Lester JohnsonStreet Scene, Pop Art Screenprint by Lester Johnsoncirca 1980
circa 1980
About the Item
- Creator:Lester Johnson (1919 - 2010, American)
- Creation Year:circa 1980
- Dimensions:Height: 36 in (91.44 cm)Width: 28.5 in (72.39 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Long Island City, NY
- Reference Number:1stDibs: LU4664997851
Lester Johnson
A New York artist, known as a second-generation Abstract Expressionist, Lester Johnson was born to a large Lutheran family in Minneapolis. He studied at the Minneapolis School of Art and the St. Paul Art School. There, he was introduced to Hans Hofmann's teaching approach, particularly the push and pull effects of form and color by St. Paul teachers Alexander Masley and Cameron Booth, both of whom had studied with Hofmann in Munich. After further study at the Chicago Art Institute, Johnson moved to New York City in 1947 and became one of the first downtown loft-dwellers. He shared a lower East Side studio with Larry Rivers and attended some of Hofmann's New York classes. Rents were cheap, but Johnson was broke much of the time as he tried to support his painting through a variety of part-time jobs, including teaching art. In 1950, he and realist figurative painter Philip Pearlstein shared studio space. Lester's wife, Jo, had introduced the two artists at a time when she and Pearlstein were studying art history at New York University.
Johnson's various studios, on the Bowery and elsewhere, were always one flight up with a view of Manhattan's active street life. No wonder, for over 50 years, street scenes have been a dominant part of his art. Johnson adopted the working techniques of action painting, which meant he used a great deal of paint. A tube of oil paint might be expended in seconds as he, like Pollock, physically projected himself into the work. The images that Johnson produced were not decorative, but stubbornly confrontational, oversize, brooding, thickly encrusted, scarred surfaces that were alive with recognizable objects and figures. Even today, few realize how radical it was for Johnson to depict a recognizable subject in an adamantly pro-abstract-expressionist climate. Sculptor George Segal recalled, "The Abstract Expressionists were legislating any reference to the physical world totally out of art. This was outrageous to us." The rebellion came naturally to Lester Johnson, and he remained tenaciously outside the mainstream. Nonetheless, he produced a body of work that influenced several generations of younger painters and confounded an art establishment in need of neat categorization. He remains one of the few painters whose work holds significance for both abstract and figurative artists. Johnson's animated men and women, with all their nervous energy, yield themselves only gradually to analysis and will no doubt be reinterpreted for many years to come.
- ShippingRetrieving quote...Shipping from: Long Island City, NY
- Return Policy
More From This Seller
View All1970s Pop Art Figurative Prints
Screen
1990s Pop Art Animal Prints
Screen
1970s Pop Art Figurative Prints
Screen
1990s Pop Art Figurative Prints
Screen
1980s Pop Art Figurative Prints
Screen
1970s Pop Art Figurative Prints
Screen
You May Also Like
1960s Pop Art Abstract Prints
Screen, Pencil
1970s Pop Art Figurative Prints
Mixed Media, Screen, Pencil
20th Century Pop Art Figurative Prints
Paper, Screen
1970s Pop Art Figurative Prints
Screen
1970s Pop Art Still-life Prints
Screen, Foam Board, Paper
1960s Pop Art Abstract Prints
Screen
Recently Viewed
View AllRead More
Romare Bearden’s Humanity Infuses His Bright, Bold Art
Through collage, painting and printmaking, the artist foregrounded Black life in America in revolutionary new ways.
Chryssa’s 1962 Neon Sculpture Was Way ahead of the Art-World Curve
By working with lettering, neon and Pop imagery, Chryssa pioneered several postmodern themes at a time when most male artists detested commercial mediums.