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Richard LindnerRichard Lindner, Woman with Bird, from XXe Siecle, 19741974
1974
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About the Item
This exquisite lithograph by Richard Lindner (1901–1978), titled Femme avec oiseau (Woman with Bird), from the album XXe Siecle, Nouvelle serie, XXXVIe Annee, No. 42, Juin 1974, originates from the 1974 edition published by Societe Internationale dArt XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1974. This work captures Lindners bold, psychologically charged visual language, merging European modernism with American urban intensity.
Executed as a lithograph on velin paper, this work measures 12.5 x 9.75 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris
Artwork Details:
Artist: Richard Lindner (1901–1978)
Title: Femme avec oiseau (Woman with Bird)
Medium: Lithograph on velin paper
Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm)
Inscription: Signed in the plate and unnumbered as issued
Date: 1974
Publisher: Societe Internationale dArt XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris
Printer: Mourlot Freres, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the album XXe Siecle, Nouvelle serie, XXXVIe Annee, No. 42, Juin 1974, published by Societe Internationale dArt XXe Siecle, Paris; printed by Mourlot Freres, Paris, 1974
About the Publication:
Gualtieri di San Lazzaros XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs and woodcuts printed by the foremost ateliers of Paris, Milan, and New York, including Mourlot, Curwen, and Amilcare Pizzi, creating a uniquely rich dialogue between text and image. The 1960 issue, XXe Siecle, Nouvelle serie, No. 14, showcased Daphnis et Chloe, one of Chagalls most celebrated lithographic subjects, coinciding with his work on the monumental suite of lithographs inspired by the same pastoral tale, published by Teriade. Through this publication, San Lazzaro further cemented Chagalls reputation as the modern poet of color and love, uniting myth, nature, and emotion in visual form. Today, XXe Siecle remains an essential record of 20th century modernism, celebrated for its seamless integration of fine art, literature, and design.
About the Artist:
Richard Lindner (1901–1978) was a German born American painter whose dazzling use of color, psychological depth, and provocative symbolism made him one of the most distinctive and intellectually sophisticated figures of 20th century art. Blending the rigor of European modernism with the energy and sensuality of American Pop culture, Lindner created a visual language that explored the tensions between eroticism, identity, power, and isolation in the modern world. Born in Hamburg and raised in Nuremberg, he studied at the Kunstakademie in Munich before fleeing Nazi Germany in 1933. In Paris, he became part of the avant garde circle that included Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray artists whose innovations in abstraction and surrealism profoundly shaped his evolving aesthetic. After emigrating to New York in 1941, Lindners experience as an illustrator and art director in advertising sharpened his sense of composition and design, which he later transformed into a painterly exploration of the psychological and sensual undercurrents of modern urban life. His monumental, stylized figures often eroticized, mechanical, and emotionally detached embodied the contradictions of postwar humanity: both liberated and constrained, intimate and alienated. In masterpieces such as The Meeting (1957), The Couple (1963), Boy with Machine Gun (1965), and Fun City (1971), Lindner used sharply outlined forms and saturated colors acid yellows, electric blues, and vivid reds to stage modernitys theater of desire and control. Though frequently linked to Pop Art, Lindners work diverged from its irony by retaining a distinctly European psychological gravity, merging Expressionist emotion with Surrealist dream logic. His subjects showgirls, soldiers, lovers, and mannequins were transformed into archetypes of alienation and obsession, revealing both the seduction and emptiness of contemporary life. A beloved teacher at the Pratt Institute and Cooper Union, Lindner was revered by peers and students alike for his intellectual clarity and painterly precision. His influence extended to artists such as Allen Jones, Tom Wesselmann, David Salle, Eric Fischl, and Cindy Sherman, who drew from his synthesis of sensuality, artifice, and self examination. Critics hailed him as the last European modernist in America, a painter who brought the psychological intensity of the Old World into dialogue with the visual spectacle of the New. His works have been exhibited in major retrospectives at the Museum of Modern Art (New York), the Whitney Museum of American Art, the Centre Pompidou (Paris), and the Stedelijk Museum (Amsterdam), and are held in leading collections including MoMA, the Guggenheim, the Tate Modern, and the Art Institute of Chicago. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Richard Lindner remains one of the defining figures of modern art a painter who united eroticism, intellect, and design in an unflinching portrait of the modern psyche. His highest auction record was achieved by The Meeting (1957), which sold for 2.17 million USD at Sothebys, New York, on May 15, 2003, reaffirming his enduring legacy as one of the most provocative, psychologically incisive, and collectible artists of the modern era.
Richard Lindner XXe Siecle 1974, Richard Lindner lithograph, Lindner Femme avec oiseau.
- Creator:Richard Lindner (1901-1978, American)
- Creation Year:1974
- Dimensions:Height: 12.4 in (31.5 cm)Width: 9.65 in (24.52 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1465216526892
Richard Lindner
Richard Lindner (1901 – 1978) was a German-American painter. Lindner's mother was owner of a custom-fitting corset business and Richard Lindner grew up and studied at the Kunstgewerbeschule (Arts and Crafts School since 1940 Academy of Fine Arts). From 1924 to 1927 he lived in Munich and studied there from 1925 at the Kunstakademie. In 1927 Lindner moved to Berlin and stayed there until 1928, when he returned to Munich to become art director of a publishing firm. He remained in Munich until 1933, when he was forced to flee to Paris. Once in Paris, Lindner became politically engaged, sought contact with French artists and earned his living as a commercial artist. He was interned when World War II broke out in 1939 and later served in the French Army. In 1941, Lindner moved to the United States and worked in New York City as an illustrator of books and magazines. There he made contact with New York artists and German emigrants such as Albert Einstein, Marlene Dietrich, and Saul Steinberg. In 1948, Lindner became an American citizen. Lindner taught at a number of institutions including the Pratt Institute, Brooklyn, Hochschule fur bildende Kunste in Hamburg and Yale University School of Art and Architecture. His paintings often used the sexual symbolism of advertising and investigated definitions of gender roles in the media.
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