Woodcut Figurative Prints

The Torch is an original artwork realized by Gu Yuan in 1981. Original xylograph on paper. Signed and dated on the lower right. Numbered in pencil on the lower left corner: 6/100. Inscribed in pencil on the lower central margin. Mint conditions. Very precious and rare xylograph on the Cultural Chinese Revolution. The work represents several men with traditional Chinese dresses...

Image dimensions: 18 x 11.5 cm. Bellone is an engraving on wood realized by the French artist Jacques Beltrand. The following inscriptions are present: in the middle, inside the mat...

Image dimensions: 15.8 x 9.8 cm. Printemps is an original artwork realized by Jacques Beltrand in 1899. Original woodcut on paper. Inscripted on the lower margin: J. Beltrand - Printemps. Good conditions except for a very small rip on the right upper side. Beautiful and fresh print representing a female figure simbolizing the spring. The young woman is smelling fresh flowers in a garden. The work is a very good example of Art Dèco illustration of that period in which the Art Nouveau was bursting. This beautiful work has been realized by Jacques Beltrand (Paris, 1874 - 1977) a Fresh painter, engraver, xylographer. He collaborated with his father Tony Beltrand from 1890. He soon became a master of the xylograph and book illustrator. He exhibited at the Society of Painters and Engravers of Paris and became a member of the Conseil Supérieur des Beaux-Arts and of the Comité des Tuileries where he exhibited until 1944. Most of his works are preserved in the French Prints Cabinet.

Untitled is a beautiful black and white xylograph on ivory-colored paper, realized in 1945 by the French artist Simon Martin. Signed, dated and numbered in pencil on the lower margi...

The Parrot is an original xilograph on paper realized by an anonymous artist in the XX century. Including a white cardboard passepartout: 69 x 49 cm. Monogram of the artist (AP) on ...

This artwork titled "Trumpeteers" 1976 is an original wood engraving by Russian/American artist Leon Gilmour, 1907-1996. It is hand signed, titled, dated ...

Artist: Steven Campbell, Scottish (1953 - 2007) Title: Frontspiece from Scottish Bestiary Year: 1987 Medium: Woodcut, signed and numbered in pencil Edition: 8/50 Image Size: 22 x 15 ...

On the Beach at Long Branch - The Children's Hour Wood engraving, 1874 Published in "Harper's Weekly" August 15, 1874 (p. 672) Image size: 9 1/4 x 13 5/8 inches Provenance: Wunderlic...

Hadar takes euphoric moments and try to generate a three dimensional feeling with every image inviting the viewer to jump into the game and to be part of it. There's a hidden message...

Raoul Dufy, French (1877 - 1953) - L'Amour La Danse, Year: 1915, Medium: Woodcut on laid paper, signed in pencil, Image Size: 10 x 8 inches, Size: 14.25 x 13.5 in. (36.2 x 34.29 cm...

Tim Engelland (American, 1950-2012) Untitled, 1999 Woodcut 11 x 8 1/2 in. Signed, numbered, and dated topt: T. Engelland, 9/200, 1996 A lifelong artist, Engelland specialized in oil portraits and landscapes, and also worked extensively in woodcuts and linocuts. He was born on Jan. 5, 1950, in Ames, Iowa, the son of Charles Wilbur “Will” Engelland and Patricia Fairman Engelland.. Tim grew up in Terre Haute, IN, attending Fairbanks Elementary School and Indiana State University’s Laboratory School. He knew he wanted to be an artist from an early age, and was mentored by Lab School’s John Laska, graduating in 1968. He received a BFA from Temple University’s Tyler School of Art; was a Norfolk Fellow at Yale University; and received his MFA from Cornell University, teaching there for two years after graduation. He spent the majority of his career, from 1976-2004, at Deerfield Academy, a prestigious preparatory school in Deerfield, Mass. There he taught art and photography, coached basketball and lacrosse, and served as faculty resident. When the school began accepting female students, Tim designed The Deerfield Girl, a bronze statue to accompany The Deerfield Boy statue...

