Intaglio Figurative Prints

Available individually ($2500), and also as a suite of five ($12,000). Born in Bronx, NY, Ida Applebroog attended NY State Institute of Applied Arts and Sciences (1949). She moved...

-ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

2008, direct to plate photogravure and aquatint, 27 x 22 inches, edition of 50

Available individually ($2500), and as a suite of five ($12,000). Born in Bronx, NY, Ida Applebroog attended NY State Institute of Applied Arts and Sciences (1949). She moved to C...

Artist: Sylvia Roth Title: The Empress Year: circa 1980 Medium: Etching with Aquatint, signed and numbered in pencil Edition: PP Image Size: 23.5 x 22 inches Size: 34 x 28.5 inches

Available individually ($2500), and also as a suite of five ($12,000). Born in Bronx, NY, Ida Applebroog attended NY State Institute of Applied Arts and Sciences (1949). She moved...

Available individually ($2500), and also as a suite of five ($12,000). Born in Bronx, NY, Ida Applebroog attended NY State Institute of Applied Arts and Sciences (1949). She moved...

2008, direct to plate photogravure, 30 3/4 x 35 inches, edition of 50

2008, direct to plate photogravure and aquatint, 23 1/2 x 22 inches, edition of 50

Available individually ($2500), and also as a suite of five ($12,000). Born in Bronx, NY, Ida Applebroog attended NY State Institute of Applied Arts and Sciences (1949). She moved...

2008, direct to plate photogravure and aquatint, 23 1/2 x 22 inches, edition of 50

2008, direct to plate photogravure, 31 1/2 x 30 1/2 inches, edition of 50

2012, direct to plate photogravure and aquatint, 31 1/2 x 30 1/2 inches, edition of 50

Artist: Jose Luis Cuevas, Mexican (1934 - 2017) Title: La Mascara from the Homage to Quevedo Portfolio Year: 1969 Medium: Intaglio with Lithographed Mylar Collage, signed and number...

Tom Friedman Vanishing Point, 2006 Photogravure from 25 shaped plates and five blind embossments on Somerset satin paper Paper Dimensions: 42 7/8 x 40 3/8 inches (108.9 x 102.6 cm)...

Pat Andrea (Netherlands, 1942) 'Unas voladoras más', 2005 Unique piece, intaglio monotype on paper 55.2 x 39.4 in. (140 x 100 cm.) Series: 17/75 ID: AND1533...

Pat Andrea (Netherlands, 1942) 'Unas voladoras más', 2005 Unique piece, intaglio monotype on paper 55.2 x 39.4 in. (140 x 100 cm.) Series: 14/75 ID: AND1533...

Pat Andrea (Netherlands, 1942) 'Unas voladoras más', 2005 Unique piece, intaglio monotype on paper 55.2 x 39.4 in. (140 x 100 cm.) Series: 13/75 ID: AND1533...

Pat Andrea (Netherlands, 1942) 'Unas voladoras más', 2005 Unique piece, intaglio monotype on paper 55.2 x 39.4 in. (140 x 100 cm.) Series: 10/75 ID: AND1533...

Pat Andrea (Netherlands, 1942) 'Unas voladoras más', 2005 Unique piece, intaglio monotype on paper 55.2 x 39.4 in. (140 x 100 cm.) Series: 9/75 ID: AND1533-...

Pat Andrea (Netherlands, 1942) 'Unas voladoras más', 2005 Unique piece, intaglio monotype on paper 55.2 x 39.4 in. (140 x 100 cm.) Series: 8/75 ID: AND1533-...

Pat Andrea (Netherlands, 1942) 'Unas voladoras más', 2005 Unique piece, intaglio monotype on paper 55.2 x 39.4 in. (140 x 100 cm.) Series: 6/75 ID: AND1533-...

Pat Andrea (Netherlands, 1942) 'Unas voladoras más', 2005 Unique piece, intaglio monotype on paper 55.2 x 39.4 in. (140 x 100 cm.) Series: 3/75 ID: AND1533-...

