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Reuven RubinModern Israeli Lithograph Reuven Rubin Views Of Israel Judaica Crowing Rooster1960
1960
$800
£614.32
€704.73
CA$1,124.09
A$1,258.91
CHF 656.88
MX$15,377.10
NOK 8,357.44
SEK 7,877.88
DKK 5,259.28
About the Item
Lithograph printed by Chez Daniel Jacomet, Paris, France 1960 offset lithograph in colors on Arches, signed in crayon on the justification sheet (this auction is just for the one lithograph pictured as the 1st photo, the justification sheet with the original drawing is just included for provenance and is not part of this sale), on Arches deckle edged paper. limited edition of 250. plate signed and hand signed in pencil.
Israeli views Lithograph by Israeli Master.
Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania.
Rubin Zelicovici (later Reuven Rubin) was born in Gala?i to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. At the outbreak of World War I, he was returned to Romania, where he spent the war years.
In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik, with whom he had shared a studio in Cernovitzu. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery.Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine.
Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judea competition. He died in 1974
Artistic career
Joseph Zaritsky, Arieh Lubin, Yona Zeliuk, Reuven Rubin, Sionah Tagger, Pinchas Litvinovsky, Yitzhak Katz, and Baruch Agadati; The painters who depicted the country’s landscapes in the 1920s rebelled against Bezalel. They sought current styles in Europe that would help portray their own country’s landscape, in keeping with the spirit of the time. Rubin’s Cezannesque landscapes from the 1920s were defined by both a modern and a naive style, portraying the landscape and inhabitants of Israel in a sensitive fashion. His landscape paintings in particular paid special detail to a spiritual, translucent light.
In Palestine, he became one of the founders of the new Eretz-Yisrael style. Recurring themes in his work were the bible, the prophet, the biblical landscape, folklore and people, including Yemenite, Hasidic Jews and Arabs. Many of his paintings are sun-bathed depictions of Jerusalem and the Galilee. Rubin might have been influenced by the work of Henri Rousseau whose style combined with Eastern nuances, as well as with the neo-Byzantine art to which Rubin had been exposed in his native Romania. In accordance with his integrative style, he signed his works with his first name in Hebrew and his surname in Roman letters.
In 1924, he was the first artist to hold a solo exhibition at the Tower of David, in Jerusalem (later exhibited in Tel Aviv at Gymnasia Herzliya). That year he was elected chairman of the Association of Painters and Sculptors of Palestine. From the 1930s onwards, Rubin designed backdrops for Habima Theater, the Ohel Theater and other theaters.
His biography, published in 1969, is titled My Life - My Art. He died in Tel Aviv in October 1974, after having bequeathed his home on 14 Bialik Street and a core collection of his paintings to the city of Tel Aviv. The Rubin Museum opened in 1983. The director and curator of the museum is his daughter-in-law, Carmela Rubin.Rubin's paintings are now increasingly sought after. At a Sotheby's auction in New York in 2007, his work accounted for six of the ten top lots.
Selected group exhibitions:
2015 Israeli Art: The Renewed Collection Galleries, Dr. Julius and Hilde Merzbacher Galleries and the Ayala Zacks Abramov Pavilion for Israeli Art, Israel Museum, Jerusalem
Artists: Reuven Rubin, Ephraim Moses Lilien, Yitzhak Danziger, Lea Nikel, Naftali Bezem, Mordecai Ardon, David Reeb, Ruth Schloss, Yehiel Shemi, Menashe Kadishman, Avigdor Arikha, Moshe Gershuni, Moshe Geva, Tsibi Ginton, David Gitlin, Michael Klapisch, Liliane Klasmer, Gabi Krakauer, Leopold Moshe Kupferman, Sigalit Landau, Moshe Mokady, Ori Reisman, Yehezkel Streichman, Anna Ticho, Sionah Tagger and others.
Education
1912 Bezalel Academy of Arts and Design, Jerusalem
1913-14 École des Beaux Arts, Paris and Académie Colarossi, Paris
- Creator:Reuven Rubin (1893 - 1974, Israeli)
- Creation Year:1960
- Dimensions:Height: 25.5 in (64.77 cm)Width: 19.5 in (49.53 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:good. minor toning.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38214091082
Reuven Rubin
Reuven Rubin- (November 13, 1893 - October 13, 1974) was a Romanian-born Israeli painter and Israel's first ambassador to Romania. Rubin Zelicovici (later Reuven Rubin) was born in Galaţi to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. At the outbreak of World War I, he was returned to Romania, where he spent the war years.
