Want more images or videos?
Request additional images or videos from the seller
1 of 11
Richard Thomas DavisCeramics II1981
1981
$1,300
£998.34
€1,144.09
CA$1,830.08
A$2,050.09
CHF 1,068.29
MX$25,006.90
NOK 13,575.46
SEK 12,800.69
DKK 8,539.17
About the Item
This artwork titled "Ceramics II" 1981 is an original colors screen print by Canadian artist Richard Thomas Davis, b.1947. It is hand signed, titled, dated and numbered 182/310 in pencil by the artist.The image size is 14 x 17 inches, sheet size is 19.25 x 22 inches. It is in excellent condition, has never been framed.
About the artist:
Richard Thomas Davis was born in Middletown, New York in 1947. He studied at The Pennsylvania Academy of Fine Arts in Philadelphia from 1965 - 1966.
Davis's scrupulously painted views (whether of landscape, cityscape, human-scape or object-scape) are offered as ruminations upon that which will not be still, but now is still. It is as if he has withdrawn the air from his paintings.
And consequently, his paintings which, now evacuated, have moved from studies of those things inhabiting the world to a new status as icons of the moment.
Davis's iconic stillness is not the iconic stillness of religious devotion or transporting awe. Rather, his paintings offer modalities of a contemporary devotion—to objects, faces, cars, buildings and the residual landscape. (excerpt from Gary Michael Daults exhibition introduction, 2011).
Awards
2011 Inducted into the Royal Canadian Academy of Arts (R.C.A.)
1993 Sponsor's Prize, 2nd Sapporo International Print Biennale for "Landmarks"
Public Collections
Acadia University Collection, Wolfville, NS
Stanton Armour, Lake Forest, Illinois
Art Gallery of Nova Scotia, Halifax, NS
Brooklyn Museum, Brooklyn, NY
BC Provincial Collection, Victoria, BC
Burnaby Art Gallery, Burnaby, BC
Dr. Richard and Jalene Davidson, Chiago, Illinois
The Murray Collection, Scranton, Pennsylvania
Nova Scotia Art Bank Collection, Halifax, NS
The Seavest Collection, New York, NY
Toronto Dominion Bank, Vancouver, BC and Toronto, ON
Vancouver Art Gallery, Vancouver, BC
Solo Exhibitions
2011 "The Stillness of still-life", Odon Wagner Contemporary, Toronto
1990 & 1996 Gerold Wunderlich & Co., New York, NY
1988 St. Francis Xavier University Art Gallery, Antigonish, NS
1975, 1979, 1982-'86, 1993 Atelier Gallery, Vancouver, BC
Group Exhibitions
2010, '11, '12 Art Toronto, Odon Wagner Contemporary, Toronto, ON
2007 The Figure: from Cubism to Post Modern, Gerold Peters Gallery, NY
2003 Realism Knows No Bounds, Klaudia Marr Gallery, Santa Fe, NM
2001 Form and Figure, J. Cacciola Gallery, NY
2000 Drawings by 20th Century and Contemporary Masters, Forum Gallery, NY
1998 Realism Knows No Bounds, van de Griff Gallery, Santa Fe, N
1997 Re-presenting Representation III, Arnot Art Museum, Elmira, NY
1995 North of the Boarder, Wiregrass Museum of Art, Alabama.
1993 Juried show, 2nd Sapporo International Print Biennale, Sapporo, Japan.
1990-92 New Horizons In American Realism, Flint Institute of the Arts; Flint, MI; Naples, FL; Knoxville, TN
1989 Six Contemporary Realists, Gerold Wunderlich & Co., NY
1986-'87 Wunderlich & Co. Inc., NY
Education
1965-'66 Pennsylvania Academy of Fine Arts, Philadelphia
- Creator:Richard Thomas Davis (1947, Canadian)
- Creation Year:1981
- Dimensions:Height: 19.25 in (48.9 cm)Width: 22 in (55.88 cm)Depth: 0.01 in (0.26 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:Seller: r.dav/cer/II/011stDibs: LU666310665552
About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1999
1stDibs seller since 2017
816 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Shipping from: San Francisco, CA
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllStill Life #2
By Audean Johnson
Located in San Francisco, CA
This artwork "Still Life #2" 1989 is an original color lithograph by American artist Audean Johnson. It is hand signed and numbered 207/275 in pencil by...
Category
Late 20th Century American Realist Figurative Prints
Materials
Lithograph
Benita
By Rudolph Carl Gorman
Located in San Francisco, CA
This artwork titled "Benita" first state, 1981 Is an original lithograph on Wove paper by renown Navajo artist Rudolph Carl Gorman, 1932-2005. It is signed, dated and numbered 122/180 in pencil by the artist. With the blind stamp of the artist and printer. The image size is 22 x 30 inches, the sheet size is 24 x 31.75 inches. It is in excellent condition, has never been framed, the colors are fresh bright.
About the artist:
Born in Canyon de Chelly, Arizona and raised in a hogan on the Navajo Reservation, R.C. Gorman became one of the Southwest's best known late 20th-century artists. His signature works were Navajo women in a variety of poses. Many persons have been fascinated by the fact that he, an Indian artist, became famous in the white man's world with some calling him the "Picasso of Indian artists". Of this kind of attention, he said: "I wish people would quit pushing my being Indian. The only time I was interviewed as If I were a normal person was by the Jewish Press in Tucson. It was the first time I felt international and almost white". (Samuels 222)
His parents were Carl Nelson...
