Maciunas & George Brecht

NO SMOKING, Rare historic 1970s Fluxus hand pulled silkscreen mid century design

ca. 1973

Dennis Oppenheim A Device for Converting a Chilling Underground Wind into Memory, 1986 Lithograph Hand signed, numbered 3/100 and dated on lower front 38 1/5 × 50 inches Unframed P...

Scarce framed European work by this renowned German conceptual artist - rarely found stateside Martin Kippenberger Wall Street, 1993 Color lithograph and offset lithograph on board Hand signed and dated lower right front Stamped on the back with the publisher's blind stamp, artist, title, year, edition 100/E.A. Stamped on the back with the publisher's blind stamp, artist, title, year, edition 100/E.A. (Note: this is designated as Epreuve D'Artiste (EA), an artist's proof aside from the regular edition of 100. It was based upon an original collage by the artist. However, it appears the only examples of this edition that have ever come to the public market are also Artist's Proofs (EA's). (The regular edition was said to be included in the European portfolio JFK.) Scarce! Published by the 'Politischer Club Colonia für Studien und Aktionen zum Frieden, e.V.', Cologne (for studies and peace activities) Provenance: The Chara Schreyer Collection (renowned philanthropist Cara Schreyer was considered on of the top art collectors in the world) Frame included: Elegantly floated and framed in a handmade wood museum frame under Optium plexiglass Measurements: Framed 24 inch vertical by 25.5 inches horizontal by 1.5 Artwork: 21.5 inches (vertical) by 23.5 inches (horizontal) Accompanied by gallery issued Certificate of Guarantee Kippenberger's Wall Street is full of biting social commentary about American society. In addition to the brazen text references (such as "I Love Peace and Money") and the title (Wall Street), it also depicts American artist Robert Gober's famous "Hanging Man/Sleeping Man: (in the permanent collection of the Hammer Museum). "Gober’s Hanging Man/Sleeping Man has become a touchstone of American art made during the political and social upheavals of the late 1980s and early 1990s, which included the AIDS epidemic, the culture wars, and the Los Angeles riots. The work features two images side by side, one of a sleeping white man in bed...

Lawrence Weiner Jonathan Richman Live on stage at The Kitchen, non-profit artist's space (Hand signed by Lawrence Weiner), 2017 Offset lithograph poster (hand signed by Lawrence Wein...

Dennis Oppenheim Image Intervention (Hand Signed), 1984 Offset Lithograph (hand signed and dated by Dennis Oppenheim) Hand signed and dated on the middle front 28 × 20 inches Unframe...

Number 84 in an edition of 100 prints. Signed. Robert Gordy was an iconic New Orleans painter. He was part of the "Art and Decoration" movement that also ...

Absolut. 1991, 25/200, paper, silkscreen printing, 50x27 cm Bright colorful print, advertising poster for Absolut vodka

In 1984, Eric Orr and Keith Haring joined forces to create a series of chalk drawings in the NYC subways. As their work evolved, the artists shifted their focus from the subway to the studio and embarked on the production of a suite of drawings. Included in the group was Repeat which had made its first appearance in the 23rd Street IRT uptown station. Little did Orr and Haring know that the reimagined drawing would be auctioned at Christie’s six years later. 2020 heralds a new beginning for Repeat, a truly unique silkscreen print that both illustrates and celebrates a fierce friendship that began in the early 1980s at The Roxy roller rink in NYC, when two young artists decided to trade t-shirts on the dance floor. Repeat, Eric Orr and Keith Haring, 2020 Silkscreen on 320 gram Coventry Rag paper with hand-deckled edges Dimensions: 20 x 28 inches Edition Size: 250 with 25 Artist Proofs and 25 Printer Proofs Signed and numbered in pencil by Eric Orr Plate signed by Eric Orr and Keith Haring Courtesy of Eric Orr and the Keith Haring Foundation Printed and Published by Gary Lichtenstein...

Silkscreen in 9 colors on 320 gram Coventry Rag Dimensions: 29" x 29" Signed by the Artists in pencil An edition of 75 John “CRASH” Matos and Eric Orr met for the first time as high school students. Although the exact location is unclear, both agree that it would have been at either Fashion Moda or the Writers’ Bench at 149th Street and Grand Concourse. Founded by Stefan Eins in 1978, Fashion Moda began as a “cultural concept” whose principles revolved around the fact that art can be made by anyone, anywhere and art should be accessible to anyone, anywhere. Located in the South Bronx, Fashion Moda embraced new talent and encouraged creative production across all mediums. The gallery has been credited as a major force behind the recognition of graffiti writing as an art form and it played a pivotal role in a community where Hip Hop was rapidly emerging. CRASH was only 19 years old when he curated “Graffiti Art Success for America” at Fashion Moda and his varied experiences at the gallery would later inspire his founding of WALLWORKS. The 149th Street Writers’ Bench, located at the back of the uptown...