Julian Opie

Standing Couples: Carmen and Fabien

2024

Artist: Julian Opie Title: Stephanie and Joshua Portfolio: Standing Couples Medium: Relief print with collage on archival Museum Board, presented in a sprayed white frame specified b...

Artist: Mr. Brainwash Title: Keep a Child Alive (Pink) Medium: Screenprint in colors on archival paper Date: 2012 Edition: HC (aside from the edition of 150) Sheet Size: 30" x 22 1/4...

Artist: Mr. Brainwash Title: Balloon Girl Medium: Unique silkscreen on paper Date: 2023 Edition: One of a kind Frame Size: 36 3/4" x 29 1/4" Sheet Size: 30" x 22" Signature: Hand sig...

Artist: Mr. Brainwash Title: Love is in the Air (Toronto) Medium: Screenprint in colors on wove paper Date: 2019 Edition: PP 2/5 (aside from the edition of 50) Sheet Size: 30" x 22 1...

Visual poems, the works in Vicuña’s 'PALABRARmas' series are carefully attuned to the power of language. Many of these works incorporate wordplay, and throughout her practice, Vicuña treats words as embodied entities whose forms can be parsed to reveal subliminal meanings across a variety of languages. For the series title, Vicuña has invented the word “palabrarmas,” a fusion of “palabra” (Spanish for “word”) and “armas” (“weapon”). At the same time, “palabrarmas” also suggests an even wider range of meanings, bearing similarities, for instance, to a portmanteau of the the verb “apalabrar” (“to agree on”), and the word “más” (more). Just as Vicuña emphasizes the capacity of words to cause violence and destruction, so she also suggests that they can be potent tools of reconciliation and understanding. In 'Sol y dar y dad' (1974/2016), Vicuña again looks to language as she considers notions of truth and community, and she extracts from “solidaridad” (Spanish for “solidarity”) the word “sol” (“sun”) and the Spanish verb “dar” (“to give”). Another edition of this work was exhibited as part of 'Cecilia Vicuña...

Visual poems, the works in Vicuña’s 'PALABRARmas' series are carefully attuned to the power of language. Many of these works incorporate wordplay, and throughout her practice, Vicuña treats words as embodied entities whose forms can be parsed to reveal subliminal meanings across a variety of languages. For the series title, Vicuña has invented the word “palabrarmas,” a fusion of “palabra” (Spanish for “word”) and “armas” (“weapon”). At the same time, “palabrarmas” also suggests an even wider range of meanings, bearing similarities, for instance, to a portmanteau of the the verb “apalabrar” (“to agree on”), and the word “más” (more). Just as Vicuña emphasizes the capacity of words to cause violence and destruction, so she also suggests that they can be potent tools of reconciliation and understanding. Another edition of this work was exhibited as part of 'Cecilia Vicuña...

This artwork titled "Vacance" 1980 is an original color serigraph on paper by renown artist Hiro Yamagata (Japanese, b. 1948) It is signed and numbered 204/300 in pencil by the artis...

Gavin Dobson Dipping Ricky Limited Edition Screen Print Edition of 50 Sheet Size: H 70cm x W 50cm x D 0.1cm Sold Unframed (Please note that in situ images are purely an indication of...