Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Max Pollak
Guatemala

c. 1940

About the Item

Artist: Max Pollak Title: Guatemala Year: Circa 1940 Medium: Color etching Edition: Numbered 74/100 in pencil Paper: Wove Size of image: 5 x 5.5 inches Signature: Hand signed in pencil by the artist Publisher: The artist Printer: The artist Condition: Excellent Frame: Framed in a beige and gold wooden frame with fabric matting Description: The size including frame is 9.85 x 10.25 inches Max Pollak, painter and printmaker, was born in Prague, Czechoslovakia on February 2, 1886. He was raised in Vienna and, in 1902, at sixteen years of age he entered the Vienna Academy of Art. He studied painting and printmaking under William Unger and Ferdinand Schmutzer. In 1912, he traveled to Italy, France, and Holland to study and paint. During the First World War, he was appointed painter of the Austrian Army. He immigrated to the U.S. in 1927, living for a time on the East Coast where he traveled about and produced an amazing series of color aquatints of New York, Cincinnati, and Detroit. His first exhibition at the 57th Street Art Gallery in New York was a commercial success and he was commissioned by Theodore Dreiser in 1929 to illustrate his book, My City, and eight of Pollak's color aquatints are reproduced in the book. In 1938, Pollak and his wife, Friedl, moved to San Francisco, California. Pollak was inspired by his new city and its environs and produced beautiful views of San Francisco, the Golden Gate Bridge, and Sausalito. Later travels were to Mexico and Guatemala. Pollak was equally facile working in drypoint, aquatint, and soft ground etching. One of his specialties was portraiture and he produced a number of drypoints of noteworthy people and dancers. Some of his color aquatints of San Francisco and Sausalito were derived from views from his homes in those cities. His graphic oeuvre is comprised of over 500 prints for which he won numerous awards including the Chicago Society of Etchers prize in 1942, and the California Society of Etchers awards in 1942, 1944, and 1945. Pollak exhibited at the Golden Gate International Exposition in 1939 and had numerous solo exhibitions, including a 1928 show in New York, a 1940 show at the California Palace of the Legion of Honor, and a 1973 exhibition at the Triton Museum in Santa Clara. He was a member of the Chicago Society of Etchers and the California Society of Etchers and his work is represented in the Oakland Museum of California Art, the Metropolitan Museum of Art, the New York Public Library, the Smithsonian American Art Museum, the de Young Memorial Museum, the Achenbach Foundation for Graphic Arts, and the British Museum, the Judah L. Magnes Museum, and Princeton University. Max Pollak died in Sausalito, California on May 29, 1970.
  • Creator:
    Max Pollak (1886 - 1970, Austrian)
  • Creation Year:
    c. 1940
  • Dimensions:
    Height: 9.85 in (25.02 cm)Width: 10.25 in (26.04 cm)Depth: 1.5 in (3.81 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    San Francisco, CA
  • Reference Number:
    Seller: 101921stDibs: LU66632518951
More From This SellerView All
  • Five Pigeons (Jardin du Luxembourg, Paris)
    By Harold Altman
    Located in San Francisco, CA
    Artist: Harold Altman (American, 1924-2003) Title: Five Pigeons (Jardin du Luxembourg, Paris) Year: 1981 Medium: Original color etching with aquatint Edition: Numbered 75/200 in pencil Paper: Arches Image (plate mark) size: 11.75 x 8.25 inches Framed size: 24.5 x 17.65 inches Signature: Hand signed and titled in pencil by the artist Condition: It is in very good condition, the matting have some marks, see picture #1 Frame: Custom framed in a wooden silver frame frame, with fabric matting and brownish green fillet. About the artist. Printmaker Harold Altman was an etcher, painter, and teacher, who was born in New York City in 1924. He attended the Art Students League, 1941-42 and Cooper Union, (Graduate in Fine Arts), 1941-47, both in New York City. In 1946, he attended Black Mountain College, North Carolina and then went on to The New School, New York City 1947-49. Finishing his extensive art education at the L'Academie de la Grande Chaumiere in Paris 1949-52. Altman settled in the central Pennsylvanian village of Lemont in 1962, where a nineteenth-century frame church serves as his studio. Approximately four months out of the year are spent working in Paris where his lithographs are printed at Atelier DesJobert. In previous years, his etchings were printed at Atelier George LeBlanc. Altman's landscapes and figurative works have been exhibited at numerous galleries and museums, both in the United States and abroad. He is represented in nearly every significant collection in the world. New York's Museum of Modern Art owns over forty Altmans while the Whitney Museum of American Art and Brooklyn Museums each have over fifty of his works in their permanent collections. His work is to be found in many significant museum collections outside of the United States, several of which are the Victoria and Albert Museum of London, the Stedelijk Museum of Amsterdam, the Kunst Museum of Basel, the Royal Museum of Fine Arts of Copenhagen and the Bibliotheque Nationale of Paris. OVER 300 ONE-MAN EXHIBITIONS (PARTIAL LISTING) Galerie Huit - Paris (1951) The Art Institute of Chicago - (1960) The Escuela Nacional de Artes Plasticas - Mexico City (1961) The San Francisco Museum of Art - (1961) The Santa Barbara Museum of Art - (1961) Oklahoma Art Center - (1966, 1976) The Southeastern Center for Contemporary Art - Winston-Salem, NC (1976) Milwaukee Art Center - (1969) The Print Cabinet...
    Category

