Nicholas Cochin

Portraits after Raphael - Etching by Nicholas Cochin - 1755

1755

Portrait after Raphael is an etching realized by Nicholas Cochin in 1755. Signed in the plate. Good conditions with foxing and folding. The artwork is depicted through confident s...

Portrait after Raphael is an etching realized by Nicholas Cochin in 1755. Signed on the plate. Good conditions. The artwork is depicted through confident strokes. The etching was...

Portrait is an etching realized by Jean Francois Poletnich in 1755. Signed in the plate. Good conditions with foxing and stain. The artwork is depicted through confident strokes. ...

Portrait after Raphael is an etching realized by Nicholas Cochin in 1755. Signed in the plate. Good conditions with foxing and folding. The artwork is depicted through confident s...

This is an 18th century engraving and etching entitled "Parmigiani Amica" by Robert Strange after a painting by Girolamo Francesco Maria Mazzola, better known as Parmigianino, who lived during the Renaissance period. It was published in London in 1774. As the inscription states, the painting was in the collection of the King of Naples at the time the engraving was made. The engraving depicts a half-length portrait of a young woman, known as Parmigiani's Amica (meaning "female friend" in Italian). She is depicted wearing a simple but elegant dress with a low-cut neckline, which reveals her delicate features and graceful neck. Her hair is arranged in a simple yet stylish manner. She is turning to the right to look lovingly at her infant, which she is holding with her right arm. She is touching the baby's mouth with her left hand. The background of the engraving is plain and unadorned, allowing the viewer to focus entirely on the subject of the portrait. The result is a beautiful and timeless image that captures the essence of Renaissance portraiture. The engraving is printed on watermarked paper. The sheet measures 16.25" high and 12' wide. The sheet is adhered to paper in its upper corners and it has been removed from the paper in its lower corners. There is some mild discoloration and some wrinkling in the margins, including the lower inscription area, and a small dark spot in the upper margin, which may represent a drop of ink occuring at the time of printing. These issues do not involve the image, which is in very good condition. The print is held by several museums and institutions, including: The Metropolitan Museum of Art in New York, The British Museum in London, The Royal Museums of the UK, The British National Trust...

Bust portrait of two young girls. Colour engraving in crayon manner after François-André Vincent. each 50.8 x 37.4 cm. Circa 1788, Leymarie 662, IFF 6, 74. This sheet is a typical ex...

Miss Harvey, the Beautiful Albiness, Regency era. 1869 (lithograph). Miss Harvey, the Beautiful Albiness, Regency era. 1869 (lithograph) by Cooper, Robert (fl.1800-36); Private Coll...

French School 18th Century, L'étonnement, Astonishment as a form of expression, Titled on the lower right "L'étonnement N°9" Black chalk on paper 43 x 29 cm In good condition, a sta...