Raymond Pettibon: A set of two early 1980s punk flyers (Raymond Pettibon prints) - Print by Raymond Pettibon
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Raymond Pettibon
Raymond Pettibon: A set of two early 1980s punk flyers (Raymond Pettibon prints)

1982

About

Raymond Pettibon Illustrated Punk Flyers c. 1982 A set of two incredibly rare early 1980s Pettibon Punk flyers: Gigs for Saccharine Trust at Monte Carlo II (Scream "Fire" in a Crowded Theater) / April 7th, 1982 & Saccharine Trust, Strong Silent Types, Invisible Chains April 1st c. 1982 featuring artwork by Raymond Pettibon. Offset Printed 8.5 x 11 inches (dimensions applies to each individual) Fold-lines and some minor wear commensurate with age & medium; otherwise good to very good overall condition Original 1st printings published by: SST Records, c. 1982 Literature/References Specific Object/David Platzker Further Background on Raymond Pettibon's Early Punk Flyers Between the years 1978 and 1986 Raymond Pettibon (aka, Raymond Pettibone; St. Pettibone) produced a now historic amassment of graphic works for the seminal Southern California punk band Black Flag and others. These works were published mostly by SST Records - a label founded by Pettibon's brother and Black Flag guitarist, Greg Ginn; these works shed valuable light on the origin and development of Pettibon’s thematic interests & style; not to mention his evolution into one of the most important artists of his generation. About Raymond Pettibon (American b. 1957) Having emerged from the Southern California DIY culture and its punk-rock sensibility, Raymond Pettibon fuses together youthful edginess and political engagement. Drawing from disparate cultural sources—from Marcel Proust to the Bible—the artist’s cartoon-inspired ink drawings on unframed paper recall the look of fanzines and concert flyers, however with an often cryptic semblance of narrative. More recently, Pettibon’s works have been a sustained critique of the Iraq War and American foreign policy, such as No Title ("Why press him?") (2007), which depicts George W. Bush with bloodied hands and surrounded by pointed, ironic commentary. Pettibon was a recipient of the Whitney's Bucksbaum award in 2004. In November of 2017, the Museum der Moderne Salzburg hosted Homo Americanus, a major survey of Pettibon’s work, encompassing over six hundred works from every part of the artist’s career, a majority of which have never been shown before. This major exhibition was also accompanied by a publication of the same name, documenting these same early works. In February 2017, the New Museum presented 'A Pen of All Work,' a major solo exhibition of Pettibon’s work featuring 700 plus drawings from the 1960s to the present - the artist’s first museum survey in New York and most comprehensive presentation of his work to date. Further Related References: Homo Americanus, pub. David Zwirner Books, 2016 Moca: Raymond Pettibon Collection MoMa: Raymond Pettibon Archive Related Categories Raymond Pettibon prints, Punk art, Contemporary Figurative Drawing, Contemporary Graphic Realism, Identity Politics, Comic/Cartoon, Contemporary; California Art, Illustration, Cultural Commentary, Political, Contemporary Pop. Music, Popular Culture. Mike Kelley, Robert Crumb, Shepard Fairey.

Details

  • Movement & Style
  • Condition
    Good
  • Condition Details
    Minor wear commensurate with age & medium
  • Dimensions
    H 11 in. x W 8.5 in.H 27.94 cm x W 21.59 cm
  • Gallery Location
    NEW YORK, NY
  • Reference Number
    LU35433023293
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