Nick Cave

Head Dressed

2019

Arla Lucia is an evocative portrait by Indigenous artist Cara Romero. Romero focuses her lens on Native peoples in order to redefine cultural perceptions. ...

Screen print, archival inkjet, acrylic gloss varnish Edition of 30 The artist’s cubist-like portraits find inspiration in traditional West African masks...

Constellations is a framed color lithograph, measures at 56.5 x 31.5 inches, is a small edition of 42 and printed on beautifully delicate Nepal Himalayan paper. Constellations was pr...

Over the course of her prolific and radical career, Nancy Graves became a master of translating the primary data of soft science disciplines such as archaeology and anthropology into empirically informed, expressive works, such as "Canopic Prestidigitation." A large-scale, 23-color lithograph, Canopic Prestidigitation is as technically masterful as it is conceptually layered. Graves combines the Egyptian visual lexicon of the afterlife and allusions to European Renaissance masterworks to catalyze heuristic understandings of cross-cultural communication—Figures rendered in the hybridized profile-portrait style of Egyptian hieroglyphs float through a swirling and subtle maze of neo-classical architectural suggestions, while a disembodied hand reminiscent of Michelangelo’s "The Creation of Adam" reaches out through a frothing red portal. A cast-paper representation of Horus perches in the bottom right corner of the work, a nod to the symbolic language of the print and Graves’ multi-disciplined artistic approach. When read together, the elements of Canopic Prestidigitation become an artistic interpretation of the intangible qualities of social science...

Kiss Cross is a 2006 lithograph with brightly colored hand sewn elements by dynamic duo Ghada Amer and Reza Farkhondeh. Kiss Cross is from an edition of 25 plus artist and printers p...

Edition of 80

Barbra Stresiand "Belle of 14th Street" 1973 CBS TV Special 20th Century Litho Signed and numbered 10/150 in pencil, lower margin. Etching, 13.5” x 9.75”. Framed 21.25” x 17.25”. Pulled in 1975. Belle of 14th Street After two successful television shows on CBS, Barbra's manager, Marty Erlichman told the press, “We don't intend to go to the well once too often. The next special will have other performers. However, Barbra will never become just another hostess for just another musical variety show. Whatever we decide to do in the future shows, she will dominate in a unique fashion.” Barbra’s third television special for CBS and her sponsor, Monsanto, was titled The Belle of 14th Street . In February 1966, shortly after finishing up Color Me Barbra , Streisand and husband Elliott Gould took a second honeymoon in Paris. The trip was financed by her television corporate sponsor, Chemstrand. Barbra told the press, “I’m here to purchase the wardrobe for my next TV special. Cost is no object because my sponsor is picking up the tab.” At that point the theme of her third TV show would be fashion, and Paris offered many couture choices. Barbra was seen at a Dior fashion show wearing not the designer’s clothes, but a jaguar suit and hat she had designed herself. In all, it is said Barbra chose nine Dior outfits at a cost of $150,000. However, Barbra Streisand's third television special for CBS was postponed. In March 1966, Barbra flew to London to appear at the Prince of Wales Theatre in Funny Girl . Shortly after beginning her run in London, Barbra announced her pregnancy. Not only did that cause her concert tour to be abbreviated, but Barbra’s television special was postponed as well. Barbra told the BBC in July 1966: “I also can’t do my third television show, which I was supposed to do here [London].” Returning to the States, Barbra performed four concert dates, and then retired to enjoy the rest of her pregnancy and give birth to her son, Jason, in December 1966. CBS and Chemstrand wanted a new special by the end of 1967, therefore production on the show picked up momentum in March 1967. (Barbra was due in Hollywood in May to begin shooting the Funny Girl film.) The format and theme of the television show had changed, too. Instead of centering on fashion, Barbra’s next special would be situated in a 1900’s Vaudeville theater. “We were all determined that the show not be just a variety format,” director Joe Layton said. “We wanted something different. So we hit upon the idea of restaging a vaudeville performance. All the acts, songs, skits and specialties had to be derivative of the period between 1895-1912.” Barbra’s creative collaborators did meticulous research on Vaudeville — “We even called George Burns in Hollywood and Jack Pearl,” said Barbra’s manager, Marty Erlichman. Entitled The Belle of 14th Street , the new special would allow Barbra to play several different characters but not have to shoulder the burden of carrying another one-woman show—this time Streisand would be accompanied by guest stars: Broadway actor Jason Robards; Vaudeville veteran John Bubbles; and Lee Allen...

"Cabaret" Liza Minnelli Joel Grey Broadway Film Academy Tony Award Musical Signed and numbered 111/150 in pencil, lower margin. Etching with aquatint, 13.75” x 9.75”. Framed 22.25...

"Laurel and Hardy" Iconic Comedians Hollywood Royalty Comedy Movie Stars 135/150 Al Hirschfeld (1903 - 2003) Laurel and Hardy Hand-signed Limited Edition Etching Plate Size: 17 1/4 ...

"Phantom of the Opera, Journey" Broadway Musica lAndrew Lloyd Webber Tony Awards Al Hirschfeld (American, 1903-2003). A signed and numbered limited edition lithograph on rag paper. "The Journey" a caricature depiction from "The Phantom of the Opera...

"Judy Garland" Legendary Film and Recording Star. Gay Icon. 20th Century Litho Judy - All Star Variety - Garland. Signed and numbered 19/150 in pencil, lower margin. Etching and aqu...

Offset Lithograph, Limited Edition from an edition of 175. Signed in pencil, lower right and framed in a handmade gold leaf frame. Based on an original Pastel drawn in Fontainebleau, during the summer of 1921. This neoclassical head...