    Late 20th Century American Impressionist Landscape Prints

    Materials

    Etching, Aquatint

  • Sunrise
    By Kaiko Moti
    Located in San Francisco, CA
    This artwork titled "Sunrise" 1978, is an original color aquatint on rice paper by noted Indian artist Kaiko Moti, 1921-1989. It is hand signed and numbered LXXIV/LXXV in red pencil...
    Category

    Mid-20th Century Impressionist Landscape Prints

    Materials

    Aquatint

  • La Pianiste (epuise)
    By Etienne Ret
    Located in San Francisco, CA
    Artist: Etienne Ret (French, 1900-1996) Title: La pianiste (Epuise) Year : Circa 1970 Medium: Color etching with aquatint Image (plate mark) size: 19...
    Category

    Late 20th Century Impressionist Figurative Prints

    Materials

    Etching, Aquatint

  • Marins et Femmes de Pecheurs Bretons sur les Quais
    By Manuel Robbe
    Located in San Francisco, CA
    Artist: Manuel Robbe (French, 1872-1936) Title: Marins et Femmes de Pecheurs Bretons sur les Quais Year: c.1930 Medium: Etching with aquatint Paper: B.F.K Rives Image (plate mark...
    Category

    1930s Impressionist Figurative Prints

    Materials

    Aquatint

  • Le Retour Des Pecheurs
    By Manuel Robbe
    Located in San Francisco, CA
    Artist: Manuel Robbe (French, 1872-1936) Title: Le Retour Des Pecheurs Year: 1933 Medium: Etching with aquatint Paper: B.F.K Rives Image (plate mark) size: 1...
    Category

    1930s Impressionist Figurative Prints

    Materials

    Aquatint

  • Arch Beach, California
    Located in San Francisco, CA
    This artwork titled "Arch Beach, California" c.1910 is an original etching on Wove paper by American artist Harley DeWitt Nichols, 1859-1939. It is hand signed and titled in pencil by the artist. The plate mark (image) size is 6.5 x 9.5 inches, framed size is 13 x 17 inches. it is custom framed in a wooden silver frame, with off white matting. It is in excellent condition, especially considering the age. About the artist: Born in the small rural Wisconsin town of Barton, Harley lived a peripatetic life. As a young child, he accompanied his family to Lincoln, Nebraska where he found great excitement in the roaming herds of buffalo and Native Americans. It was in these years that a talent for drawing was discovered. In 1870, after several years of hardship, his father moved the family back to Wisconsin. At the age of 11 he became a water boy...
    Category

