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Pal (Jean de Paléologue)"Rudge Cycles" authentic antique posters with tax stamps1898
1898
About the Item
PALEOLOGUE, JEAN DE(PAL)
(1860 -1942)
"Rudge Cycles"
Lithograph in color, linen-backed c. 1898
Sheet size: 56.75” x 41.75”
Imprimerie Paul Dupont, ParisStamp: Republique Francais, lower left
Colors fresh
Jean de Paleologue was a member of an imperial dynasty which once ruled the Byzantine countries; by the time he came around, they had long since ceased to be emperors but still lived in aristocratic splendor in Rumania. Pal was born there, got his education and served in the military; thereafter,however, he opted for a career in art, and started working as a magazine illustrator and posterist in London. In 1893, he moved to Paris, at first staying with illustrations; but between 1895 –1900, he became intensely involved with posters, and during this brief period produced some of the most sensuous designs ever used in advertising up to that time. His loving tributes to feminine pulchritude identify his posters instantly; he could, and did, paint in oils as well, predictably choosing the same ravishing beauties for his subjects. In 1900, Paul made another abrupt move: he went to the United States, and for the remainder of his life worked in applied graphics: at first magazines, later ads and publicity for the auto, film and animation industries. He died in Miami at the age of 82.The bicycle was a major social force in the 1890s. The horse-drawn carriage was slow and clumsy; the train was limited in where it could take you; the automobile was still the toy of a few eccentric tinkerers. But the bicycle gave people individual mobility they had never dreamed of: everyone now could commute to work, take pleasure excursions along country roads, visit distant friends faster and easier than it was ever possible before. Bicycling was an important step in women’s emancipation: refusing to accept it as unladylike, they took to it overwhelmingly, freeing themselves from the confines of Victorian restraint. In taking a ride, a young girl could escape the obtrusive presence of her elderly chaperone; and since riding in long skirts and multiple petticoats was virtually impossible, women’s clothing was radically altered to allow more freedom of movement. The ease with which women adapted themselves to the bicycle erased the image of them, in both men’s eyes and their own, as helpless, inept ninnies: they proved they could do anything on a bike a man could, and it gave them the courage to demand more equality in other things as well. -Jack Rennert
- Creator:Pal (Jean de Paléologue) (1860 - 1942, Romanian)
- Creation Year:1898
- Dimensions:Height: 64 in (162.56 cm)Width: 49.75 in (126.37 cm)Depth: 1 in (2.54 cm)
- More Editions & Sizes:Unknown editionPrice: $19,500
- Medium:
- Movement & Style:
- Period:
- Condition:The poster is in excellent condition. The custom frame has a small chip in the upper right hand corner. Protected by UV protective plexiglass.
- Gallery Location:Hinsdale, IL
- Reference Number:Seller: 18191stDibs: LU138426825282
Pal (Jean de Paléologue)
Jean de Paleologu, also known as de Paléologue or Jean Paleologue (1855-1942), was a Romanian painter, illustrator and poster artist, naturalised American, who often used Pal or PAL as his signature or studio mark. He worked in London, Paris, New York and Florida. Born in Bucharest and undoubtedly related to the ancient Paléologue family, he studied art in London, then returned to Romania where he completed his studies at the Special School of Artillery and Military Engineering (Şcoala Specială de Artilerie şi Geniu, founded in 1881). He then returned to London, around 1889-1890, where he produced illustrations for books including Golden Lives: The Story of A Woman's Courage by Frederick Wicks (Blackwood & Sons, 1891) and contributed to Vanity Fair (British version). He became a member of the Eccentric Club. Using the name ‘Julius Price’, he may also have been the author of the poster Daly's Theatre, An Artist's Model (London, before 1893), reproduced in Les Maîtres de l'affiche.
He then moved to Paris. There he founded the Atelier Pal, on rue Denfert-Rochereau, and worked with the printing house founded by Paul Dupont, among others. He illustrated Petits poèmes russes by Catulle Mendès, a collection published by Charpentier in 1893. He produced a large number of lithographed posters, notably advertising for cycling, and also contributed to the JOB collection. He contributed to a number of French periodicals, including Le Rire, La Plume, Cocorico, Le Frou-frou, Sans-Gêne and La Vie en rose.
He moved to the United States in 1900, but continued to work with Parisian clients for several years (Exposition internationale de l'automobile, Sansot publishing house, etc.). He worked for periodicals such as The Strand Magazine, Motor (published by Hearst), the Cycle and Automobile Trade Journal and the New York Herald Tribune. He designed a series of posters for the 1908 Vanderbilt Cup, Durban Oil & Soap, New Cremo Victoria cigars, and more.
In the United States, under the name ‘Jean Paleologue’, who became an American citizen in 1923, he painted portraits of actors and music-hall performers, as well as frescoes. He worked for companies specialising in advertising and graphic design, including for the car and film industries. He left New York to settle in Florida in 1927, where he taught painting and accepted numerous commissions as part of the Federal Art Project. Paleologu died in Miami Beach.

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