Linocut Figurative Prints

'Chittering and Chattering I' Linoleum Block Print, Edition 10, 11 5/8 x 11 5/8 Inches, is one of a series of 6 related prints in this size in varying shades of blue. Sold indiv...

Elizabeth Peyton (American, b. 1965) Peter, 2018 Medium: Linocut on paper Dimensions: 46 x 59 cm Edition of 30: Hand-signed and numbered in pencil Condition: Mint Images of edition ...

Autumn Berries by Joanna Padfield [2021] limited_edition Linocut Edition number 50 Image size: H:22.5 cm x W:16.9 cm Complete Size of Unframed Work: H:29.7 cm x W:21 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Autumn Berries is a handmade limited edition linocut print by Joanna Padfield. The scene depicts Burnham Deepdale church, trees, and clouds in the sky, framed by berries and leaves. Printed in red and purple. Norfolk Broads...

Torii Sea View by Alexandra Buckle Limited Edition Linocut on Paper Edition of 12 Image size: 30 cm x 40 cm x 0 cm Sheet Size: 37 cm x 47 cm x 0.1 cm Sold Unframed Please note than i...

The Lighthouse, Beach Huts and Sailing diptych Overall size cm : H20 x W60 The Lighthouse linocut is a simple yet dramatic print with the billowing clouds, towering lighthouse and...

Rubber Plant II and Rubber Plant III diptych Overall sheet size: H86 x W84 Rubber Plant II by Kerry Day [2017] limited_edition Linocut Print Edition number 10 Image size: H:30.5 cm...

Covent Garden Station by Jennie Ing [2017] limited_edition Linocut print Edition number 25 Image size: H:33 cm x W:45 cm Complete Size of Unframed Work:...

Skies know no borders by Jennifer Jokhoo [2021] limited_edition Reduction linocut print Edition number 14 Image size: H:43.5 cm x W:27.5 cm Complete Size of Unframed Work: H:50 cm x...

Morning Tide Rob Barnes [2021] limited_edition Linocut Edition number 50 Image size: H:35 cm x W:44 cm Complete Size of Unframed Work: H:49 cm x W:61 cm ...

To the Beach by Ann Burnham [2021] limited_edition linocut Edition number 1-10 Image size: H:20cm cm x W:20cm cm Complete Size of Unframed Work: H:40cm cm x W:40cm cm x D:2mmcm Sold...

Evening Light over Torcross by Ann Burnham [2021] limited_edition linocut Edition number 1 -10 Image size: H:15cm cm x W:35cm cm Complete Size of Unframed Work: H:55cm cm x W:75cm c...

Kate Heiss Brancaster Sails Whelk Blue Series Limited Edition Linocut Print Edition of 50 Printed with oil based relief inks on 300gsm soft white Somerset velvet paper. Signed and da...

Elizabeth Peyton (American, b. 1965) The Kiss, 2018 Medium: Etching on wove paper Dimensions: 33 x 37 cm Edition of 30: Hand-signed and numbered Condition: Mint

Considered to be one of Picasso’s monumental linoleum prints, Pablo Picasso Picador debout avec son cheval et une femme (Picador, Woman, and Horse), 1959 is a large-scale artwork that captures the essence of this artist’s innovation and minimalist creativity. His simple lines curve and undulated together to form the characters of the piece: the woman – feminine and robust, the horse – whimsical and characteristic, and the picador – strong and masculine. All three subjects create a triad composition making way for a harmonious and balanced piece. The entire work exudes an air of femininity and mystery, all set against a backdrop of a misty grey helping to create Picasso’s sensual environment of intrigue. Created in 1959, Pablo Picasso Picador debout avec son cheval et une femme (Picador, Woman, and Horse) is a color linocut on Arches paper hand-signed by Pablo Picasso (Malaga, 1881 – Mougins, 1973) in pencil in the lower right margin. Numbered 21/50 in pencil in the lower left margin, this work was printed by Arnéra, Vallauris and published by Galerie Louise Leiris, Paris. Catalogue Raisonné: Pablo Picasso Picador, Woman, and Horse (Picador debout avec son cheval et une femme), 1959 is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the sale of the work): 1. Baer, Bridgette. Picasso Peintre-Graveur, Tome V – Catalogue Raisonné de l’œuvre grave et des monotypes, Berne: Editions Kornfeld, 1989. Listed and illustrated as catalogue raisonné no. 1238. 2. Bloch, Georges. Picasso Catalogue de l'ouvre gravé et lithographié, Volume I. Kornfeld et Cie: Switzerland, 1968. Listed and illustrated as catalogue raisonné no. 913. 3. Boeck, W., intr. Pablo Picasso Linoleum...

