Want more images or videos?
Request additional images or videos from the seller
1 of 7
Oli SorensonModerna2021
2021
$700
£537.57
€616.05
CA$985.43
A$1,103.90
CHF 575.23
MX$13,465.25
NOK 7,309.86
SEK 6,892.68
DKK 4,598.02
About the Item
Building on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and videos, Oli Sorenson’s Capitalocene? turns to the economic system that underlies this era. Where Anthropocene names a geological epoch defined by human activity, Capitalocene disputes the former term’s homogenization of humanity within a single category, refuting its equal attribution of responsibility for the impacts of an economic system predicated on unequal distribution of power. Capitalocene? ponders instead on a much smaller subset of humanity: the so-called 1%, whose choices and lifestyles drive anthropogenic climate change and who are nonetheless largely sheltered from its impacts. Avoiding didacticism in favour of critical engagement, Sorenson’s framing of the term as a question invites viewers to reflect on responsibility and complicity for themselves, and to find answers in their own terms.
A digital Pop aesthetic permeates the exhibition, which features works on paper and canvas, video, and online NFTs. Neon-toned graphics evoke informational and material excess in the form of abstracted cargo ships on waterways and repeating icons of automobiles, fuel containers, shopping bags, and vaccine vials. Collectively, these images suggest the immensity of global supply chains by referencing processes of mass production, transportation, distribution, consumption, and disposal. Sorenson creatively borrows from Pop and Neo-Geometric Conceptualism, making tactical use of repetition and geometric abstraction to describe the monumental scale and impact of human economic activity under capitalism. Relentlessly bright tones echo the advertising screens of consumerist visual culture: the desire to catch and hold the eye, the failed promise of infinite material prosperity..
What at first appears as a contradiction – the inclusion of NFTs (Non-Fungible Tokens) in an ecocritical exhibition – serves to open up another realm for consideration: the art world’s complicity in global capital. Conscious of the massive energy footprint of conventional NFTs, Sorenson opts to use cleanNFTs which consume an infinite fraction of energy, in comparison to those based on dominant crypto-currencies. This deliberate gesture underscores that viable alternatives are available today, in NFTs as in other economic sectors. Yet as these approaches involve less money per transaction and fewer intermediaries, Sorenson notes, ecological solutions are sidelined in the interest of profit.
Capitalocene? does not explicitly name a culprit of climate change. The exhibition does, however, convincingly illustrate how the dominant economic system of capitalism prescribes an array of human activities whose ubiquity and sustained repetition, carried out in plain sight and sanctioned by those in power, shapes life on a planetary scale to dire ends.
- Creator:Oli Sorenson
- Creation Year:2021
- Dimensions:Height: 20 in (50.8 cm)Width: 20 in (50.8 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Montreal, CA
- Reference Number:1stDibs: LU4769567982
Oli Sorenson’s remix art was first recognised in London, after taking part in numerous media art events at the Institute of Contemporary Art (2003-06), Tate Britain (2006), and the British Film Institute (2008-10). He also gradually established an international profile when performing at ZKM (Karlsruhe, 2002), ISEA (Helsinki, 2004), Mapping (Geneva, 2009) and Sonica Festivals (Ljubljana, 2012). After moving to Montreal in 2010, Sorenson redirected his work towards gallery based projects, and since exhibited at The Power Plant (Toronto, 2014), FILE (Sao Paulo, 2015), Monitoring (Kassel, 2017) and Art Mûr (Berlin, 2018). Sorenson consistently disrupts institutional expectations of the visual artist as a producer of proprietary images. His work exposes the contradictions between limited copyright and massively reproducible media but also asks timely questions about singular authorship in an age of overabundant networked content. Under such conditions, the making of a contemporary work of art involves more distributed processes than isolated generative acts from original authors. Beyond market pressures to produce new and exclusive art objects, lies a material culture of exchange and emulation embraced by networked societies. Sorenson aims to unsettle this prevalence of art created from scratch by promoting gestures of citation and appropriation. When he copies, transforms and combines existing works by established artists, such cultural materials are re-used and recycled not in spite of their propertied ties to private estates but rather by virtue of their belonging to a specific heritage, community and/or collective memory.
About the Seller
5.0
Vetted Professional Seller
Every seller passes strict standards for authenticity and reliability
Established in 1996
1stDibs seller since 2014
105 sales on 1stDibs
- ShippingRetrieving quote...Shipping from: Montreal, Canada
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllPfizer
Located in Montreal, Quebec
Building on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...
Category
2010s Contemporary Figurative Prints
Materials
Archival Paper, Digital
AstraZeneka
Located in Montreal, Quebec
Building on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...
Category
2010s Contemporary Figurative Prints
Materials
Archival Paper, Digital
Abdala
Located in Montreal, Quebec
Building on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...
Category
2010s Contemporary Figurative Prints
Materials
Archival Paper, Digital
Janssen
Located in Montreal, Quebec
Building on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...
Category
2010s Contemporary Figurative Prints
Materials
Archival Paper, Digital
Crédit
Located in Montreal, Quebec
Building on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...