    Early 20th Century American Impressionist Landscape Prints

    Materials

    Etching

You May Also Like
  • Dance at Gopsmor /// Impressionist Swedish Anders Zorn Etching Party Antique
    By Anders Zorn
    Located in Saint Augustine, FL
    Artist: Anders Zorn (Swedish, 1860-1920) Title: "Dance at Gopsmor" *Signed by Zorn in pencil lower right. It is also signed and dated in the plate (printed signature) lower left Year: 1906 (second state of two) Medium: Original Etching on cream Van Gelder Zonen laid paper Limited edition: approx. 50 impressions Printer: the artist Zorn himself, Mora, Sweden Publisher: the artist Zorn himself, Mora, Sweden Reference: Asplund No. 197; Hjert & Hjert No. 205; Loys Delteil No. 192 Framing: Recently framed in a gold ornate moulding and fabric matting from Holland. All archival Framed size: 22.75" x 18.25" Sheet size (irregular margins): 16.5" x 11" Image size: 11.88" x 7.75" Condition: A strong impression in very good condition Very rare Notes: Provenance: private collection - Chicago, IL; acquired from Rothschild & Company, Chicago, IL in the early 1900's. Fleur-de-lis shield with text underneath (Van Gelder Zonen) watermark in center of sheet. "Towards the end of the nineteenth century and at the beginning of the twentieth century, Anders Zorn became increasingly interested in the history and ancient traditions of his native town Mora and its wider cultural territories which at the time, as a result of industrialisation and urbanisation, were begining to disappear. In 1904, Anders Zorn purchased an ancient farmhouse which he moved to the parish of Gopsmor, situated by the river Dal, North-West of Mora. The simple ritualistic lifestyle of its people, with whom he felt affinity, and Gopsmor's geographical isolation, became for Zorn, a place of refuge for the cosmopolitan artist". - Christie's, London, UK Biography: Anders Leonard Zorn...
    Category

    Early 1900s Impressionist Figurative Prints

    Materials

    Laid Paper, Etching, Intaglio

  • Le Bouquet de Violettes (The Bouquet of Violets) /// Figurative Impressionist
    By Manuel Robbe
    Located in Saint Augustine, FL
    Artist: Manuel Robbe (French, 1872-1936) Title: "Le Bouquet de Violettes (The Bouquet of Violets)" *Signed by Robbe in pencil lower right Year: 1903 Medium: Original Hand-Colored Etc...
    Category

    Early 1900s Impressionist Figurative Prints

    Materials

    Etching, Aquatint, Watercolor, Laid Paper, Intaglio

  • The Swan
    By Anders Zorn
    Located in New York, NY
    A very good impression of this etching printed in dark brown on cream laid paper. Signed in pencil by Zorn. Catalogue reference: Asplund 269; Hjert/Hjert 276
    Category

    1910s Impressionist Nude Prints

    Materials

    Etching

  • Venus
    By James Abbott McNeill Whistler
    Located in New York, NY
    A brilliant, richly-inked impression of this etching and drypoint printed in dark brownish black on antique cream laid paper with very strong contrasts....
    Category

    1850s Impressionist Nude Prints

    Materials

    Drypoint, Etching

  • Afternoon Tea Party
    By (after) Mary Cassatt
    Located in Fairlawn, OH
    Afternoon Tea Party Drypoint and aquatint printed in colors, printed 1991 Initialed in the center of the plate Condition: Excellent Archival framing with silk matting, finished corner gold...
    Category

    1890s Impressionist Figurative Prints

    Materials

    Aquatint

  • Le Gamin (The Kid)
    By Édouard Manet
    Located in Fairlawn, OH
    Le Gamin (The Kid) Etching on laid paper, 1862 Signed in the plate upper left (see photo) As published in Theodore Duret, L'Histoire d'Edouard Manet et de Son Ouvre, 1902 (The first ...
    Category

    1860s Impressionist Figurative Prints

    Materials

    Etching

Recently Viewed

View All