Reference: S. Laboureur 149, first state (of 4); only 8 or so impressions in the first state (this may be the first); in the published state, with lettering at the bottom, there were 135 proofs. In very good condition (the margin at right cut a bit ragged and close to the plate mark, but still away from it), 7 x 5 1/2, the sheet 8 1/4 x 6 3/8 inches.
A fine impression, printed on a thin cream laid paper.
This is obviously a wartime print, with the two soldiers at the corner viewing an explosion behind them. This is a plate from a series called “Des Petite Images de la Guerre sur le front Britannique.”
A relatively early example of Laboureur’s adoption of the cubist idiom, done in engraving.
- Creator:Jean-Emile Laboureur (1877-1943, French)
- Creation Year:1916
- Medium:
- Movement & Style:
- Period:
- Condition:In good condition for an early proof; right margin narrow as shown.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU51531688133
Jean-Emile Laboureur
Jean Émile Laboureur, born in Nantes on 16 August 1877 and died in Kerfalher in Morbihan on 16 June 1943, was a French painter, draughtsman, engraver, aquafortist, lithographer and illustrator. Author of numerous engravings with burin, in individual plates or for books, he illustrated nearly eighty books, often by contemporary authors such as André Maurois, Jean Giraudoux, Colette, André Gide, Paul-Jean Toulet, Maurice Maeterlinck or François Mauriac. A painter of genre paintings, landscapes, animated or not, still lifes, he also created some frescoes and sculptures. His works are kept in several national and provincial museums. He founded or chaired associations of independent artists.

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