Want more images or videos?
Request additional images or videos from the seller
1 of 4
Pierre Auguste RenoirLOUIS VALTAT1904 (1919)
1904 (1919)
Price:$1,800
About the Item
- Creator:Pierre Auguste Renoir (1841 - 1919, French)
- Creation Year:1904 (1919)
- Dimensions:Height: 11.75 in (29.85 cm)Width: 9.375 in (23.82 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Santa Monica, CA
- Reference Number:1stDibs: LU411313484712
Pierre Auguste Renoir
Pierre-Auguste Renoir had his first experience with art in 1845 at the age of 4 when his family moved to Paris from Limoges and settled near the Louvre. By the age of 13, he had begun to seriously study and practice his work. Renoir started as an apprentice painter in a porcelain factory, where he spent five years. He then took drawing lessons from Charles Gleyre and in 1862, when he was 21; Renoir attended the Ecole des Beaux-Arts. It was at the National School of Fine Arts in Paris where Renoir met the future founders of Impressionism, Claude Monet, Alfred Sisley, and Frederic Bazille. Renoir paintings remained in the traditional style during the 1860s. His portrait of his mistress, Lise Trehot, was traditional enough to be accepted for the 1867 Salon. Pierre Auguste Renoir’s paintings began to change shortly after he moved in with Claude Monet and Frederic Bazille in 1869. Renoir updated his technique and color scheme. Renoir painted mostly outdoors and began to use vibrant, pure colors and little brush strokes. Renoir, along with Claude Monet, Camille Pissarro, and Alfred Sisley was part of the first exhibition of the Society of Independent Artists in 1874. It was at this exhibit that the term “Impressionism” was first used. The term was coined by a French art critic who took the name from a Monet painting. The term was meant to be derogatory and the show was a financial failure. Despite the failure, the artists continue to exhibit together and were joined by Edgar Degas and Georges Seurat. By the early 1880s, the public had begun to recognize the importance of the Impressionists’ work. In the early 1880s, Renoir traveled and painted extensively. He held his first one-man exhibition in 1883 in Paris. He received commissions from prominent Parisians and painted numerous group portraits of his friends, writers, and fellow artists. By 1887, Renoir was famous and donated several paintings to Queen Victoria for her Golden Jubilee. By the time he was 50, Renoir’s health began to decline. He suffered from cataracts, rheumatoid arthritis, and ankyloses, and spent the last twenty years of his life confined to a wheelchair. During this time he continued to paint and even took up sculpting.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Gold Seller
Premium sellers maintaining a 4.3+ rating and 24-hour response times
Established in 1977
1stDibs seller since 2016
298 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.You May Also Like
Le Prince de Joinville recu a bord d'une fregate anglaise
By Raoul Dufy
Located in Brooklyn, NY
This lithograph titled Le Prince de Joinville reçu à bord d'une frégate anglaise is part of the book Lettre à mon Peintre by Marcelle Oury. The lithograph is printed on high-quality ...
Category
1960s Impressionist Figurative Prints
Materials
Lithograph
$100 Sale Price
20% Off
H 12 in W 19 in D 0.1 in
Unknown (Esther Gentle Reproduction)
By Abraham Rattner
Located in Kansas City, MO
Abraham Rattner (after)
Title: Unknown
Year: Unknown
Lithograph
Size: 26.25x20 inches
Esther Gentle, Reproduction, 1952
Signed in the stone
Annotated verso
COA provided
Ref.: 924802-...
Category
1940s Impressionist Figurative Prints
Materials
Lithograph
Male Figurative Study - Original Lithograph on Paper
By Jim Smyth
Located in Soquel, CA
Male Figurative Study - Original Lithograph on Paper
Original lithograph on paper depicting a male nude in pose. The male figure is depicted sitting, ...
Category
1960s American Impressionist Figurative Prints
Materials
Paper, Ink, Lithograph
$700 Sale Price
20% Off
H 10 in W 8 in D 0.5 in
"Study 6" - 1975 Figurative Lithograph on Paper
By Jim Smyth
Located in Soquel, CA
"Study 6" - 1975 Figurative Lithograph on Paper
Abstract figurative lithograph by Jim Smyth (American, b. 1938). The nude figure is seen with one hand above her head, holding a cloth, as she gazes down.
Numbered, titled, signed and dated along bottom. "5/12", "Study 6", "Smyth 75."
Presented in a brown mat.
Mat: 16"H x 12"W
Paper: 10 1/2"H x 8"W
Image:9 1/4"H x 6 1/2"W
Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy, and the Art Students League. He is also a graduate of UC Berkeley with a degree in Fine Art.
Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on the Alla Prima technique.
He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels.
When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable.
On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deeply etched plate.
Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model.
In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College, and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld...
Category
1970s American Impressionist Figurative Prints
Materials
Paper, Ink, Etching, Lithograph
$780 Sale Price
20% Off
H 16 in W 12 in D 0.5 in
Washington Assumes Command - Etching on Paper
Located in Soquel, CA
Washington Assumes Command - Etching in Ink on Paper
Historical engraving by Ralph Ludwig Boyer (American, 1879-1952). George Washington is shown holding a sword, with an army stand...
