Etching Figurative Prints

Image dimensions: 10x9 cm Original Ex libris realized for Gianni Mantero. Original Etching on paper hand signed in pencil. Includes passepartout. Very good conditions. Michel Fing...

The Gamekeeper's Cottage. 1928. Etching. Garton 8.iv. 6 7/8 x 8 3/4 (sheet 10 3/8 x 13). Signed in pencil. Housed in a stunning 17 3/4 x 20 1/2-inch burled wood and gold frame. Garton writes, page 27: "Studies for this print were made at Annie Bryant's old cottage in Kington Langley; at Rose Cottage...

Tailleur is a drypoint on Japon paper etched on leather by Georges Ferdinand Bigot (Paris, 1860 - 1927). From Croquis Japonais, a print suite of 21 drypoints, a portfolio published at the author's expense in Tokyo in 1886. In this modern artwork, an old sailor...

Lac D'Imba is a drypoint on Japon paper, etched on leather, by Georges Ferdinand Bigot (Paris, 1860 - 1927). From the portfolio Croquis Japonais, composed of 21 drypoints, published ...

Medaille de Palloy is an original artwork realized by the French artist Pierre-François Palloy in the second half of the XVIII Century. Original etching on paper. Proof before Lette...

Landscape with Village is an original artwork realized by the French artist Louis Willanne in the first half of the XX Century. Original Etching on paper. Hand-signed and numbered i...

"Amore incatenato Statua” (Unchained Eros, Statue) is a wonderful black and white burin and etching on paper, realized by the Italian artist Francesco Cecchini (1790-1820), after Bernardino Nocchi (Lucca, 1741 - Rome, 1812) as the inscriptions on plates on lower margins report “Bernardino Nocchi delineò/ Francesco Cecchini incise Roma”. This original print is numbered on plate in Roman numerals on higher right corner “Tom. II.Tav. XXX” and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. The Borghese Collection is known to be the most important antique statue one, after the Torlonia Collection in Rome. This old master’s original prints representing a precious piece of the Borghese collection, an Eros statue unchained, is in excellent conditions with some minor stains on the margins, some signs of the time and a usual yellowing of the paper along the external margins, do not affect the image. Illustrazioni de'Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were found and made available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior...

Alsacienne is a fine black and white etching, realized by Eugène Delâtre (1864-1939), after Jean Benner. A beautiful etching representing a female prof...

Available individually ($2500), and also as a suite of five ($12,000). Born in Bronx, NY, Ida Applebroog attended NY State Institute of Applied Arts and Sciences (1949). She moved...

William Tillyer Interior at Fontenay aux Rose with Large Tortoise "Skylight screen and vase of articial looking flowers" 1974/2018 Intaglio and relief printin...

Amy Wilson received her BFA from the School of Visual Arts, New York, in 1995 and her MFA from Yale University in 1997. Her drawings explore the tensions between her inner life and t...

William Tillyer Interior at Fontenay aux Rose with Large Tortoise "Skylight screen and vase of articial looking flowers" 1974/2018 Intaglio and relief printing on Arches paper, Edit...

William Tillyer "some natural flowers that looked like fakes" - Floral follies 1974/2018 Relief and intaglio printing on Arches paper, Edition of 25 Paper size: 65.5 x 50 cms ( 25 3/...

William Tillyer Interior at Fontenay aux Rose with Large Tortoise "Skylight screen and vase of articial looking flowers" 1974/2018 Intaglio and relief printing on Arches paper, Edit...

William Tillyer Interior at Fontenay aux Rose with Large Tortoise "Skylight screen and vase of articial looking flowers" 1974/2018 Intaglio and relief printin...

William Tillyer Interior at Fontenay aux Rose with Large Tortoise "Skylight screen and vase of articial looking flowers" 1974/2018 Intaglio and relief printi...

William Tillyer Interior at Fontenay aux Rose with Large Tortoise "Skylight screen and vase of articial looking flowers" 1974/2018 Intaglio and relief printing on Arches paper, Edit...

William Tillyer "some natural flowers that looked like fakes"- Bosphorus "it all comes down to syphilis in the end" 1974/2018 Copper plate line drawings on Arches paper, Edition of 2...

Signed on plate. From the portfolio “Le Bonheur du Jour” by George Barbier. Etching and Pochoir. Passepartout included : 49 x 34 cm

An original etching from "Le Chef- d’Œuvre Inconnu" by Pablo Picasso, created in 1927 and published in 1931. It is hand signed and numbered 7/99 in red brush from the edition of 9...

An original etching from "Le Chef- d’Œuvre Inconnu" by Pablo Picasso, created in 1927 and published in 1931. It is hand signed and numbered 7/99 in red brush...

Created in 1989-1990, this aquatint with lithographic crayon on Somerset paper is hand-signed by Alex Katz (Brooklyn, 1927 - ) in pencil in the lower left margin and is annotated as an artist proof in pencil in the lower left margin, aside from the numbered edition of 60. About the Framing: Framed to museum-grade, conservation standards, Alex Katz Red...

This aquatint etching in strict black and white bears witness of Baselitz' deep engagement with the characteristic appearance of his motifs. 84,5 x 65,2 cm. Edition of 20, signed and...

An aquatint etching out of 1988 in a very good condition and bright colours. 57 x 66 cm. Edition of 90, signed and numbered.

Signed in pencil, from the edition of 85. Printed on Arches wove paper and published by Georges Visat, Paris. Plate: 23.8 x 17.7 cm. (Sabatier 266).