Richard Mock

Donkey on Empire State Building, Pop Art Linocut by Richard Mock

1983

Richard Mock, American (1944 - 2006) - Money Man, Year: 1995, Medium: Linocut on BFK Rives, signed, titled, numbered and dated in pencil, Edition: 80, Image Size: 21 x 17.5 inche...

Richard Mock, American (1944 - 2006) - Pols and Other Perpetrators, Year: 1986, Medium: Linocut, signed and numbered in pencil, Edition: AP 1, Image Size: 12 x 12 inches, Size: ...

Richard Mock, American (1944 - 2006) - Kosovo, Year: 1999, Medium: Linocut on BFK Rives, signed, titled, numbered and dated in pencil, Edition: 80, Image Size: 17 x 21 inches, Si...

Richard Mock, American (1944 - 2006) - Rotten Apple, Year: 1987, Medium: Linocut on BFK Rives, signed, titled, numbered and dated in pencil, Edition: 80, Image Size: 17 x 17 inch...

Medium: original woodcut. Printed in 1920 for the Deutsche Graphiker der Gegenwart portfolio, and published in Leipzig by Klinkhardt & Biermann in an edition of 500. Image size: 6 1/...

"Accidente" - 1943 Linocut on Paper "Accidente" from the portfolio "25 Prints of Leopoldo Méndez", depicts a figure, upside down, appearing to fall downward from a ladder. Another f...

Farol is an original linocut realized in smaller size after a linocut by Pablo Picasso of 1959. Very good conditions, except for very minor foxing on edges. Not signed. A passepart...

Vibrant print of a coyote by Daniel Stolpe (American, 1939-2018). Titled, numbered ("Presentation Proof"), signed and dated along bottom edge. Presented in a black frame with a double mat. Sheet on verso with information about the piece, stating that only 5 Presentation Proofs were created, making this piece 1 of 5. Paper size: 24"H x 28"W. (2018) Master artist and Native Images lithographer Dan "Coyote" Stolpe slipped out of his non-functioning body, and is running free at last and howling in the hills. Born and raised in Los Angeles, Dan's father introduced him to Native American teachers of Art and Culture through the Woodcraft Rangers, who influenced Dan for the rest of his life. "Everything was patterned after a tribal structure," Stolpe said. We learned about Indian life and lore and we had Indian guys teach us how to make Indian costumes and about Indian dance and drums. That's what got me interested." Dan made his first drum when he was 14, and he was quietly playing that same drum during his final days of life. Stolpe attended LA Co. Art Institute (OTIS) on scholarship until 1962, when he dropped out to Apprentice with artist Don La Viere Turner in Glendora, and then with Master Printer Joe Funk in Venice until 1966. Commissioned by the Smithsonian Institute, he moved to Washington DC to illustrate extinct birds...