Peter Blake

THE VERY BEST

2005

Screen print in colors on wove paper. Hand signed, dated, numbered and titled by James Rosenquist. Edition 65/80. Artwork size 35 x 36 inches. Frame size approc 39 x 40 inches. Near the top of the dot filled image hangs the outline of a light bulb followed by a series of letters numbers and symbols: ICU2RA Star (symbol). Decoded: I see you too are a star. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered. About the Artist: James Rosenquist (American, 1933–2017) was an artist known for his monumental paintings and prints. Often appropriating commercial imagery, his montage-like works combined popular culture, Surrealism, and historical painting methods. “Much of the aesthetic of my work comes from doing commercial art,” the artist once said. “I painted pieces of bread, Arrow shirts, movie stars. It was very interesting. Before I came to New York I wanted to paint the Sistine Chapel. I thought this is where the school of mural painting exists.” In his politically charged multi-panel painting F-111 (1964–1965), the artist offered a visual critique of the Vietnam War, with a medley of mushroom clouds, advertising, and populist imagery. Born on November 29, 1933 in Grand Forks, ND, Rosenquist went on to attend the University of Minnesota, before studying at the Art Students League in New York under George Grosz, Morris Kantor, and Edwin Dickinson...

Serigraph in colors on paper. Hand signed, numbered and dated by the artist. From the edition on 98. Artwork is in excellent condition. Certificate of Authenticity is included. A...

Screen print in colors on paper. Hand signed and numbered by Ronnie Cutrone. From the edition of 150. Certificate of Authenticity included. Please do not hesitate to ask us any further questions. All reasonable offers will be considered. Please note our gallery has more than 1 of this artwork in stock and the exact edition number you may receive may be different than pictured. About the artist: Ronnie Cutrone (American, b.1948) is a Pop artist renowned for his vibrant, satirical paintings...

Hand signed, dated and numbered by the artist. Screenprint on Saunders watercolor paper from the edition of 50. Artwork is in excellent condition. Certificate of authenticity inclu...

Hand signed, dated and numbered by the artist. Screenprint on Saunders watercolor paper from the edition of 50. Artwork is in excellent condition. Certificate of authenticity inclu...

Hand signed, dated and numbered by the artist. Screenprint on Saunders watercolor paper from the edition of 50. Artwork is in excellent condition. Certificate of authenticity inclu...

The Fabulous Moolah, World Champion Female Wrestler Figurative Screen Print Modern figurative print of world champion female wrestler Mary Lillian Ellison (American, 1923-2007), also known as The Fabulous Moolah. The artist of this print is unknown. Unsigned and undated. Presented in a modern frame with Plexiglass. Image size: 26”H x 20L". During her lifetime, Moolah was lauded as a leading figure in women's professional wrestling and was considered one of the industry's greatest wrestlers. Moolah's first World Championship reign lasted over ten years. Moolah successfully defended the belt against the top female wrestlers in the world, such as Judy Grable and Donna Christanello, while also purporting to befriend some of the biggest celebrities of the day such as Elvis Presley and Jerry Lee Lewis. She became the first woman to be inducted into the WWF Hall of Fame in 1995. In 1999, she became the oldest champion in the history of professional wrestling when she won the Women's Championship for a final time at age 76 in 1999. Championships and Accomplishments: Cauliflower Alley Club Ladies Wrestling Award (1997) National Wrestling Alliance NWA Women's World Tag Team Championship (2 times) – with Toni Rose NWA World Women's Championship (5 times) NWA Hall of Fame (Class of 2012) Pro Wrestling...

Hand-signed rf Lichtenstein in pencil and numbered 245/300. Published by Leo Castelli Gallery, for the Pasadena Art Museum, California. The Prints of Roy Lichtenstein A Catalogue Rai...

EA Artists Proof aside from edtion of 150. Screenprint in colors on Wove Paper. Hand signed, numbered from the Artists Proof edition of 20 and dated '85 in pencil right side margin. Published by Martin Lawrence Limited Editions, Inc., New York...

Deborah Kass (born 1952) Limited edition geometric abstract lithograph in colors on artist paper. Hand signed and dated in pencil to lower right. 1973. Edition: 102/120 to lower left. Dimensions: sight: 16-3/4" W x 21-1/4" H. Frame: 24-5/8" W x 28-7/8" H. Finding inspiration in pop culture, political realities, film, Yiddish, art historical styles, and prominent art world figures, Deborah Kass uses appropriation in her work to explore notions of identity, politics, and her own cultural interests. She received her BFA in painting at Carnegie Mellon University and studied at the Whitney Museum Independent Study Program and the Art Students League of New York. Deborah Kass (born 1952) is an American artist whose work explores the intersection of pop culture, art history, and the construction of self. Deborah Kass works in mixed media, and is most recognized for her paintings, prints, photography, sculptures and neon lighting installations. Kass's early work mimics and reworks signature styles of iconic male artists of the 20th century including Frank Stella, Andy Warhol, Jackson Pollock, and Ed Ruscha. Kass's technique of appropriation is a critical commentary on the intersection of social power relations, identity politics, and the historically dominant position of male artists in the art world. Deborah Kass was born in 1952 in San Antonio, Texas. Her grandparents were from Belarus and Ukraine, first generation Jewish immigrants to New York. Kass's parents were from the Bronx and Queens, New York. Her father did two years in the U.S. Air Force on base in San Antonio until the family returned to the suburbs of Long Island, New York, where Kass grew up. Kass’s mother was a substitute teacher at the Rockville Centre public schools and her father was a dentist and amateur jazz musician. At age 14, Kass began taking drawing classes at The Art Students League in New York City which she funded with money she made babysitting. In the afternoons, she would go to theater on and off Broadway, often sneaking for the second act. During her high school years, she would take her time in the city to visit the Museum of Modern Art, where she would be exposed to the works of post-war artists like Frank Stella and Willem De Kooning. At age 17, Stella’s retrospective exhibition inspired Kass to become an artist as she observed and understood the logic in his progression of works and the motivation behind his creative decisions. Kass received her BFA in Painting at Carnegie Mellon University (the alma mater of artist Andy Warhol), and studied at the Whitney Museum Independent Study Program Here, she created her first work of appropriation, Ophelia’s Death After Delacroix, a six by eight foot rendition of a small sketch by the French Romantic artist, Eugène Delacroix. At the same time Neo-Expressionism was being helmed by white men in the late Reagan years, women were just beginning to create a stake in the game for critical works. “The Photo Girls...

I was told this might be by another David Prentice. as I am uncertain I will add his bio. I cannot ascertain which one it is. Vintage 1981 DAVID PRENTI...

Silkscreen screenprint with woodblock and gold leaf Hand signed and numbered. Joseph Charles Tilson RA (born 24 August 1928 in London) is an English pop art painter, sculptor and pr...