Niccolo Schiavonetti jr.

Jacob beholds Joseph's bloody robe

1800-1849

Carl August Walther (1880 Leipzig - 1956 Dresden): Bookplate for Max Brückner-Rüggeberg, 1912, Etching Technique: Etching on Paper Inscription: Signed and dated by the artist lower...

Giorgio Sommer (1834 Frankfurt on the Main - 1914 Naples): View of the magnificent Palazzo Borromeo on Isola Bella, Lake Maggiore, c. 1880, albumen paper print Technique: albumen pa...

Carl August Walther (1880 Leipzig - 1956 Dresden): The mill fire, proof with border incursion, 20th century, Etching Technique: Etching on Paper Inscription: Inscribed and signed b...

Carl August Walther (1880 Leipzig - 1956 Dresden): Mill backlit, 1913, Etching Technique: Etching on Paper Inscription: Monogrammed and dated in the printing plate, inscribed, numb...

Carl August Walther (1880 Leipzig - 1956 Dresden): Piazza Duomo in San Gimignano, 2 Probedruck, 20th century, Etching Technique: Etching on Paper Inscription: Monogrammed in the pr...

Carl August Walther (1880 Leipzig - 1956 Dresden): Portrait of Vera, The Artist's Wife, proof print, 1908, Etching Technique: Etching on Paper Inscription: Signed and dated in the ...

The Martyrdom of Saint Agatha after the painting by his father, Giovanni Battista Tiepolo (see photo) Etching, c. 1780 Signature: unsigned Watermark: Let...

This is an excellent example of the kind of portraiture produced by Castiglione during the early part of the 17th century. In the image, we see the visage of a man with a mustache, wearing a fur-lined hat topped with a feathery decoration. The image is reminiscent of the work of Rembrandt van Rijn, himself known for his portraits in the form of etchings. 4 x 3.5 inches, image 15.25 x 13.25 inches, frame Inscribed "GC" in the plate, lower left This impression is from the edition ca. 1825 from the original plate of ca. 1635. Unlike many Italian artists, Giovanni Benedetto Castiglione was profoundly influenced by foreigners. He first studied with local artists in his native Genoa, absorbing not only Tuscan Mannerism and Caravaggism but also the style of Peter Paul Rubens, who had worked in Genoa. From 1621 Castiglione also worked in Anthony van Dyck's Genoa studio. Early on, he was attracted to Flemish animal...

Signed and numbered from the edition of 30. This is one of four prints in a series of prints based on the sixteenth century engraver Hendrick Goltzius' "The Four Disgracers". The tex...

The original design for the top half was formally attributed to William Hogarth, according to the Met Museum, and published by John Bowles in 1728. The edition here has a second half...

Image dimensions: 20.4 x 27.5 cm. Hunting Scene is a wonderful black and white etching on thick laid paper, realized by the Italian master, Antonio Tempesta (1555-1630). Monogramm ...

Interior Meeting is an original etching realized by Cornelis Meyssens ( 1640-1573). Good conditions, except for some foldings. Included a Passepartout: 34 x 49 cm The artwork repres...