Category
2010s Contemporary Figurative Paintings
Materials
Enamel
$3,500
Carcasse
Located in Montreal, Quebec
Building on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...
Category
2010s Contemporary Figurative Paintings
Materials
Canvas, Acrylic
You May Also Like
Do Not Enter
By Rick Garcia
Located in Chicago, IL
Archival Ink on Museum Quality Rag Paper
Available in the following sizes:
16 x 20 inches
24 x 30 inches
30 x 40 inches
Edition size: 25
Please inquire regarding framing
Rick Garcia's RAG13 Collection is inspired by the observation that there has been a significant and permanent change in our public and private lives. These artworks use symbolism to illustrate how the ubiquitous presence of suspicion and the act of being a suspect have both become a way of life. Adults and children are shown as generic solid shapes with parts missing to indicate loss of identity and the relinquishing of certain rights. The watchful eye of authority is always present as a figure dressed in black with three white stripes. All of the figures have a red dot to symbolize the human heart; how we are all connected. This red dot also represents being a target or a person of interest. Overall, this latest series creates a surreal flow of images, colors, and shapes blending into a beautiful and poignant work of art.
About the Artist:
"Photography has been part of my creativity throughout my life and more recently has become influential in my abstract work on canvas. The magical shapes of water gracefully floating or scattering in mid-air reveals the true god-like essence of nature. I am fascinated studying these images of bright tiny mercury-like globes, silky trails, dancing droplets and crystal clear languid sheets. "
Rick Garcia was born in Havana, Cuba, and very soon after, his parents relocated to Miami, Florida. He was always encouraged to follow his dream of pursuing and developing his talent in art. In later years he found a deep-rooted connection to surrealism, especially the work of Salvador Dali. Garcia had become obsessed with the unique images and amazing technique of the Spanish painter and he eventually traveled to Port Lligat, Spain to visit the home and surroundings of his mentor.
After years of attending the Art Institute of Miami, where he refined his artistic vision in drawing and painting, he was soon earning an income from published illustrations. Garcia has enjoyed a rich and diverse career starting with the hit TV show "Miami Vice" commissioning him to create a mural on the side of a three story building, and used his paintings for interior shots.
Apart from a growing number of private commissions, his distinctive images were commissioned by The United Nations Postal Administration in 1998 and 2003. His stamps brought awareness to the growing extinction of the rainforest and its inhabitants, and followed with the 50th Anniversary of the World Health Organization, bringing awareness to the vanishing supply of freshwater, where it earned him the prestige of the most beautiful stamp series of 2003.
Garcia was chosen as an "Absolut Artist of the 90s" in the popular vodka ad campaign and with his second piece Absolut Electric, this further drew worldwide attention.
1998, 1999, and 2001 garnered him the distinction of official artist to The Grammy Awards where his creations influenced the look of the live broadcast and graced the covers of the official program book, CDs, posters, apparel, and other various items. His work included portraits of stars such as Destiny's Child, Ricky Martin, Coldplay, Santana, Celia Cruz...
Category
21st Century and Contemporary Contemporary Abstract Prints
Materials
Archival Ink, Rag Paper, Digital
Bold Abstract 4
By Gary Andrew Clarke
Located in New York, NY
ABOUT THIS PIECE: Gary Andrew Clarke is a digital artist and painter. He lives in Manchester, England. The central preoccupation of his work is one of creating simple flirtatious enc...
Category
2010s Abstract Prints
Materials
Photographic Paper
Abstract I
Located in New York, NY
ABOUT THIS ARTIST: Clara Masiá lives in Barcelona and studied art and design at Massana School. As an illustrator, Clara considers herself a very observant and detailed person where ...
Category
2010s Abstract Prints
Materials
Photographic Paper
Bold Abstract 3
By Gary Andrew Clarke
Located in New York, NY
ABOUT THIS PIECE: Gary Andrew Clarke is a digital artist and painter. He lives in Manchester, England. The central preoccupation of his work is one of creating simple flirtatious enc...
Category
2010s Abstract Prints
Materials
Photographic Paper
#73, Abstract, Photography, Painting, Expressionism
By Joachim Schmeisser
Located in München, BY
Unique piece
More sizes and an Essay from Lyle Rexer about this series on request.
Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...
Category
2010s Abstract Abstract Paintings
Materials
Pigment
#73, Abstract, Photography, Painting, Expressionism
By Joachim Schmeisser
Located in München, BY
Unique piece
More sizes and an Essay from Lyle Rexer about this series on request.
Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...
Category
2010s Abstract Abstract Paintings
Materials
Pigment
More Ways To Browse
Erte Autumn
Erte Diana
Erte Letter R
Erte Zsa Zsa
Fabio Mauroner
Faith Ringgold Groovin High
Ferdinand Schmutzer Etching
Ferdinand Schmutzer
Fini Tristan Isolde
Fragrance Of Park City
Francisco Zuniga Woman Drinking
Franciska Clausen
Friedrich Meckseper
Fritzi Brod
George Rouault Crucifixion
Giorgio Morandi On Sale
Girard Thibault
Gordon Stevenson