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Kenneth Hayes Miller"Play, " Figurative Etching Nude with Children signed by Kenneth Hayes Millerc. 1921
c. 1921
About the Item
"Play" is an original etching by Kenneth Hayes Miller. The artist signed the piece in pencil and in the plate. This piece features a nude figure with two smaller doll-like figures.
4 5/8" x 6" art
17 3/8" x 19 3/4" frame
Kenneth Hayes Miller (March 11, 1876 – January 1, 1952) was an American painter, printmaker, and teacher.
Born in Oneida, New York, he studied at the Art Students League of New York with Kenyon Cox, Henry Siddons Mowbray and with William Merritt Chase at the New York School of Art. His early works were influenced by the paintings of his friend Albert Pinkham Ryder, and depict figures in phantasmagorical landscapes.
After 1920 Miller became interested in the underpainting-and-glazing techniques of the old masters, which he employed in painting contemporary scenes. He is especially noted for his many paintings of women shopping in department stores. The art historian M. Sue Kendall says: "In their classical poses and formalized compositions, Miller’s shoppers become ovoid and columnar forms in cloche hats and chokers, a study of geometricized volumes in space trying to inhabit a single shallow picture plane." Active as a printmaker throughout his career, Miller created many etchings, some of which reproduce his painted compositions.
Although he used traditional methods and was hostile to artistic modernism, Miller believed that good art is always radical in nature. He was a socialist, and intended his art to have a political dimension.
By the time of his death in New York City in 1952, his reputation was in eclipse, but he was rediscovered in the 1970s.
- Creator:Kenneth Hayes Miller (1876-1952, American)
- Creation Year:c. 1921
- Dimensions:Height: 19.375 in (49.22 cm)Width: 19.75 in (50.17 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Milwaukee, WI
- Reference Number:
Kenneth Hayes Miller
Kenneth Hayes Miller is best known as a teacher and founder of what became known as the Fourteenth Street school. While paintings of middle-class female shoppers from his mature period are his best known, he had a long, distinctly different early phase. Miller was born in the utopian community of Oneida and studied art in the 1890s at the New York School of Art with William Merritt Chase and later at the Art Students League with several prominent, traditional, mural painters, such as Kenyon Cox and H. Siddons Mowbray. Works from his first sustained period of painting are mostly of nude figures set in idealized, romantic landscapes. These poetic, somewhat symbolic paintings, similar to the art of his contemporaries Arthur B. Davies and Bryson Burroughs, were largely inspired by Albert Pinkham Ryder, an artist Miller admired and befriended. After World War I Miller turned to realism. Like the Ash Can school painters, he became a delineator of the ordinary pedestrian, but unlike them was fascinated with the human figure as a vehicle for plastic interpretation. His painting style became less atmospheric as he brightened his palette and delineated objects more clearly. His depictions of robust female shoppers in groups, pairs, or alone established his reputation in the 1920s and 1930s. He also continued to paint the female nude but placed the figure in interior settings and rendered it as a more sensuous and real body than he had in his earlier idealized works. Throughout his career Miller was also interested in etching and sometimes repeated his painted images in prints. After a trip to Europe in 1900 Miller began a long teaching career, first at the Chase School of Art, and when that dissolved, in 1911 he began his more than forty-year association with the Art Students League. His numerous students there included Peggy Bacon, George Bellows, Isabel Bishop, Arnold Blanch, Patrick Henry Bruce, Minna Citron, John McCrady, Thelma Cudlipp, Horace Day, Dorothy Eaton, Arnold Friedman, Lloyd Goodrich, Josephine Hopper, Rockwell Kent, Yasuo Kuniyoshi, Emma Fordyce MacRae, Edward Middleton Manigault, Reginald Marsh, George L.K. Morris, Walter Tandy Murch, Louise Emerson Ronnebeck, George Tooker, Russel Wright, Albert Pels, William C. Palmer, Molly Luce, and Helen Winslow Durkee. In his teaching Miller stressed the importance of learning from the art of the past, in particular that of the Renaissance. He was also instrumental in reviving old-master techniques such as casein and tempera painting.
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