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Léonard Tsugouharu FoujitaComposition, Propos d'un intoxiqué, Léonard Tsugouharu Foujita (藤田 嗣治)1929
1929
About the Item
Lithograph, stencil on vélin paper. Paper size: 11.42 x 9.05 inches. Inscription: signed in the plate and unnumbered, as issued. Notes: from the folio, Propos d'un intoxiqué, Aquarelles de Foujita, 1929. Published by Éditions Javal et Bourdeaux, Paris; rendered by Daniel Jacomet, Paris; printed by Gaston Prost, Paris, 1929. Excerpted from the folio (translated from French), Propos d'un intoxiqué, illustrated with sixteen watercolors by Foujita, lithographed by Prost and colored by Daniel Jacomet, were printed in XCVII examples, namely: XXII examples on Japon aneien, numbered from I to XXII, containing seven states: X in color on Japon impérial; XX in color with remarks on Japon impérial; XXX of the lithographic line with remarks on vieux Japon; XL of the lithographic line without remarks on vieux Japon; L in color on annam; LX of the line on annam; LXX in color on vélin. L examples on Japon impérial, numbered from XXIII to LXXII, containing einq states: XX in color on Japon impérial; XX in color with remarks on Japon impérial; XXX in color on annam; XL of the line on annam; L in color on vélin. XXV copies on annam numbered in Roman numerals from I to XXV and including three states: X in colors on annam; XX of the line on annam; XXX in color on vélin. It was shot in addition, XXV sequels of the XVI illustrations constituted with IV states, numbered in Roman numerals from XXVI to L: X in color on annam; XX in color on vellum; XXX of the line on Japon aneien; XL of the line on annam.
LEONARD TSUGUHARU FOUJITA (藤田 嗣治) (1886–1968) was a Japanese–French painter. After having studied Western-style painting in Japan, Foujita traveled to Paris, where he encountered the international modern art scene of the Montparnasse neighborhood and developed an eclectic style that borrowed from both Japanese and European artistic traditions. With his unusual fashion and distinctive figurative style, Foujita reached the height of his fame in 1920s Paris. His watercolor and oil works of nudes, still lifes, and self-portraits were a commercial success and he became a notable figure in the Parisian art scene.
Foujita spent three years voyaging through South and North America before returning to Japan in 1933, documenting his observations in sketches and paintings. Upon his return home, Foujita became an official war artist during World War II, illustrating battle scenes to raise the morale of the Japanese troops and citizens. His oil paintings won him acclaim during the war, but the public's view of him turned negative in the wake of the Japanese defeat. Without significant prospects in the post-WWII Japanese art scene, Foujita returned to France in 1950, where he would spend the rest of his life. He received French nationality in 1955 and converted to Catholicism in 1959. His latter years were spent working on the frescoes for a small, Romanesque chapel in Reims that he had constructed. He died in 1968, not long after the chapel officially opened. Foujita is a much-celebrated figure in France, but public opinion of him in Japan remains mixed due to his monumental depictions of the war. Recent retrospective exhibitions organized since 2006 in Japan have sought to establish Foujita's place in Japanese twentieth-century art history.
- Creator:Léonard Tsugouharu Foujita (1886-1968, French, Japanese)
- Creation Year:1929
- Dimensions:Height: 11.42 in (29.01 cm)Width: 9.05 in (22.99 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Auburn Hills, MI
- Reference Number:1stDibs: LU1465216310682
Léonard Tsugouharu Foujita
Léonard Tsugouharu Foujita was a painter and printmaker, born in 1886 in Edogawa, Tokyo. He received his formal training at the Imperial School of Fine Arts, quickly attracting success with commissions from the emperors of Korea and Japan. In 1913, he traveled to Paris, immediately befriending many of the leading painters of the day, including Pablo Picasso, Juan Gris, Henri Matisse, Henri Rousseau, and Chaim Soutine. He struck up a particularly close friendship with the famous Italian artist Amedeo Modigliani. Known for his eccentric personality, Foujita developed a colorful reputation through his cropped hairstyle, hoop earrings, and glasses. But beyond his public image, Foujita took his work very seriously, displaying a fondness for white and pale shades like lavender and gray. Foujita walked a fine line between Japanese and European art and was repeatedly inspired by women and cats. Following the breakup of his third marriage, Foujita left Paris for Latin America, spending time in Brazil, Mexico, Cuba, and Argentina, before eventually returning to Japan, where he lived during World War II. Following the war, Foujita again left Japan for France, eventually becoming a citizen in 1955. Later in life, Foujita converted to Catholicism, and decorated a cathedral in the city of Reims. Foujita then adopted the Christian name Léonard, in homage to Leonardo da Vinci, and was buried in Reims following his death in 1968 at the age of 81. Today, his work can be found in numerous public collections including the Hiroshima Museum of Art, the National Museum of Modern Art and the National Museum of Western Art in Japan
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