André Butzer Katze, 2009 Medium: Linocut on paper Dimensions: 19 7/10 × 25 2/5 in 50 × 64.5 cm Edition of 10: Hand-signed by artist Condition: Excellent

BESSIE MAE is a hand drawn, limited edition lithograph/linocut by the African American artist JONATHAN GREEN printed in 10 colors using hand lithography techniques and linoleum cut o...

Linoleum cut printed in colours, 1963, on Arches woven paper, signed in pencil and numbered 30/50. Printed by Hidalgo Arnéra, and published by Galerie Louise Leiris, Paris.

Kara Walker (American, b. 1969) Boo-Hoo, 2000 Medium: Linocut on Arches Cover paper Dimensions: 100.8 x 52.4 cm (40 x 20 1/2 in) Edition of 70 + XXX: Hand-signed, titled, dated and n...

A superb impression of this color linoleum cut. Signed and numbered 29/50 in pencil by Picasso. Printed by Arnéra, Vallauris. Published by Galerie Louise Leiris, Paris. Catalogue r...

A risquee Modern print depicting a Cupid observing his good work on a Satyr & Nymph. The Bacchanalia has reached it's desired conclusion. This is an original 1935 linocut print on wo...

THERE IS A WOMAN IN EVERY COLOR is a hand pulled limited edition relief print created using linocut, woodcut, and silkscreen printmaking techniques on white archival printmaking pape...

Elizabeth Catlett “Man” 1975 (The Print Club of Cleveland Publication Number 83, 2005) Woodcut and Color Linocut Printed in 2003 at JK Fine Art Editions Co., Union City, New Jersey Signed and Dated By The Artist Lower Right Titled Lower Left Ed. of 250 Image Size: approx 18 x 12 inches Elizabeth Catlett (1915-2012) is regarded as one of the most important women artists and African American artists of our time. She believed art could affect social change and that she should be an agent for that change: “I have always wanted my art to service black people—to reflect us, to relate to us, to stimulate us, to make us aware of our potential.” As an artist and an activist, Catlett highlighted the dignity and courage of motherhood, poverty, and the working class, returning again and again to the subject she understood best—African American women. The work below, entitled, “Man”, is "carved from a block of wood, chiseled like a relief. Catlett, a sculptor as well as a printmaker, carves figures out of wood, and so is extremely familiar with this material. For ‘Man’ she exploits the grain of the wood, allowing to to describe the texture of the skin and form vertical striations, almost scarring the image. Below this intense, three-dimensional visage parades seven boys, printed repetitively from a single linoleum block in a “rainbow roll” that changes from gold to brown. This row of brightly colored figures with bare feet, flat like a string of paper dolls, raise their arms toward the powerful depiction of the troubled man above.” Biography: Elizabeth Catlett (1915-2012) Known for abstract sculpture in bronze and marble as well as prints and paintings, particularly depicting the female figure, Elizabeth Catlett is unique for distilling African American, Native American, and Mexican art in her work. She is "considered by many to be the greatest American black sculptor". . .(Rubinstein 320) Catlett was born in Washington D.C. and later became a Mexican citizen, residing in Cuernavaca Morelos, Mexico. She spent the last 35 years of her life in Mexico. Her father, a math teacher at Tuskegee Institute in Alabama, died before she was born, but the family, including her working mother, lived in the relatively commodious home of his family in DC. Catlett received a Bachelor of Arts degree from Howard University, where there was much discussion about whether or not black artists should depict their own heritage or embrace European modernism. She earned a Master of Fine Arts degree in 1940 from the University of Iowa, where she had gone to study with Grant Wood, Regionalist* painter. His teaching dictum was "paint what you know best," and this advice set her on the path of dealing with her own background. She credits Wood with excellent teaching and deep concern for his students, but she had a problem during that time of taking classes from him because black students were not allowed housing in the University's dormitories. Following graduation in 1940, she became Chair of the Art Department at Dillard University in New Orleans. There she successfully lobbied for life classes with nude models, and gained museum admission to black students at a local museum that to that point, had banned their entrance. That same year, her painting Mother and Child, depicting African-American figures won her much recognition. From 1944 to 1946, she taught at the George Washington Carver School, an alternative community school in Harlem that provided instruction for working men and women of the city. From her experiences with these people, she did a series of paintings, prints, and sculptures with the theme "I Am a Negro Woman." In 1946, she received a Rosenwald Fellowship*, and she and her artist husband, Charles White, traveled to Mexico where she became interested in the Mexican working classes. In 1947, she settled permanently in Mexico where she, divorced from White, married artist Francisco Mora...

Pablo Picasso "Diurnes" (Femme Assise En Pyjama De Plage II) 1962 Linocut printed in ochre and brown, 1962, on Arches paper Inscribed "Epreuve D'Artist" (Artist Proof) lower left, as...