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Maurice de Vlaminck, Portrait of the Artist, from Vlaminck, 1958 (after)
1958

Name: Maurice de Vlaminck, Portrait of the Artist, from Vlaminck, 1958 (after)
Price: 587.55 CHF
Availability: InStock
Rating: 4.9 (70 reviews)

$716

$89520% Off

£557.90

£697.3820% Off

€632.92

€791.1520% Off

CA$1,029.05

CA$1,286.3220% Off

A$1,133.09

A$1,416.3620% Off

CHF 587.55

CHF 734.4420% Off

MX$13,418.86

MX$16,773.5720% Off

NOK 7,458.63

NOK 9,323.2920% Off

SEK 6,970.94

SEK 8,713.6720% Off

DKK 4,727.19

DKK 5,908.9920% Off

About the Item

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Portrait de l'Artiste (Portrait of the Artist), from the album Vlaminck, originates from the 1958 edition published by Andre Sauret, Editeur, Monte Carlo; rendered by Charles Sorlier, Paris under the supervision of Maurice de Vlaminck, Paris; and printed by Mourlot Freres, Paris, April 7, 1958. Portrait de l'Artiste embodies the bold vitality and chromatic force that defined Vlaminck’s Fauvist spirit, translating his painterly energy into the luminous precision of fine lithography. Executed as a lithograph in fifteen colors on grand velin Renage filigrane a la marque de l'editeur paper, this work measures 12.25 x 9.5 inches overall; 9.25 x 6.25 inches image. Signed in the plate and unnumbered as issued. The edition exemplifies the refined craftsmanship of Mourlot Freres and the exceptional production standards of Editions Andre Sauret, Monte Carlo. Artwork Details: Artist: After Maurice de Vlaminck (1876–1958) Title: Portrait de l'Artiste (Portrait of the Artist), from the album Vlaminck Medium: Lithograph in fifteen colors on grand velin Renage filigrane a la marque de l'editeur paper Dimensions: 12.25 x 9.5 inches overall; 9.25 x 6.25 inches image (31.11 x 24.13 cm overall; 23.5 x 15.88 cm image) Inscription: Signed in the plate and unnumbered as issued Date: 1958 Publisher: Andre Sauret, Editeur, Monte Carlo Printer: Mourlot Freres, Paris; rendered by Charles Sorlier, Paris, under the supervision of Maurice de Vlaminck, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Vlaminck, published by Andre Sauret, Editeur, Monte Carlo, 1958 Notes: Excerpted from the album (translated from French), This album, directed by Andre Sauret, has been completed to print on April 7, 1958. The text, set in characters Jaugeon of body 16, was printed on the presses of L'imprimerie Nationale, Daniel Gibelin being director, and Georges Arnoult inspector of typography. The plates were lithographed in fifteen colors under the direction of the artist with the collaboration of Charles Sorlier. The print run of these lithographs, and the V original lithographies of Vlaminck, were shot on the presses of Mourlot Freres in an edition of MM. About the Publication: Vlaminck, published in Monte Carlo in 1958 under the direction of Andre Sauret, in collaboration with Mourlot Freres and Charles Sorlier, stands among the most vibrant tributes to the Fauvist movement and to Vlaminck’s legacy as one of its founding figures. Conceived in the golden age of postwar French art publishing, this album exemplifies the technical mastery and editorial sophistication that defined the collaborations between Sauret and Mourlot. Printed in fifteen colors on grand velin Renage filigrane a la marque de l'editeur, the album reflects the intensity and spontaneity of Vlaminck’s brushwork, capturing the chromatic energy that made his art revolutionary. Each lithograph was produced under the artist’s personal supervision, ensuring fidelity to his color sensibility and dynamic gesture. This publication joins the landmark series of art volumes issued by Editions Andre Sauret, including those devoted to Picasso, Chagall, Matisse, and Renoir, uniting scholarship, craftsmanship, and artistic vision. Vlaminck endures as both a celebration of Fauvist color and a masterwork of twentieth-century lithographic printing. About the Artist: Maurice de Vlaminck (1876–1958) was a revolutionary French painter and writer whose fearless use of color, movement, and emotion helped define Fauvism and shape the course of modern art. A self-taught visionary, Vlaminck co-founded the Fauvist movement alongside Henri Matisse and Andre Derain, introducing a radical style marked by explosive color, expressive brushwork, and a complete break from academic tradition. Deeply influenced by Vincent van Gogh’s impassioned technique and Paul Cezanne’s structural discipline, he fused raw energy with compositional rigor to create landscapes and still lifes that vibrate with emotional power. His early works—painted in the “Cradle of Fauvism” at Chatou—ignited the Parisian avant-garde, earning him a reputation as one of the most instinctive and daring artists of his generation. Unlike his contemporaries Pablo Picasso, Joan Miro, Wassily Kandinsky, Salvador Dali, Marcel Duchamp, Alexander Calder, Alberto Giacometti, and Man Ray, who explored abstraction, surrealism, and conceptual experimentation, Vlaminck remained devoted to direct, visceral expression, using paint as a vehicle for pure emotion. His art evolved from the blazing chromatic intensity of Fauvism to a more somber, structured lyricism that bridged the gap between Expressionism and modern realism. Vlaminck’s bold gestural style and instinctive approach influenced generations of artists, from Jean Dubuffet, Nicolas de Stael, and Karel Appel to Jackson Pollock, Willem de Kooning, and Anselm Kiefer, all of whom drew inspiration from his authenticity and defiance of convention. His landscapes and village scenes—rendered with thick impasto, turbulent skies, and luminous contrasts—capture the enduring vitality of rural France and the tension between chaos and serenity. Vlaminck’s work is represented in major museums worldwide, including the Centre Pompidou, Musee d’Orsay, Metropolitan Museum of Art, and Tate, where it continues to resonate for its emotional immediacy and masterful handling of color and form. Standing alongside innovators such as Picasso, Calder, Giacometti, Dali, Miro, Kandinsky, Duchamp, and Man Ray, Vlaminck remains one of the defining forces of 20th-century modernism. The highest auction record for Maurice de Vlaminck was achieved by Paysage de banlieue (circa 1905), which sold for $22,482,500 USD at Christie’s, New York, on May 8, 2011, reaffirming his legacy as one of the most influential and collectible painters in modern art history. Maurice de Vlaminck Portrait de l'Artiste Portrait of the Artist Vlaminck Andre Sauret Monte Carlo 1958 lithograph Fauvism Modernism.