In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik, with whom he had shared a studio in Cernăuţi. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery. Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine.
Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judea competition. He died in 1974.
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Pins' younger brother, Rudolph, (1920-2016) moved to the United States in 1934. His father was sent to Buchenwald. In July 1944, both parents died in the Riga ghetto.
Pins first lived on a kibbutz, which was disbanded in 1941. He moved to Jerusalem and studied woodcut and linocut under woodcut master and painter Jacob Steinhardt, also a German immigrant, at his small private school. He lived in poverty in a tiny room, subsisting on a meagre diet. He continued his studies at the new Bezalel Academy of Art and Design.
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Bob (Robert) Stanley (1932-1997) was a painter, photographer and printmaker whose early work was figurative painting about contemporary American life. In the 1960s and early 1970s, he based his paintings on photographs, which he manipulated from black and white or silkscreen colored shapes. In the early 1960's, he began to base his paintings on images clipped from newspapers and magazines, following the example of Pop artists like Andy Warhol and Roy Lichtenstein, who would become his brother-in-law. Enlarged and often simplified to two vibrant saturated colors Stanley's images could be reduced to the abstract or be powerfully explicit. His preferred subjects, including rock stars, athletes and pornography, always seemed to grate against the pretenses of high art. Similar in bold use of color to Malcolm Morley. In the late 1960's Mr. Stanley started using his own photographs, basing paintings on images of tree branches or the ground, and also using pictures of life-drawing models at the School of Visual Arts.
EDUCATION
The Brooklyn Museum of Art School, Brooklyn, NY
Columbia University, New York, NY
The High Museum Art School, Atlanta, GA
Columbia University, New York, NY
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The Mayor Gallery, London, England, “Bob Stanley – Works from the Sixties”
Beatrice Conde Gallery, New York, NY, Late Paintings
Mitchell Algus Gallery, New York, NY, Paintings: 1963-1967
Gallerie Georges Lavrov, (Paris), Die International Kunstmesse, Art Basel, Switzerland
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The Paul Bianchini Gallery, New York, NY
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Mod Rooster Drawing 1970s Pop Art Lithograph Hand Signed
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This listing is for just the one print in the photo here. there are three states of the same image image each with Progressively increasing detail and color. the edition size is 175. Hand signed, numbered and dated. on hand made French Arches paper.
Bob (Robert) Stanley (1932-1997) was a painter, photographer and printmaker whose early work was figurative painting about contemporary American life. In the 1960s and early 1970s, he based his paintings on photographs, which he manipulated from black and white or silkscreen colored shapes. In the early 1960's, he began to base his paintings on images clipped from newspapers and magazines, following the example of Pop artists like Andy Warhol and Roy Lichtenstein, who would become his brother-in-law. Enlarged and often simplified to two vibrant saturated colors Stanley's images could be reduced to the abstract or be powerfully explicit. His preferred subjects, including rock stars, athletes and pornography, always seemed to grate against the pretenses of high art. Similar in bold use of color to Malcolm Morley. In the late 1960's Mr. Stanley started using his own photographs, basing paintings on images of tree branches or the ground, and also using pictures of life-drawing models at the School of Visual Arts.
EDUCATION
The Brooklyn Museum of Art School, Brooklyn, NY
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School of Visual Arts, New York, NY, Instructor: Painting and Drawing
The New Arts Program, Kutztown, PA, Visiting Artist
Princeton University, Princeton, NJ, Visiting Artist
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The Mayor Gallery, London, England, “Bob Stanley – Works from the Sixties”
Beatrice Conde Gallery, New York, NY, Late Paintings
Mitchell Algus Gallery, New York, NY, Paintings: 1963-1967
Gallerie Georges Lavrov, (Paris), Die International Kunstmesse, Art Basel, Switzerland
Galerie Georges Lavrov, Paris, France, Catalog text by Richard Artschwager
The Paul Bianchini Gallery, New York, NY
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This listing is for just the one print in the photo here. there are three states of the same image image each with Progressively increasing detail and color. the edition size is 175. Hand signed, numbered and dated. on hand made French Arches paper.