Figurative abstract wood cut print titled "Copula Blanca" by Cecelia Sánchez Duarte. Pencil signed with edition number "3/10," title, and signature bottom margin. Image, 31.25"H x 23...

This came out of a Chicago collection. It appears to be signed Linda Tweed. It depicts a dragon or griffin (phoenix?) like mythological figure. it is done on a fine tissue like pape...

Hand signed in pencil, colored woodcut. Jacob Steinhardt 1887-1968 Steinhardt, Jakob, Painter and Woodcut Artist. b. 1887, Yaacov Steinhardt was born in the then remote, largely Polish town of Zerkow in the Posen District of Germany. (poland/german) Immigrated 1933. Studies: 1906 School of Art, 1906 Studied in Berlin Arts and Crafts School. Berlin; 1907 painting...

Tim Engelland (American, 1950-2012) Untitled, 1999 Woodcut 8 1/2 x 11 in. Signed and dated lower right: T. Engelland, 1999 Numbered lower left: 46/150 A lifelong artist, Engelland specialized in oil portraits and landscapes, and also worked extensively in woodcuts and linocuts. He was born on Jan. 5, 1950, in Ames, Iowa, the son of Charles Wilbur “Will” Engelland and Patricia Fairman Engelland.. Tim grew up in Terre Haute, IN, attending Fairbanks Elementary School and Indiana State University’s Laboratory School. He knew he wanted to be an artist from an early age, and was mentored by Lab School’s John Laska, graduating in 1968. He received a BFA from Temple University’s Tyler School of Art; was a Norfolk Fellow at Yale University; and received his MFA from Cornell University, teaching there for two years after graduation. He spent the majority of his career, from 1976-2004, at Deerfield Academy...

Georg Lemberger (German, c. 1490 – 1540) Matthew the Evangelist Woodcut on paper 5.3/4 x 3.3/4in. (14.5 x 9.6 cm. ) Hollstein, 7. This is from the New German bible...

Rudolf Nehmer (1912 Bobersberg - 1983 Dresden), The Reconciliation, 1948. Woodcut on yellowish wove paper, 20 cm x 15 cm (image), 45 cm x 30 cm (sheet size), signed “Rud.[olf] Nehmer...

Rudolf Nehmer (1912 Bobersberg - 1983 Dresden), The tilt of the day, 1948. Woodcut on yellowish wove paper, 14.3 cm x 15 cm (image), 43 cm x 30 cm (sheet size), signed “Rud.[olf] Neh...

Hand Signed edition of 50 with blindstamp. Surprising Novel Woodblock and heliorelief with handpainting 18-1/2 x 16-1/4 inches (sheet alone without frame) Biography: Sandro Chia was...

A limited edition woodcut on paper print by Mychael Barratt of Vincent Van Gogh with a lady on a walk in london, passing a grand tree and Great Pagoda. The print is compromised of blue, green, purple, pink and yellow tones Additional information: Mychael Barratt  Once upon a time in London, Afternoon [2023] Woodcut on paper Signed and titled in pencil Numbered from the edition of 100  Please note that insitu images are purely an indication of how a piece may look Please note sheet sizes may differ. Image size: Height: 28cm Width: 28cm Complete size of sheet: Height: 39.5cm Width: 38.3cm Depth: 0.1cm ARTIST BIO: Mychael Barratt was born in Toronto, Canada, however, considers himself to be a Londoner since arriving for what was supposed to be a two-week stay thirty years ago. He is a narrative artist whose work is steeped in imagery relating to art history, literature, theatre and everything else that overfills his bookshelves. He was an artist in residence for Shakespeare’s Globe Theatre...

