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Karl Schmidt-RottluffBy the Nets Bei den Netzen1914
1914
About the Item
KARL SCHMIDT-ROTTLUFF 1884-1976
Rottluff, Germany 1884 - 1976 Berlin (German)
Title: By the Nets Bei den Netzen, 1914
Technique: Original hand signed woodcut on laid paper
Paper Size: 51.2 x 62.4 cm. / 20.2 x 24.6 in.
Additional Information: This original woodcut is hand signed by the artist in pencil "S. Rottluff" at the lower right margin.
This is the fifth woodcut of the portfolio "Zehn Holzschnitte von Schmidt-Rottluff" [Ten Woodcuts by Schmidt-Rottluff] that was published in 1919.
It was published by Graphisches Kabinett J. B. Neumann, Berlin in a limited unnumbered edition of 75 plus some proofs.
The printer was Fritz Voigt, Berlin.
Other impressionsof this work can be found in the collection of the Musum of Modern Art (MOMA), New York and the de Young Fine Art Museums of San Francisco.
Note:
It was in 1905, whilst in Dresden and enrolled on an architecture course that Karl Schmidt-Rottluff began to experiment with the woodcut technique. The technique itself is synonymous with Germanic artistic traditions. The tactile essence and fragility of the medium as well as the reductive nature of carving in relief was likely a habitual calm for the artist’s nerves during his time on the Eastern front and following his return to Berlin. Whilst the material may be soft and conquerable, the stark black inked images are robust, sharp and dominant. The artist’s own response to the war can be seen clearly even in mundane scenes of civilian life. Schmidt-Rottluff proclaimed, “I really feel pressure to create something that is as strong as possible. The war has really swept away everything from the past.” His woodcuts embody this resilient spirit.
Literature:
Schapire, R. & Rathenau, E. (1987). Karl Schmidt-Rottluff: Das Graphische Werk Bis 1923. Berlin: Vormals Euphorion Verlag.
Reference:
Schapire 165.
Condition: Very good condition. Some tape remains verso
- Creator:Karl Schmidt-Rottluff (1884-1976, German)
- Creation Year:1914
- Dimensions:Height: 20.16 in (51.2 cm)Width: 24.57 in (62.4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU180774442
Karl Schmidt-Rottluff
Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died August 9, 1976, West Berlin [now Berlin]), German painter and printmaker who was noted for his Expressionist landscapes and nudes. In 1905 Schmidt-Rottluff began to study architecture in Dresden, Germany, where he and his friend Erich Heckel met Ernst Ludwig Kirchner and Fritz Bleyl, two other architecture students who shared their passion for painting. Together they formed the organization of Expressionist artists known as Die Brücke (“The Bridge”), united by the goal of creating a modern, intensely emotional style. The artists of Die Brücke typically preferred to portray scenes of urban life, but Schmidt-Rottluff is particularly known for his rural landscapes. He initially painted in an Impressionist style, but his painting Windy Day (1907) shows the artist’s transition to his mature style, which is characterized by flat areas of boldly dissonant colours. A representative example of this mature work is Self-Portrait with Monocle (1910). Like the other Brücke artists, Schmidt-Rottluff had also begun to explore the expressive potential of the woodcut medium. In 1911 Schmidt-Rottluff, with his fellow Die Brücke members, moved to Berlin, where he painted works with more angular, geometric forms and distorted space, revealing his new interest in Cubism and African sculpture. After World War I Schmidt-Rottluff became increasingly interested in religious themes, as seen in the woodcut Head of Christ (1918), which is one of a series of prints about the life of Christ. During the 1920s Schmidt-Rottluff’s work became more subdued and harmonious, losing much of its former vigour and integrity. When the Nazis gained power in Germany, he was forbidden to paint. After World War II he taught art and resumed painting, although he never regained the power of his early works.
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