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Pablo Picasso, The Bullfight, 1976 (after)

1976

$3,596
$4,49520% Off
£2,791.17
£3,488.9720% Off
€3,180.09
€3,975.1120% Off
CA$5,139.08
CA$6,423.8420% Off
A$5,596.84
A$6,996.0520% Off
CHF 2,951.02
CHF 3,688.7720% Off
MX$68,073.72
MX$85,092.1420% Off
NOK 37,108.93
NOK 46,386.1620% Off
SEK 34,805.14
SEK 43,506.4320% Off
DKK 23,746.65
DKK 29,683.3220% Off

About the Item

This exquisite lithograph after Pablo Picasso (1881–1973), titled La Course de Taureaux (The Bullfight), from the folio, Chant funebre pour Ignacio Sanchez Mejias (Funeral Song for Ignacio Sanchez Mejias), originates from the 1976 edition published by Pierre de Tartas, Paris, and printed by ateliers Desclais, Paris, 1976. La Course de Taureaux (The Bullfight) exemplifies Picasso’s lifelong engagement with the imagery, symbolism, and emotional intensity of the bullring—a recurring subject in his work that reflected both his Spanish heritage and his fascination with ritualized conflict. Here, the artist’s bold line and gestural composition transform the bullfight into a metaphor for the eternal struggle between life and death, creation and destruction, passion and discipline. Rendered with expressive simplicity and charged energy, this image encapsulates Picasso’s vision of art as an arena where vitality and mortality collide. Executed as a lithograph on grand velin d'Arches paper, this work measures 14.57 x 11.02 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the technical refinement and artistic integrity of ateliers Desclais, Paris, and the distinguished publishing of Pierre de Tartas, one of France’s foremost postwar art editors. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: La Course de Taureaux (The Bullfight), from the folio, Chant funebre pour Ignacio Sanchez Mejias (Funeral Song for Ignacio Sanchez Mejias), 1976 Medium: Lithograph on grand velin d'Arches paper Dimensions: 14.57 x 11.02 inches (37.0 x 28.0 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1976 Publisher: Pierre de Tartas, Paris Printer: ateliers Desclais, Paris Catalogue raisonne reference: Monod, Luc. Manuel de L’amateur de Livres Illustrés Modernes: 1875–1975. Ides & Calendes, 1992, illustration 7276 Condition: Well preserved, consistent with age and medium Provenance: From the folio, Chant funebre pour Ignacio Sanchez Mejias (Funeral Song for Ignacio Sanchez Mejias), published by Pierre de Tartas, Paris, and printed by ateliers Desclais, Paris, 1976 Notes: Excerpted from the folio (translated from French), In an unpublished translation of Randal Lemoine, these poems of Federico Garcia Lorca are illustrated with five imprints engraved by Pablo Picasso and of compositions in color and in wash engraved on wood. Justification of the draw: A unique example on Japon Nacre, with an original color drawing of an off-text appearing in the folio, as well as a parchment test of one of the original five impressions; A example of d'editeur on Japon Nacre with a 23 carats ayant servi used to draw the original imprint on the cover, as well as a parchment proof of one of the original five impressions. Four examples on Japon Nacre with a carats ayant servi used to print one of the five original prints—all these examples are accompanied by three suites of the woods in off-text color drawn on silk, on hand paper from the Moulin Richard de Bas and on Grand Velin d'Arches, a suite of all the in-texted woods on Japon Imperial, as well as two suites of the five original prints on tissu Harpagon vieil and on colored Japon Nacre, lettered from A to D. Thirty examples on papier a la main du Moulin Richard de Bas with three suites of the woods in color off-text drawn on silk, on Japan Pearly and on Grand Velin d'Arches, a suite of all the woods in-text on Japan Imperial, a suite of the five original prints on tissu Harpagon vieil, as well as a proof of an original imprint on Japon Nacre in color, numbered from I to XXX. Fifty examples on Grand Velin d'Arches with a sequence of woods in off-text color drawn on papier a la main du Moulin Richard de Bas, as well as a test of an original imprint on Japon Nacre in color, numbered from XXXI to LXXX; CCXX examples on Grand Velin d'Arches with the final status of the illustrations, numbered from LXXXI to CCC. All examples are signed by l'Editeur and endorsed by the Ministere d'Huissier de Justice. About the Publication: The folio Chant funebre pour Ignacio Sanchez Mejias (Funeral Song for Ignacio Sanchez Mejias), published by Pierre de Tartas, Paris, in 1976, stands among the most striking posthumous collaborations between visual art and poetry in 20th-century French printmaking. Conceived as a luxurious homage to the Spanish poet and bullfighter immortalized by Federico Garcia Lorca, the edition unites Lorca’s elegiac verses with a series of lithographs and wood engravings based on Picasso’s original designs. Picasso, who had been a friend and admirer of Sanchez Mejias, had long been inspired by the pageantry and peril of the bullring, a central symbol of his artistic imagination. This publication, realized under the supervision of Pierre de Tartas and printed by ateliers Desclais, reflects both the grandeur of fine French livre d’artiste production and the emotional depth of Picasso’s vision. Issued in multiple states—including unique examples on Japon Nacre and limited suites on Grand Velin d'Arches—the folio represents a pinnacle of craftsmanship and literary-artistic synthesis, where Lorca’s poetry and Picasso’s imagery together express the profound intersection of art, death, and heroism. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso's career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picasso's enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso La Course de Taureaux (The Bullfight), Picasso Chant funebre pour Ignacio Sanchez Mejias (Funeral Song for Ignacio Sanchez Mejias), Picasso Desclais, Picasso Velin d'Arches, Picasso Pierre de Tartas, Picasso collectible print.
  • Creation Year:
    1976
  • Dimensions:
    Height: 14.57 in (37.01 cm)Width: 11.024 in (28.01 cm)
  • Medium:
  • Movement & Style:
  • After:
    Pablo Picasso (1881-1973, Spanish)
  • Period:
  • Condition:
  • Gallery Location:
    Southampton, NY
  • Reference Number:
    1stDibs: LU1465215504202