Creation Year:
1958
Dimensions:
Height: 12.25 in (31.12 cm)Width: 9.5 in (24.13 cm)
Medium:
Lithograph
Movement & Style:
Fauvist
After:
Maurice de Vlaminck (1876-1958, French)
Period:
1950-1959
Condition:
Gallery Location:
Southampton, NY
Reference Number:
1stDibs: LU1465216831412

Located in Paris, IDF

Amedeo MODIGLIANI (1884-1920) (after) Vlaminck smoking a pipe Lithograph from a drawing of the artist Signed in the plate On Arches vellum 48 x 36 cm (c. 19 x 14,2 in) Limited to 30...

Category

1910s Modern Portrait Prints

Materials

Lithograph

Vlaminck smoking a pipe - Lithograph signed in the plate

$470

Maurice de Vlaminck - Portrait - Original Lithograph

By Maurice de Vlaminck

Located in Collonge Bellerive, Geneve, CH

Maurice de Vlaminck - Portrait - Original Lithograph 1956 Signed in the plate Dimensions: 22 x 16 cm Publisher: Sauret. Frontispice of The Hunger

Category

1950s Abstract Expressionist Abstract Prints

Materials

Lithograph

Maurice de Vlaminck
Maurice de Vlaminck - Portrait - Original Lithograph, 1956

$1,294

Maurice de Vlaminck, Portrait of the Artist, from Vlaminck, 1958 (after)1958

About the Item

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