'Cottage in Winter' — Early 20th-Century Arts and Crafts
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 3
Julius J. Lankes'Cottage in Winter' — Early 20th-Century Arts and Crafts1919
1919
About the Item
- Creator:Julius J. Lankes (1894 - 1960, American)
- Creation Year:1919
- Dimensions:Height: 7.88 in (20.02 cm)Width: 7.25 in (18.42 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Myrtle Beach, SC
- Reference Number:Seller: 1040381stDibs: LU532312273682
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1995
1stDibs seller since 2016
254 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
More From This SellerView All
- 'Coenties Slip' — 1920s Lower Manhattan, Financial DistrictBy Luigi KasimirLocated in Myrtle Beach, SCLuigi Kasimir, 'Coenties Slip', color etching with aquatint, 1927, edition 100. Signed in pencil. Dated in the plate, lower right. Annotated 'NEW YORK HANOVER SQUARE (COENTIES SLIP)'...Category
1920s American Modern Landscape Prints
MaterialsEtching, Aquatint
- 'Brooklyn Bridge' — 1920s view of an iconic New York City landmarkBy Luigi KasimirLocated in Myrtle Beach, SCLuigi Kasimir, 'Brooklyn Bridge', color etching with aquatint, 1927, edition 100. Signed in pencil. A superb impression, with fresh colors, on heavy, cream wove paper; with margins...Category
1920s American Modern Landscape Prints
MaterialsEtching, Aquatint
- 'Financial District', New York City — 1930s American ModernismBy Howard Norton CookLocated in Myrtle Beach, SCHoward Cook, 'Financial District', lithograph, 1931, edition 75, Duffy 155. A fine, richly-inked impression, on cream wove paper, the full sheet with wide margins (2 3/4 to 5 5/8 inches), in excellent condition. Image size 13 5/16 x 10 3/8 inches (338 x 264 mm); sheet size 23 x 16 inches (584 x 406 mm). Matted to museum standards, unframed. Literature: 'American Master Prints from the Betty and Douglas Duffy Collection', the Trust for Museum Exhibitions, Washington, D.C., 1987. Collections: Crystal Bridges Museum of American Art, Library of Congress, Metropolitan Museum of Art, Philadelphia Museum of Art, Smithsonian American Art Museum. ABOUT THE ARTIST Howard Norton Cook (1901-1980) was one of the best-known of the second generation of artists who moved to Taos. A native of Massachusetts, he studied at the Art Students League in New York City and at the Woodstock Art Colony. Beginning his association with Taos in 1926, he became a resident of the community in the 1930s. During his career, he received two Guggenheim Fellowships and was elected an Academician in the National Academy of Design. He earned a national reputation as a painter, muralist, and printmaker. Cook’s work in the print mediums received acclaim early in his career with one-person exhibitions at the Denver Art Museum (1927) and the Museum of New Mexico (1928). He received numerous honors and awards over the years, including selection in best-of-the-year exhibitions sponsored by the American Institute of Graphics Arts, the Brooklyn Museum, the Society of American Etchers, and the Philadelphia Print Club. His first Guggenheim Fellowship took him to Taxco, Mexico in 1932 and 1933; his second in the following year enabled him to travel through the American South and Southwest. Cook painted murals for the Public Works of Art Project in 1933 and the Treasury Departments Art Program in 1935. The latter project, completed in Pittsburgh, received a Gold Medal from the Architectural League of New York. One of his most acclaimed commissions was a mural in the San Antonio Post Office in 1937. He and Barbara Latham settled in Talpa, south of Taos, in 1938 and remained there for over three decades. Cook volunteered in World War II as an Artist War Correspondent for the US Navy, where he was deployed in the Pacific. In 1943 he was appointed Leader of a War Art Unit...Category
1930s American Modern Figurative Prints
MaterialsLithograph
- 'Backyards of Broadway' — 1920s American Precisionism, New York CityBy Louis LozowickLocated in Myrtle Beach, SCLouis Lozowick, 'Backyards of Broadway ( Waterfront I )', lithograph, 1926, edition 10, Flint 7. Signed in pencil. A fine, richly-inked impression, on BFK Rives off-white, wove paper...Category
1920s American Modern Figurative Prints
MaterialsLithograph