Category
1930s Impressionist Figurative Prints
Materials
Paper, Drypoint, Lithograph
"The Blatant Mortal Sin" - Satirical French Illustration
By Gaston Hoffmann
Located in Soquel, CA
"The Blatant Mortal Sin" - Satirical French Illustration
Satirical French Lithograph titled "Le Péché Mortel Flagrant" meaning "The Blatant Mortal Sin" by Gaston Hoffmann (French, 1...
Category
Mid-20th Century Impressionist Figurative Prints
Materials
Paper, Lithograph
$680 Sale Price
20% Off
H 16.5 in W 19 in D 1 in
Masquerade
By Jacques LaLande
Located in San Francisco, CA
This artwork titled "Masquerade" c.1960 is an original color lithograph by French artist Jacques Lalande, 1921-2003. It is hand signed and inscribed E.A (Artist Proof) in pencil by t...
Category
Mid-20th Century Impressionist Figurative Prints
Materials
Lithograph
Evening Light
Located in San Francisco, CA
This artwork titled "Evening Light" 1993 is a large original color lithograph on Arches paper by noted California artist Clark Mitchell, b.1951. It is hand signed, dated, titled and numbered 6/20 SI in pencil by the artist.The image size is 23.25 x 35 inches, sheet size is 29.25 x 40 inches. It is in excellent condition, has never been framed.
About the artist.
Born In Denver, Colorado - January 19, 1951
Growing up in the shadow of the Rockies, Clark Mitchell very early discovered a love of the natural world. Given a set of fine old German pastels by his father when quite young, he quickly embraced the medium for its ease of handling, brilliance of color and portability.
He received a bachelor’s degree in art from Colorado College in the seventies and moved to San Francisco to continue his studies at the Academy of Art College. Through personal exploration as well as study with artists Albert Handell, Skip Whitcomb, Michael Lynch...
Category
Late 20th Century American Impressionist Landscape Prints
Materials
Lithograph
Le Basileus Chasse
By Jean Louis Forain
Located in San Francisco, CA
Artist: Jean-Louis Forain (French, 1852-1931)
Title: lLe Basileus Chasse
Year: 1918
Medium: Lithograph
Edition: Numbered 266/300 in pencil
Paper: Wove
Size paper: 15 x 22.25 in...
Category
Early 20th Century Impressionist Figurative Prints
Materials
Lithograph
Devant la Mort
By Jean Louis Forain
Located in San Francisco, CA
Artist: Jean-Louis Forain (French, 1852-1931)
Title: Devant la Mort
Year: 1918
Medium: Lithograph
Edition: Numbered 266/300 in pencil
Paper: Wove
Size paper: 15 x 22.25 inche...
Category
Early 20th Century Impressionist Figurative Prints
Materials
Lithograph
More From This Seller
View AllEros Vanne - Cupid Exhausted
By Henri de Toulouse-Lautrec
Located in Santa Monica, CA
HENRI de TOULOUSE-LAUTREC (French 1864 - 1901)
EROS VANNE (Cupid Exhausted), 1894 (Delteil 74; Adhemar 81; Adriani 92)
Original lithograph, cover of music / song sheet words by Maur...
Category
1890s Impressionist Figurative Prints
Materials
Lithograph
$750 Sale Price
31% Off
THE SMITH’S YARD
By James Abbott McNeill Whistler
Located in Santa Monica, CA
JAMES ABBOTT MCNEIL WHISTLER (1834 – 1903)
THE SMITH’S YARD 1895 (Spink, Stratis & Tedeschi 124)
lithograph, 1895, on wove paper, from the edition of 3000, published by
The Inter...
Category
1890s Impressionist Interior Prints
Materials
Lithograph
Vachère au Bord de l'Eau
By Camille Pissarro
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830-1903)
VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii)
Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper
Very...
Category
1890s Impressionist Figurative Prints
Materials
Drypoint, Etching
$1,463 Sale Price
24% Off
SUR LA PLAGE, a BERNEVAL
By Auguste Renoir
Located in Santa Monica, CA
PIERRE-AUGUSTE RENOR (1841 - 1919)
SUR LA PLAGE, a BERNEVAL (D.: S. 5) Drypoint on laid paper. The plate was created in c. 1892. Plate 5 3/8 x 3 3/4". Sheet 11 1/4 x 10 1/8". This...
Category
1890s Impressionist Figurative Prints
Materials
Etching
Marche aux Legumes a Pontoise
By Camille Pissarro
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830- 1903)
MARCHE AUX LEGUMES A PONTOISE, 1891 (D. 97ii/ii)
Etching and aquatint, Unsigned as published in Le Peintre-graveur Illlustre: Pissarro, Sisley,...
Category
1890s Impressionist Figurative Prints
Materials
Aquatint
CHANGING FLIES
By Levon West
Located in Santa Monica, CA
LEVON WEST (1900 – 1968)
CHANGING FLIES c. 1930
Etching and drypoint, signed in pencil and no. 28. Image, 13 1/8 x 8 3/8 inches, sheet 17 1/4 x 11 5/8 full margins with deckle edge...
Category
1930s Impressionist Figurative Prints
Materials
Etching