plate signed. Jacob Steinhardt 1887-1968 Steinhardt, Jakob, Painter and Woodcut Artist. b. 1887, Yaacov Steinhardt was born in the then remote, largely Polish town of Zerkow in the Posen District of Germany. (poland/german) Immigrated 1933. Studies: 1906 School of Art, 1906 Studied in Berlin Arts and Crafts School. Berlin; 1907 painting with Lovis Corinth and engraving and etching with Hermann Struck; advanced studies, 1908-10 Paris, with Henri Matisse and Steinlen; 1911 Italy. Teaching: Bezalel, Jerusalem, 1953-57 Director. 1910 Participated in the “New Sezession”, Berlin. 1912 together with Ludwig Meidner and Janthur he founded the "Pathetiker" group very early in the German expressionist movement. Running afoul of the Nazis, he fled to Tel-Aviv and then Jerusalem in the early 30s, showing in “Der Sturm” Gallery. 1914 Exhibited with ludwig Meidner at first Expressionist Exhibition in Berlin. Worked mainly in woodcuts depicting biblical and other Jewish subjects. 1955-58 International awards for his woodcuts. receives graphic commissions from Fritz Gurlitt. 1922 Marries Minni Gumpert. Active in organizing Secession exhibits. 1925 Trips to Mark Brandenburg and Holy Land. Turns primarily to painting; stops work on etchings and lithographs. 1933 Emigrates to the Palestine. 1934 Moves to Jerusalem and opens an art school; attempts some etchings. 1948 Closes the art school and becomes Chairman of Graphics Department, Bezalel School for Arts and Crafts. 1954-57 Director of Bezalel School for Arts and Crafts. Taken up by J. B. Neumann who became the agent for his etchings. Exhibited Sturm Gallery, Herbst-salon. 1914 Outbreak of World War I; Steinhardt enlists in German army. 1916-18 First on Eastern Front in Poland and Lithuania, then after short training period in Berlin, sent to Macedonia. 1917 Exhibition of Lithuanian drawings at Berlin Secession in Spring. Elected member of the Secession. He often used wood-cutting techniques that were popular amongst German Expressionists. Steinhardt was driven to express ideas clearly and decisively through art. Amongst the themes found in his work the prophets of the Bible, such as Jonah, are noticeable. Steinhardt identified deeply with Jonah due to his attempt to run from God's call to duty. Additionally, the image of beggars was often found in Steinhardt's works and in his artistic presentation of the less fortunate, the artist's love for his fellow man becomes evident. Moreover, the grotesque was a theme noticeable in Steinhardt's earliest pieces. These were fantastical images; it was unclear whether or not they were human or demon. In the 1950's, Steinhardt returned to these images upon learning of the Holocaust of Europe's Jews. At that time he resided in New York and there, in the shadow of the skyscrapers, Steinhardt's reaction to WWII was expressed through his art. A Collection of Works by Artists of the Land of IsraelThe Bezalel National Museum, Jerusalem 1940 Artists: Shemi, Menahem Rubin...

Artist: Michael Lin (Taiwanese, 1964 - ) Title: Untitled Year: 2006 Medium: Lithograph and Woodcut, signed, numbered, and dated in pencil Paper Size: 24 x...

Signed lower right, "Hal Stuart" (American, 1892-1982) and inscribed "Tahiti". Color woodblock print showing a Tahitian dancer in traditional dress accompanied by two musicians playing a to'ere and a drum, with lush banana leaves in the background. Hal Steward (Stuart) Wilcox was born in California on March 14, 1892. Wilcox used several aliases for his art works: Piko Siska, Hal Stuart, Michelle Stuart, and Harold Stuart Wilcox. He lived in Laurel Canyon (Los Angeles) in 1931-32 and then made a trip to Tahiti and the Cook Islands. Later in his life he owned a fabric company in Honolulu where he designed native patterned fabric, and was enlisted in the WWI army working on camouflage alongside the "Camofleurs". He went on to do paintings of Mexico...

Vintage chinese woodcut print depicting a theatrical mask. Realized in the mid-20th Century. Framed under glass.

Figurative abstract woodcut print titled "Copula Negra" circa 1990, by Cecelia Sánchez Duarte. Pencil signed with "P/A" (Artist Proof), title, and signature bottom margin. Image, 31....

This came out of a Chicago collection. It appears to be signed Betsey Nelson. It depicts canto from Greek Mythology. Virgil and Dante mythological figures. it is done on a fine tiss...

Joan Snyder has been called an autobiographical, even confessional artist, who draws from her experiences and surroundings to create her paintings. While her subjects vary widely, Sn...