- 'Chion-in Temple Gate' from 'Eight Scenes of Cherry Blossoms' — Jizuri SealBy Hiroshi YoshidaLocated in Myrtle Beach, SCHiroshi Yoshida, 'Chion-in Temple Gate (Sunset)' from the series 'Eight Scenes of Cherry Blossoms (Sakura hachi dai: Sakura mon)', color woodblock print, 1935. Signed in brush 'Yoshida' and in pencil 'Hiroshi Yoshida'. A superb, early impression, with fresh colors; the full sheet with margins, on cream Japan paper; an area of slight toning in the top right sheet corner, not affecting the image, otherwise in excellent condition. Marked with a jizuri (self-printed) seal, upper left margin. Self-published by the artist. Image size 9 5/8 x 14 3/4 inches (444 x 375 mm); sheet size 10 7/8 x 16 inches (276 x 406 mm). Archivally sleeved, unmatted. Provenance: M. Nakazawa, Tokyo. Literature: Japanese Landscapes of the 20th century (Hotei Publishing calendar), 2001, May. Collections: Honolulu Museum of Art, Museum of Fine Arts, Boston. ABOUT THE IMAGE Located in Kyoto, Chionin is the main temple of the Jodo sect of Japanese Buddhism, one of the most popular Buddhist sects in Japan, having millions of followers. The Sanmon Gate, Chionin's entrance gate, standing 24 meters tall and 50 meters wide, it is the largest wooden temple gate in Japan and dates back to the early 1600s. Behind the gate, a wide set of stairs leads to the main temple grounds. ABOUT THE ARTIST Painter and printmaker Yoshida Hiroshi (1876-1950) is regarded as one of the greatest artists of the Japanese 'shin hanga' (New Print) movement. Yoshida was born as the second son of Ueda Tsukane in Kurume, Fukuoka Prefecture, a schoolteacher from an old samurai family. In 1891 he was adopted by his art teacher Yoshida Kasaburo in Fukuoka and took his surname. In 1893 he went to Kyoto to study painting, and the following year to Tokyo to join Koyama Shotaro's Fudosha private school; he also became a member of the Meiji Fine Arts Society. These institutions taught and advocated Western-style painting, greatly influencing Yoshida’s artistic development. In 1899 Yoshida had his first American exhibition at Detroit Museum of Art (now Detroit Institute of Art), making the first of many visits to the US and Europe. In 1902 he helped reorganize the Meiji Fine Arts Society, renaming it the Taiheiyo-Gakai (Pacific Painting...Category
1930s Showa Figurative Prints
MaterialsWoodcut
- Bridges of FlorenceLocated in Myrtle Beach, SCAlonzo C. Webb, 'Bridges of Florence', etching, 1929, edition 100. Signed and titled in pencil. Signed and dated in the plate, lower left. A superb, richly-inked impression, in warm ...Category
1920s American Realist Figurative Prints
MaterialsEtching
You May Also Like
- Walter DuBois Richards, The Lobster FloatBy Walter DuBois RichardsLocated in New York, NYOhio-born Walter DuBois Richards (1907-2006) was educated at the Cleveland School of Art. He re-located to New York around 1933 where he had a successful career as a commercial artis...Category
1930s American Modern Landscape Prints
MaterialsWoodcut
- City Evening, Large Scale Whiteline Woodcut New York City at Night ed. 25By Aline FeldmanLocated in Surfside, FLAline Feldman was born in 1928 and grew up in Kansas. She studied design and printmaking at Washington University in St. Louis under Werner Drewes and Fred Becker, respectively. She studied painting at Indiana University...Category
1980s American Modern Figurative Prints
MaterialsWoodcut
- Shift Change, Social Realist Woodblock Print by Mike GoscinskyLocated in Long Island City, NYShift Change Mike Goscinsky, American (1933–2021) Woodblock on thin wove paper, signed, titled and numbered in pencil Edition of 15/75 Image Size: 14 x 19 inches Size: 22 x 26.5 in. ...Category
1990s American Modern Landscape Prints
MaterialsWoodcut
- Modern American Industrial LandscapeLocated in Buffalo, NYAn original woodblock print dated 1965, titled "Our Town" but signed illegibly.Category
1960s American Modern Figurative Prints
MaterialsWoodcut, Paper
- Joseph Zirker, PlayhouseBy Joseph ZirkerLocated in New York, NYIn the 1950s woodcuts started to get bigger and bigger as they competed with paintings for a space on the wall. This California print by Joseph Zirke...Category
1950s American Modern Figurative Prints
MaterialsWoodcut
- Albert Abramovitz, Mission, CaliforniaBy Albert AbramovitzLocated in New York, NYAlbert Abramovitz was an amazingly skilled wood engraver. This California Mission scene is unusual in his work, but carries the subject so well. It is signed and titled in pencil.Category
1940s American Modern Figurative Prints
MaterialsWoodcut
Recently Viewed
View AllMore Ways To Browse
Sap Bucket
Sara Zielinski On Sale
Sarah Slappey
Shigeki Kuroda
Siemen Dijkstra
Smiley Tiffany
Stanislas Lepri
Stanley Grosse
Stanley Roy Badmin, R.W.S, R.E., A.I.A., F.S.I.A. On Sale
Statue Femme Nue
Susan Mcgovney Hansen
Szabo Vladimir
Takahashi Hiromitsu
Theodore Casimir Roussel On Sale
Tiffany Smiley Signs
Titti Garelli
Toshiro Mifune
Vadik Suljakov