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Joan Miro, Untitled, from XXe Siecle, 1954 (after)
1954

$716

$89520% Off

£557.44

£696.8020% Off

€633.90

€792.3820% Off

CA$1,029.40

CA$1,286.7620% Off

A$1,130.49

A$1,413.1120% Off

CHF 590.36

CHF 737.9520% Off

MX$13,492.82

MX$16,866.0220% Off

NOK 7,479.31

NOK 9,349.1320% Off

SEK 6,971.01

SEK 8,713.7620% Off

DKK 4,734.41

DKK 5,918.0120% Off

About the Item

This exquisite lithograph, after Joan Miro (1893–1983), titled Sans titre (Untitled), from the album XXe Siecle, vol. No. 4, 1954, originates from the 1954 edition published by Societe Internationale d'Art XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1954. Sans titre reflects Miro’s poetic universe of floating symbols, radiant color, and dreamlike abstraction. Executed as a lithograph on velin paper, this work measures 12.5 x 9.75 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Joan Miro (1893–1983) Title: Sans titre (Untitled) Medium: Lithograph on velin paper Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1954 Publisher: Societe Internationale d'Art XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, vol. No. 4, 1954, published by Societe Internationale d'Art XXe Siecle, Paris; printed by Mourlot Freres, Paris, 1954 About the Publication: Gualtieri di San Lazzaro's XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs and woodcuts printed by the foremost ateliers of Paris, Milan, and New York, including Mourlot, Curwen, and Amilcare Pizzi, creating a uniquely rich dialogue between text and image. The 1960 issue, XXe Siecle, Nouvelle serie, No. 14, showcased Daphnis et Chloe, one of Chagall’s most celebrated lithographic subjects, coinciding with his work on the monumental suite of lithographs inspired by the same pastoral tale, published by Teriade. Through this publication, San Lazzaro further cemented Chagall’s reputation as the modern poet of color and love, uniting myth, nature, and emotion in visual form. Today, XXe Siecle remains an essential record of 20th century modernism, celebrated for its seamless integration of fine art, literature, and design. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro's inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro's work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture Etoile Bleue (1927), which sold for 23561250 GBP (approximately 37 million USD) at Sothebys London on June 19, 2012. After Joan Miro Sans titre, Miro XXe Siecle 1954, Miro Mourlot lithograph, Miro velin paper, Miro collectible print.

Creation Year:

1954

Dimensions:

Height: 13.375 in (33.98 cm)Width: 9.5 in (24.13 cm)

Medium:

Lithograph

Movement & Style:

Modern

After:

Joan Miró (1893 - 1983, Catalan)

Period:

1950-1959

Condition:

Gallery Location:

Southampton, NY

Reference Number:

Surrealist composition

By (after) Joan Miró

Located in Henderson, NV

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

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