Steel Workers, 1946. By Antonio Frasconi, 1990. "Steel Workers, 1946" is a woodcut and offset lithograph created by Antonio Frasconi in 1990. This p...

Artist: David Preston Title: Something American Medium: Woodcut, signed, numbered, dated, and titled in pencil Image Size: 40 x 30 inches Paper Size: 47 x 32 in. (119.38 x 81.28 cm)

Calapai, Letterio (American, 1902-1993). 8:30 EXPRESS. Wood-engraving, 1943. Edition of 27, numbered "1/27" and titled and signed in pencil. 5 5/8 x 8 3/8 inches (image), 9 1/8 x 12 ...

Rare Set of Four Original Color WDCT Skira 1943 after RABELAIS (François). The Horrible and Terrible Deeds and Prowess of the Renowned Pantagruel, King of the Dipsodes, Son of the ...

Mani Sunset, 2025 Tom Hammick Reduction woodcut in colours On Saunders Waterford wove Signed, titled, dated, numbered and inscribed 'E.V.' (edition variable) From the edition of 25 ...

From a series of wood engravings by Eric Gill. To see them or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Border for The Canterbury Tales...

Venus is a print realized by Olivier Descamps in the early 20th Century.  Woodcut on paper. Signed on the lower Numbered, edition of 50 prints. Good conditions.

From a series of wood engravings by Eric Gill. To see them or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Canterbury Tales...

This is a unique mono print made with different colored inks. The image is 10x8 inches and the paper it is printed on is 16x14 inches. The images is of a young man lying down, dayd...

This came out of a Chicago collection. It appears to be signed Betsey Nelson. It depicts Ulysses from Dante's Inferno from Greek Mythology. mythological figures. it is done on a fin...

This depicts a feast style celebration scene in a style of German Expressionism. hand signed and hand painted in watercolor. Ilya Shenker, Russian/American (1922 - ) As a soldier in World War II, he survived where millions perished. Upon returning to his home town of Odessa, felt abandoned and alone. He studied Art and Architecture in Odessa, but, one of a number of Russian Jewish artists allowed to emigrate, he left for America when the opportunity arose. He settled in New York City, a choice that has forever impacted his oeuvre. Many of his pictures depict New York cityscapes and lifestyle; however, they remain typically Russian. His subject matter often comes from memory and includes the life that he left behind, family, and friends. Drawing upon his Jewish heritage for inspiration, Shenker also paints historical events, such as "On the Eve of the Assault" in which he portrayed the last night before the destruction of Jerusalem. He has also illustrated a number of classics of Russian literature including Alexander Pushkin. His use of imagination also applies to the figures in his expressionist paintings—fictional characters such as the Spanish literary character Don Quixote make appearances in his work. He has also placed figures such as Rembrandt and Picasso in modern settings: in "Rembrandt Visiting our Family," Shenker sits his most favored artist at his family table, in a tribute to someone he describes as a "peoples artist." He is one in a long line of great Soviet Russian Judaica Jewish artists beginning with Yehuda Pen, who founded Russia's first art school for Jews in Vitebsk in 1897 continuing with his students, including Marc Chagall and El Lissitzky, Natan Altman, Leon Bakst and Robert Falk...

John DePol, 'Roadside, Collonges-La Rouge', chiaroscuro wood engraving, 1980, edition 160 in 1983. Signed, dated, and titled in pencil. Signed in the block, l...

John DePol, 'Reflections', chiaroscuro wood engraving, 1979, edition 160 in 1983. Signed, dated and titled in pencil. Signed in the block, lower right. A superb impression, on cream ...

