Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Pierre Francois Hugues D'Hancarville (author)
William Hamilton Classical Greek Vase-Painting Engraving

1801

More From This Seller

View All
Apuleius, Ancient Roman, C18th Grand Tour Classical antique engraving print
Located in Melbourne, Victoria
'Apuleio' (Apuleius) Copper-line engraving by N Billy after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni...
Category

Mid-18th Century Renaissance Portrait Prints

Materials

Engraving

Euripides, Ancient Greek, C18th Grand Tour Classical antique engraving print
Located in Melbourne, Victoria
'Euripide Poeta Tragico' (Euripides, Tragic Poet) Copper-line engraving by Nicola Billy after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni Domenico...
Category

Mid-18th Century Renaissance Portrait Prints

Materials

Engraving

Die Nacht (The Night), nude and cupids, German antique engraving
By Virgilio Tojetti
Located in Melbourne, Victoria
'Die Nacht' (The Night) German wood-engraving, 1903. 310mm by 230mm (image) 410mm by 280mm (sheet)
Category

Early 20th Century Symbolist Figurative Prints

Materials

Engraving

Queen of Rewa, 19th century Fiji portrait engraving print
Located in Melbourne, Victoria
'Queen of Rewa' Portrait of seated Fijian woman, draped from the waist in tapa cloth, holding a fan, wearing jewelry and an elaborate headdress. From Narrative of the United States...
Category

Mid-19th Century Naturalistic Portrait Prints

Materials

Engraving

John Evelyn Esq., English diarist, early 19th century portrait engraving print
Located in Melbourne, Victoria
'John Evelyn Esq' Copper-line engraving, by WH Worthington after Robert Walker. John Evelyn FRS was an English writer, landowner, gardener, courtier and minor government official, ...
Category

Early 19th Century English School Portrait Prints

Materials

Engraving

Farm Yards, early 19th century sepia soft ground etching, 1805
By William Henry Pyne
Located in Melbourne, Victoria
'Farm Yards' Etching from William Henry Pyne's (1769-1843) series 'Microcosm: or, a picturesque delineation of the arts, agriculture, manufacturers...
Category

Early 19th Century Naturalistic Figurative Prints

Materials

Engraving, Etching

You May Also Like

The Punt
By Rosamond Tudor
Located in Middletown, NY
A dynamic football image from the 1920s by a female artist known for her sports scenes. Etching with drypoint on exceptionally fine laid Japon paper with a double watermark, 10 7/8 ...
Category

Early 20th Century Realist Landscape Prints

Materials

Handmade Paper, Drypoint, Etching

Cambridge Midsummer Fair
By Sir Muirhead Bone
Located in Middletown, NY
A peaceful image by Britian's first official war artist. Drypoint printed in brownish black ink on fibrous, laid Japon paper, 3 3/8 x 6 5/16 inches (85 x 161 mm), full margins. Sign...
Category

Early 20th Century Realist Landscape Prints

Materials

Handmade Paper, Drypoint

Illusie
Located in Middletown, NY
Circa 1960. Etching and engraving on cream laid paper, 5 3/4 x 4 inches (141 x 102 mm), margins. Scattered light areas of spotty discoloration in the margins, minor mat tone. Four mi...
Category

Mid-20th Century Realist Nude Prints

Materials

Handmade Paper, Engraving, Etching

Apollo, plate 11 from the series of The Gods in Niches
Located in Middletown, NY
by Jacopo Caraglio (after Rosso Fiorentino) Rome: Carlo Losi, 1526. Engraving on cream laid paper, 8 1/2 x 4 3/8 inches, 215 x 110 mm), thread margins. In very good condition with a...
Category

17th Century Old Masters Figurative Prints

Materials

Laid Paper, Handmade Paper, Engraving

Sniggling for Eel
By Douglas Gorsline
Located in Middletown, NY
Etching with drypoint in black ink on antique laid paper with various large watermarks, 6 3/4 x 5 3/8 inches (172 x 132 mm), full margins with deckle edges on two sides. Signed, date...
Category

Mid-20th Century American Realist Portrait Prints

Materials

Laid Paper, Drypoint, Etching

Nude Figure Posterior View, Figurative Drypoint Etching
By Jim Smyth
Located in Soquel, CA
Limited edition drypoint etching of a nude figure from a posterior view by Jim Smyth (American, b. 1938). Numbered and signed by hand "7/15 Jim Smyth" along the bottom edge. Presented in a new cream and off-white double mat. No frame. Image size: 14.75"H x 10.75"W Jim Smyth (American, b. 1938) has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy and the Art Students league. He is also a graduate from UC Berkeley with a degree in Fine Art. Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on Alla Prima technique. He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with an extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels. When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable. On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deep etched plate. Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model. In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld, David Leffel, Jack Ferragasso, Jim Childs and Everett Raymond Kinstler and Kim English. Smyth has also studied with the noted painter and colorist, Ovanes Berberian. In 2002 Jim was invited to study at the Academy of Art in St. Petersburg, Russia, where he worked in Life Drawing and Life Painting. Smyth is a popular lecturer, a sought after demonstrator and juror. He is the recipient of many awards for both his painting and his teaching. In 1988 and again in 2003, he received the Kenneth Washburn...
Category

Late 20th Century American Impressionist Figurative Prints

Materials

Paper, Ink, Drypoint

Recently Viewed

View All