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Pablo Picasso, 2.3.59. V, from Bulls and Bullfighters, 1961 (after)
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Pablo Picasso, 10.7.59. I, from Bulls and Bullfighters, 1961 (after)
By Pablo Picasso
Located in Southampton, NY
This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cercle d'Art, Paris, under the direction of Charles Feld, and printed by Bosson et Auclair, Paris, during the second quarter of 1961, this edition presents a series of striking visual meditations on the bullfight—a subject that profoundly resonated with Picasso throughout his life. Created in collaboration with noted bullfighter Luis Miguel Dominguin, Toros y Toreros (Bulls and Bullfighters) unites text, photography, and Picasso’s dynamic graphic language to capture the rhythm, power, and ritual of the corrida. Executed on velin paper, this heliogravure measures 14.75 x 10.5 inches (37.47 x 26.67 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1961 publication format. This edition, realized under Charles Feld’s direction, preserves the expressive linework, tonal nuance, and kinetic immediacy of Picasso’s original drawings, exemplifying his masterful translation of motion and emotion into print. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: 10.7.59. I, from Pablo Picasso, Toros y Toreros (Bulls and Bullfighters), 1961 Medium: Heliogravure on velin paper Dimensions: Paper size 14.75 x 10.5 inches (37.47 x 26.67 cm) Inscription: Unsigned and unnumbered, as issued Date: 1961 Publisher: Les Editions Cercle d'Art, Paris Printer: Bosson et Auclair, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters), published by Les Editions Cercle d'Art, Paris Notes: Excerpted from the 1961 album (translated from French): "This album, edited by Charles Feld and realized under his direction, was completed printing during the second quarter, one thousand nine hundred sixty-one, with the collaboration for the illustrations, Imprimerie Moderne du Lion; for typographie, Imprimerie Union; for photogravure, Bosson et Auclair; for the binding, Barast et Adine; for the lithography, Fernand Mourlot. It was taken from this album CXXV examples numbered from I to CXXV and XXV out-of-commerce examples for the artist and his friends numbered from CXXV to CL. These examples are enriched with an original lithography, signed and a series of drawings drawn on Arches paper. In addition, the numbered examples of I to V have a lithography enhanced by the artist." About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision and restless creativity reshaped the trajectory of modern art. Born in Málaga, Spain, Picasso demonstrated exceptional talent from an early age, studying at the Royal Academy of San Fernando before settling in Paris, the artistic epicenter of the early 20th century. There, his pioneering spirit gave rise to groundbreaking movements, most notably Cubism, developed alongside Georges Braque, which revolutionized visual representation by deconstructing form and perspective. Over his prolific seven-decade career, Picasso’s work evolved through distinct stylistic periods—the Blue, Rose, African, and Classical phases—culminating in a body of art that embraced experimentation, emotional depth, and innovation. His influence and dialogue with fellow visionaries Henri Matisse, Marc Chagall, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray shaped the foundation of modernism, while his legacy continues to resonate through the work of post-war and contemporary artists such as Banksy, Damien Hirst, Jeff Koons, Jackson Pollock, Andy Warhol, and Jasper Johns. Together, these artists collectively expanded the boundaries of art in the 20th and 21st centuries. Picasso’s staggering output of more than 20,000 works—spanning painting, sculpture, ceramics, drawing, and printmaking—embodies his belief that “art washes away from the soul the dust of everyday life.” His creations are housed in the world’s foremost museums, including the Musée Picasso in Paris, MoMA in New York, the Guggenheim, and the Tate in London. The highest price ever paid for a Picasso artwork is approximately $179.4 million USD at Christie’s New York in 2015 for Les Femmes d’Alger (Version O) (1955). Pablo Picasso heliogravure, Picasso Toros y Toreros (Bulls and Bullfighters), Picasso bullfight series, Picasso 1961 Cercle d'Art edition, Picasso Bosson et Auclair printer, Picasso Charles Feld editor, Picasso velin paper, Picasso corrida artwork, Picasso matador...
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