This depicts a wedding scene in a style of German Expressionism. hand signed and hand painted in watercolor. Ilya Shenker, Russian/American (1922 - ) As a soldier in World War II, he survived where millions perished. Upon returning to his home town of Odessa, felt abandoned and alone. He studied Art and Architecture in Odessa, but, one of a number of Russian Jewish artists allowed to emigrate, he left for America when the opportunity arose. He settled in New York City, a choice that has forever impacted his oeuvre. Many of his pictures depict New York cityscapes and lifestyle; however, they remain typically Russian. His subject matter often comes from memory and includes the life that he left behind, family, and friends. Drawing upon his Jewish heritage for inspiration, Shenker also paints historical events, such as "On the Eve of the Assault" in which he portrayed the last night before the destruction of Jerusalem. He has also illustrated a number of classics of Russian literature including Alexander Pushkin. His use of imagination also applies to the figures in his expressionist paintings—fictional characters such as the Spanish literary character Don Quixote make appearances in his work. He has also placed figures such as Rembrandt and Picasso in modern settings: in "Rembrandt Visiting our Family," Shenker sits his most favored artist at his family table, in a tribute to someone he describes as a "peoples artist." He is one in a long line of great Soviet Russian Judaica Jewish artists beginning with Yehuda Pen, who founded Russia's first art school for Jews in Vitebsk in 1897 continuing with his students, including Marc Chagall and El Lissitzky, Natan Altman, Leon Bakst and Robert Falk...

Baskin, Leonard. EDWARD MUNCH JAN.23.1944. Woodcut with hand-coloring, 1990. Signed, titled and dated within the printed sheet, and inscribed "AP" and si...

Luis Miguel Valdes (Cuba, 1949) 'La Paleta III', 2014 woodcut, watercolor on paper Velin Arches 300 g. 12.1 x 15.8 in. (30.5 x 40 cm.) ID: VAL-3G2014-333 Hand-signed by author ______...

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Jean Arp, Dreams and Projects,...

In The Flow - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman Limited Edition 01/04 This masterwork is exhibited in the Zimmerman Gallery, Carmel CA. Immerse yourself i...

Luis Miguel Valdes (Cuba, 1949) 'La Paleta II', 2014 woodcut, watercolor on paper Velin Arches 300 g. 12.1 x 15.8 in. (30.5 x 40 cm.) ID: VAL-3G2014-332 Hand-signed by author _______...

Wings. 1975., Woodcut, 70x50 cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publications. The main directions of Rožkalns' professiona...

"Jose Luis Cuevas (Mexico, 1934-2017) 'Suite Sobre la vida VI (pag suelta)', 2005 woodcut on paper Rives BFK 300 g. 22.1 x 30 in. (56 x 76 cm.) Edition of 50 ID: CUE-129"

Sergio Hernández (Mexico, 1957) 'Untitled', 2016 woodcut on paper 46.9 x 82.7 in. (119 x 210 cm.) Edition of 30 Signed by the author in pencil, lower right. Publisher Taller LSH, Mex...

Artist: Migita Toshihide, Japanese (1862 - 1925) Title: Chinese Generals in Pyongyang Surrender to Japanese Year: 1892 Medium: Woodblock Triptych S...

Original pencil signed Judaic woodcut on mulberry paper. MORTON GARCHIK (1929-2009) Jewish American artist painter, printmaker, illustrator, woodcut artist and author. Garchik was ...

French woodblock print of an artist with press and tools by Valentina La Rocca from 1984. Signed in pencil lower right and numbered lower left. Displayed on a...

Japanese woodblock print of a field with a cat and birds. The print is framed in a black frame with a black matte. It is stamped with a red stamp by the artist. The woodblock print is in the style of Kunihiro Amano.

"Sergio Hernández (Mexico, 1957) 'Untitled', 2011 woodcut on paper 30 x 41.4 in. (76 x 105 cm.) ID: HER-157-2"

Lon Megargee 1883-1960 "The War Bonnet" Wood block print Signed: original pencil signature, lower right Image size: 11 x 11 inches Frame size 22 x 22 inches Creator of Stetson's hat logo "Last Drop from his Hat" Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew...

Morita Kanya XIII As Genta Kagesue in the play Genta Kando Color woodcut, 1928 Signed and stamped middle right edge Natori stamp lower left image edge Series: Collection of Creative...

Victor Hugo Nuñez (Chile, 1943) 'Untitled', 2013 woodcut on paper Guarro Biblos 250g. 30.2 x 22.1 in. (76.5 x 56 cm.) ID: HUV-107 Unframed

Geisha - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman Limited Edition 01/04 This masterwork is exhibited in the Zimmerman Gallery, Carmel CA. Immerse yourself in the...