Katie Eleanor

Hand coloured print Portrait detail of a devil creature immobilised in marble

2019

Katie Eleanor, "Cleansing a Shrike (Blackbird’s Birdbath)", 2018 Handcoloured portrait of a bird-like spirit, immobilised in marble, cleansing in a sprin...

Hand-coloured portrait of nymph Daphne, immobilised in marble, as she is transformed into a laurel tree. Birthed in Greek Mythology, Daphne is associated with bodies of freshwater and is an unwilling object of the god Apollo...

Handcoloured portrait of nymph Daphne, immobilised in marble, as she is transformed into a laurel tree. Birthed in Greek Mythology, Daphne is associated with bodies of freshwater and is an unwilling object of the god Apollo’s desire. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: Daphne II...

Handcoloured portrait of a conjoined siren, immobilised in marble, locked in a sisterly embrace. Inspired by 19th-century cabinet cards, medical illustration, sweet singing Scottish Selkies, Lyra and her sister defend each other's isolation. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Lyra’s Lips are as White as Mine’, 2019 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag Fine Art Paper (100% cotton) 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...

"Demi-God of Discontent" is an original etching and aquatint made with Chine Colle by Molly McKee. The artist signed the piece in the lower right, titled it lower center, and wrote the edition number (2/10) in the lower left. It depicts a few abstracted human figures in McKee's surreal and horror-inspired style. 11 3/4" x 9" art 24 7/8" x 17 1/2" frame This surreal etching...

Artist: Jose Luis Cuevas, Mexican (1934 - ) Title: Macbeth Year: 1987 Medium: Lithograph with Collage on Arches, signed and numbered in pencil Edition: 110 Size: 24 x 33.5 in. (60.9...

Devils is an original china ink and watercolor drawing on ivory paper by Anonymous Artist of the mid-20th Century. In excellent conditions: As good as new. Image Dimensions: 18 x 20...

Figure 1, 1971 Colin Self Etching, open bite, printed in black, on wove Signed, titled, dated and numbered from the edition of 60 verso From Prelude to 1000 Temporary Objects of our...