Pat Andrea (Netherlands, 1942) 'Unas voladoras más', 2005 Unique piece, intaglio monotype on paper 55.2 x 39.4 in. (140 x 100 cm.) Series: 2/75 ID: AND1533-...

Pat Andrea (Netherlands, 1942) 'Unas voladoras más', 2005 Unique piece, intaglio monotype on paper 55.2 x 39.4 in. (140 x 100 cm.) Series: 1/75 ID: AND1533-...

Artist: Romare Bearden Title: Out Chorus Year: 1979-80 Medium: Photoetching on Arches, signed and numbered in pencil Edition: 200 Image Size: 12 x 16 inches Paper Size: 22 x 30 inche...

'Plat-eye' stories are folktales told by African-Americans, particularly in the coastal Gullah areas of Georgia and South Carolina. Typically the plat-eye is an evil spirit who wasn...

Alistair Grant was a familiar feature of the London art scene. Best known as a printmaker, his entire teaching career was spent in the printmaking department at the Royal College of Art, where he was to become Professor. Over the years he taught printmaking to many who were to become leading UK artists. Grant was at the top of his profession and a groundbreaker in his explorations of mixed media techniques. Grant was also a wonderful painter. In the early 1980s his imagery had turned to an open expressionist style, with sweeping brush marks and the introduction of new vibrant colour. Inspired by the Normandy coastline around Etaples and Le Touquet. Grant would create cyphers from the shapes and forms in the landscape, which he would offset against curtains of colour. They evoke bright or misty days, blazing skies or sunsets, beaches or harbours. The paintings and prints are descriptions of places he loved and constantly returned to. One could describe him as a French reflection of the St. Ives School where painters explored the landscape in similar fashion, as they still do. There is a wonderful sense of freedom in these images, and a great joie de vivre. Grant was a supreme colourist. He also co-authored an important book on the life and works of fellow English artist Henry Moore, whom his abstract figurative style resembles. This print is from the late 1960s and show the strong influence of figurative abstraction and surrealist elements in his work. Although best known as a printmaker, Grant also painted throughout his career and in the 1980s he adopted an expressionist style using vibrant colours. He was born in London and studied at Birmingham College of Art (1941-43). After serving during the war, Grant returned to art school and the Royal College, where he was taught by Carel Weight and Ruskin Spear. Grant was to work in the printmaking department of the Royal College for 35 years (1955-90), ending his career as Emeritus Professor of Printmaking at the RA. He showed with Julian Trevelyan. Grant showed at the Royal Academy, Artists International Association, and New English Art Club, and was a prize-winner at the Krakow Print Biennale in 1972. The TATE, The Victoria & Albert Museum, British provincial and many overseas galleries hold Grant’s work. His work is amongst the finest of modern British printmaking alongside richard smith, joe tilson, peter blake, patrick caulfield, alan davie, terry frost, david hockney and howard hodgkin. Select Group Exhibits 1951 New Editions Group,Auckland,New Zealand 1952-54,78 Redfern Gallery, London 80,83,84,86 1956 Nutida Engelsk Grofik, Stockholm 1957 National Arts Council of Southern Rhodesia 'Looking at People', South London Art gallery 1959 Tel Aviv Museum, Israel Arte Britonico Maderno Figurotiro, Galeria,Buchloz, Bogota The London Group 1960 Graven Image, Whitechopel Gallery, London Sixteen Pointers, A I.A. Gallery, London 1961 Museo de Arte, Barcelona Senfelder Group, Arts Council, London 1962 Towards Art Gulbenkian,R.C.A .London Contemporary British Pointers, Birmingham 1964-66 Curwen Gallery 1966 Crabowski Gallery, London 1967 A.A.A. Gallery, New York Schuman Gallery, New York 1968 Camden Arts Centre, London 1969 Pratt Centre, New York Art for lndustry, Arts Council, London 1970 University of South Florida, Miami 1971 Portland Museum,Oregon 1972 Art...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

Etching with aquatint on Rives B.F.K. paper Work: 26.25 x 19.5 in (66.68 x 49.53 cm) Edition of 35 Signed Provenance- The Nevica Project impeccably framed (frame value $800)