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Marc Chagall
Untitled from Cirque

1967

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  • Youth
    By Pablo Picasso
    Located in San Francisco, CA
    Original lithograph printed in black ink on Arches wove paper. Signed and dated on the stone lower right Picasso 23 mai 50 A superb trial proof impression...
    Category

    1950s Modern Figurative Prints

    Materials

    Lithograph

    Youth
    Price Upon Request
  • Megacles Recognizes his Daughter During the Feast
    By Marc Chagall
    Located in San Francisco, CA
    Original lithograph printed in colors on Arches wove paper. A superb impression of the definitive state, from the album edition of 250 (apart from the pencil-signed and numbered edi...
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    1960s Modern Figurative Prints

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    Lithograph

  • Nude Model, Reclining
    By James Abbott McNeill Whistler
    Located in San Francisco, CA
    Original lithograph printed in black ink on antique laid paper. Signed on the stone with the artist’s butterfly monogram center left. A superb impression of Spink’s third and f...
    Category

    19th Century Aesthetic Movement Figurative Prints

    Materials

    Lithograph

  • The Shoemaker
    By James Abbott McNeill Whistler
    Located in San Francisco, CA
    Original lithograph printed in black ink on China paper. Signed on the stone with the artist’s butterfly monogram upper center. A superb, richly printed impression of Spink’s only state From the edition of unknown size printed by Lemercier, Paris (apart from the posthumous edition of 58 printed by Goulding in 1904). Catalog: Spink 169; Levy 129; Way 151 Collections in which impressions from this edition can be found: Art Institute of Chicago (4 impressions); Hunterian Art Gallery, University of Glasgow (1 impression); British Museum, London (1 impression); Freer Art Gallery, Smithsonian Institution, Washington, D.C. (1 impression); National Gallery of Art, Washington, D.C. (1 impression); University of Michigan Museum of Art, Ann Arbor (1 impression); Boston Public Library (1 impression); Museum of Fine Art, Boston (1 impression); Cleveland Museum of Art (1 impression); Metropolitan Museum of Art, New York (2 impressions); Achenbach Foundation for the Graphic Arts, San Francisco (1 impression) . “The Shoemaker” was one of the first lithographs that Whistler made after his acrimonious break with his London printers, the Ways. It was entitled “The Shoemaker, Dieppe” by Rosalind Birnie Philip in her 1903 inventory of the artist’s estate, and indeed it does seem to have been drawn during a period when Whistler was making frequent Channel crossings...
    Category

    19th Century American Impressionist Figurative Prints

    Materials

    Lithograph

  • LE JOURNAL DES VENTS
    By Georges De Feure
    Located in San Francisco, CA
    December 1898 Original lithograph printed in colors on wove paper.  Signed and dated on the stone lower right de Feure. A fine impression of the definitive state, from the e...
    Category

    19th Century Other Art Style Figurative Prints

    Materials

    Lithograph

  • LAIT PUR STÉRILISÉ
    By Théophile Alexandre Steinlen
    Located in San Francisco, CA
    Original lithograph printed in colors on wove paper. Signed on the stone lower left Steinlen. A superb impression of the definitive state, from the edition on this paper (the...
    Category

    19th Century Other Art Style Figurative Prints

    Materials

    Lithograph

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    Old Ruins In Rome is an original lithograph realized by Anonymous artist in 1849. The print is taken from the daguerreotype of that period and shows the ruins caused by the disaster of the war in Rome. The artwork shows some of the most important buildings and monument of that period, such as Palazzo del Vascello and Palazzo dei Quattro Venti...
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  • Onorevole Romano Detto "Il Tribuno" - Lithograph by A. Maganaro - 1872
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    Onorevole Romano detto il Tribuno is an original artwork realized by Antonio Manganaro, in 1872. Original lithograph, watercolored by hand. Good conditions, except for a slightly yellowed paper due to the passing of time and some light foxings. This satirical print is plate n. XX (as written on the higher part of the artwork) from "The album of the 500" (Album dei 500), Tipografia De Angelis, Naples, and represents a satirical scene of an italian politician (l'Onorevole Romano) of the end of the XIX century. On the back, his biography. Signed on plate on the lower right A. Manganaro. Antonio Manganaro (Manfredonia, 1842 - Naples, 1920) was a painter, caricaturist, and drawing professor. Early designer, at the age of 14, he was sent to Naples at the Royal Institute of Art. The expenses were borne by two local patrons, Baron Cessa and Diego Badarò, who awarded him six ducats a month. He soon passed to painting classes, winning prizes and receiving the praises of his masters, including Maldarelli and Postiglione. Arrested for political conspiracy (his family belonged to the Young Italy), he was ordered to leave Naples. In 1859, he was part of the secret or action committee and, in 1860, he participated in the revolutionary movements that favored the entry of Garibaldi into Naples. Following the General, he participated in numerous feats of arms and was also wounded, obtaining a medal. Taking leave of the Mobile National Guards, he directed a newspaper, The Last Judgment...
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  • Parody of the Orestes - Lithograph by A. Maganaro - 1872
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    Parody of the Orestes is an original artwork realized by Antonio Manganaro, in 1872. Original lithograph, watercolored by hand. Good conditions, except for a slightly yellowed paper due to the passing of time and some light foxings. This satirical print is plate n. XIV (as printed on the higher part of the artwork) from "The album of the 500" (Album dei 500), Tipografia De Angelis, Naples, and represents a satirical scene of Italian journalitsts of the end of the XIX century. On the back, their biographies. Signed on plate on the lower right A. Manganaro. Antonio Manganaro (Manfredonia, 1842 - Naples, 1920) was a painter, caricaturist, and drawing professor. Early designer, at the age of 14, he was sent to Naples at the Royal Institute of Art. The expenses were borne by two local patrons, Baron Cessa and Diego Badarò, who awarded him six ducats a month. He soon passed to painting classes, winning prizes and receiving the praises of his masters, including Maldarelli and Postiglione. Arrested for political conspiracy (his family belonged to the Young Italy), he was ordered to leave Naples. In 1859, he was part of the secret or action committee and, in 1860, he participated in the revolutionary movements that favored the entry of Garibaldi into Naples. Following the General, he participated in numerous feats of arms and was also wounded, obtaining a medal. Taking leave of the Mobile National Guards, he directed a newspaper, The Last Judgment...
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  • La Tentation de Saint Antoine, Gustave Flaubert's illustrated book by O. Redon
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