Bob (Robert) Stanley (1932-1997) was a painter, photographer and printmaker whose early work was figurative painting about contemporary American life. In the 1960s and early 1970s, he based his paintings on photographs, which he manipulated from black and white or silkscreen colored shapes. In the early 1960's, he began to base his paintings on images clipped from newspapers and magazines, following the example of Pop artists like Andy Warhol and Roy Lichtenstein, who would become his brother-in-law. Enlarged and often simplified to two vibrant saturated colors Stanley's images could be reduced to the abstract or be powerfully explicit. His preferred subjects, including rock stars, athletes and pornography, always seemed to grate against the pretenses of high art. Similar in bold use of color to Malcolm Morley. In the late 1960's Mr. Stanley started using his own photographs, basing paintings on images of tree branches or the ground, and also using pictures of life-drawing models at the School of Visual Arts.
EDUCATION
The Brooklyn Museum of Art School, Brooklyn, NY
Columbia University, New York, NY
The High Museum Art School, Atlanta, GA
Columbia University, New York, NY
Oglethorpe University, Atlanta, GA B.A. 1953
Max Beckmann Scholarship Award for Painting and Sculpture,
The Brooklyn Museum of Art School, Brooklyn, NY
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School of Visual Arts, New York, NY, Instructor: Painting and Drawing
The New Arts Program, Kutztown, PA, Visiting Artist
Princeton University, Princeton, NJ, Visiting Artist
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The Mayor Gallery, London, England, “Bob Stanley – Works from the Sixties”
Beatrice Conde Gallery, New York, NY, Late Paintings
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Gallerie Georges Lavrov, (Paris), Die International Kunstmesse, Art Basel, Switzerland
Galerie Georges Lavrov, Paris, France, Catalog text by Richard Artschwager
The Paul Bianchini Gallery, New York, NY
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Karolyn Sherwood Gallery, “Up Close and Personal: A Collection of Minimalist and Figurative Drawings”
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there are three states of the same image image each with Progressively increasing detail and color. the edition size is 175. Hand signed, numbered and dated. on hand made French Arches paper.
Bob (Robert) Stanley (1932-1997) was a painter, photographer and printmaker whose early work was figurative painting about contemporary American life. In the 1960s and early 1970s, he based his paintings on photographs, which he manipulated from black and white or silkscreen colored shapes. In the early 1960's, he began to base his paintings on images clipped from newspapers and magazines, following the example of Pop artists like Andy Warhol and Roy Lichtenstein, who would become his brother-in-law. Enlarged and often simplified to two vibrant saturated colors Stanley's images could be reduced to the abstract or be powerfully explicit. His preferred subjects, including rock stars, athletes and pornography, always seemed to grate against the pretenses of high art. Similar in bold use of color to Malcolm Morley. In the late 1960's Mr. Stanley started using his own photographs, basing paintings on images of tree branches or the ground, and also using pictures of life-drawing models at the School of Visual Arts.
EDUCATION
The Brooklyn Museum of Art School, Brooklyn, NY
Columbia University, New York, NY
The High Museum Art School, Atlanta, GA
Columbia University, New York, NY
Oglethorpe University, Atlanta, GA B.A. 1953
Max Beckmann Scholarship Award for Painting and Sculpture,
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School of Visual Arts, New York, NY, Instructor: Painting and Drawing
The New Arts Program, Kutztown, PA, Visiting Artist
Princeton University, Princeton, NJ, Visiting Artist
School of Visual Arts, New York, NY, Instructor: Painting and Drawing
SELECT INDIVIDUAL EXHIBITIONS
Figureworks, Brooklyn, NY, Celebrating the Erotic Work of Pop-Artist Bob Stanley
The Mayor Gallery, London, England, “Bob Stanley – Works from the Sixties”
Beatrice Conde Gallery, New York, NY, Late Paintings
Mitchell Algus Gallery, New York, NY, Paintings: 1963-1967
Gallerie Georges Lavrov, (Paris), Die International Kunstmesse, Art Basel, Switzerland
Galerie Georges Lavrov, Paris, France, Catalog text by Richard Artschwager
The Paul Bianchini Gallery, New York, NY
Galerie Ricke, Kassel, Germany
Bianchini-Birillo Gallery, New York, NY
SELECTED GROUP EXHIBITIONS
Mitchell Algus Gallery, New York, NY, Exquisite Corpe – Cadavre Exquis
Karolyn Sherwood Gallery, “Up Close and Personal: A Collection of Minimalist and Figurative Drawings”
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