Category
Late 20th Century Realist Figurative Prints
Materials
Lithograph
Untitled (Stacked Cups)
By Jed Devine
Located in San Francisco, CA
Artist: Jed Devine American (1944- )
Title: Untitled (Stacked Cups)
Date: 1987
Medium: Platinum-palladium print on Japanese rice paper
Image size: 9.5 x 7.5 inches (9.25 x 7.25 inches within mat)
Sheet size: 12 x 9 inches
Framed size: 20.25 x 16.25 inches
Signature: signed lower right in pencil
Edition: unknown
This sublime photograph is by Jed Devine. It is signed in the lower right in pencil. There is a gallery label from the Fraenkel Gallery in San Francisco on the reverse of the framed work. It is framed in a simple metal frame. The photograph, mat and frame are in very good condition.
Jed Devine was born in Mount Kisco, New York, in 1944 and raised in Pleasantville, a Westchester County suburb. Devine cites Walter Hahn, his junior high school art teacher, as having an instrumental role in his art career decision: “I don’t know how it happened that a serious artist like Walter Hahn was teaching art at Pleasantville Junior High, but I was most fortunate to have him as a mentor and I’ve always been grateful to him.”
In 1967, Jed Devine graduated cum laude from Yale University with a BA in fine arts and began his career as a painter. In 1972, he returned to Yale to study design and photography and was awarded an MFA degree. He joined the Purchase College faculty in 1977. During his tenure at Purchase, several of his students went on to receive recognition as photographers, among them Adam Baer, Gregory Crewdson, Regina DeLuise, Andrea Modica, Deborah Mesa-Pelly, and Roger Newton.
Jed Devine’s photography is represented in many major museum, corporate, university, and private collections, including the Metropolitan Museum of Art, New York; Victoria and Albert Museum; London; the International Center of Photography, New York; the San Francisco Museum of Art; the Art Institute of Chicago; the Museum of Fine Arts, Houston; and the Museum of Modern Art, New York.
Originally trained as a painter, Devine began taking photographs in 1972 and became fascinated by the effects of light on objects and surfaces, and the sensuality that was possible with the platinum-palladium process. This sensuality is on full display in Devine’s only book, Friendship, a collaboration with the writer Jim Dinsmore, whose 64 images “form an extended sequence that moves from innocence to decay and return. The images emphasize the beauty and primacy of light while capturing the visual drama and irony of the Maine landscape.”
Devine also has a long-standing relationship with New York City, which is most evident in his portfolio of panoramic photographs celebrating New York bridges...
Category
1980s Realist Still-life Photography
Materials
Paper, Platinum
Zia, State II
By Rudolph Carl Gorman
Located in San Francisco, CA
This artwork titled "Zia" State II, 1979 Is an original colors lithograph on Buff Arches paper by renown Navajo artist Rudolph Carl Gorman, 1932-2005. It is signed, dated and number...
Category
Late 20th Century Realist Figurative Prints
Materials
Lithograph
Still Life #3
By Audean Johnson
Located in San Francisco, CA
This artwork "Still Life #3" 1989 is an original color lithograph by American artist Audean Johnson. It is hand signed and numbered 227/275 in pencil by...
Category
Late 20th Century American Realist Figurative Prints
Materials
Lithograph
Scott's Antiques
Located in San Francisco, CA
This artwork titled "Scotts Antiques" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and numbered...
Category
Late 20th Century American Realist Figurative Prints
Materials
Etching
You May Also Like
Untitled (Still Life)
Located in Fairlawn, OH
Untitled (Still Life)
Etching, aquatint and soft ground, 2001
Signed in pencil (see photo)
Edition: 260
Published by the Print Club of Cleveland, Publication 80, 2002
Printed by Felix Harlan at Harlan and Weaver, New York
William Bailey, Modernist Figurative Painter, Dies at 89
He swathed his nudes and still lifes of eggs, vases, bottles and bowls in a breathless, deceptively serene atmosphere heavy with mystery.
The painter William Bailey in 2009. He was never given a career survey in a major museum, but his influence, particulary on students at Yale, was deep.Credit...Ford Bailey
By William Grimes for the New York Times
April 18, 2020
William Bailey, whose pristine, idealized still lifes and female nudes made him one of the leading figures in the return of figurative art in the 1980s, died on April 13 at his home in Branford, Conn. He was 89.
His death was confirmed by his daughter, Alix Bailey.
Beyond his painting, Mr. Bailey influenced generations of students in his many years as a teacher at the Yale School of Art.
In some of his best-known work, Mr. Bailey arranged simple objects — the eggs, bowls, bottles and vases that he once called “my repertory company” — along a severe horizontal shelf, or on a plain table, swathing them in a breathless, deceptively serene atmosphere heavy with mystery.
His muted ochres, grays and powdery blues conjured up a still, timeless world inhabited by Platonic forms, recognizable but uncanny, in part because he painted from imagination rather than
“They are at once vividly real and objects in dream, and it is the poetry of this double life that elevates all this humble crockery to the realm of pictorial romance,” Hilton Kramer wrote in The New York Times in 1979.
Mr. Bailey’s female figures, some clothed in a simple shift or robe and others partly or entirely nude, are disconcertingly impassive, implacable and unreadable, fleshly presences breathing an otherworldly air.
The critic Mark Stevens, writing in Newsweek in 1982, credited Mr. Bailey with helping to “restore representational art to a position of consequence in modern painting.”
But his version of representation was entirely idiosyncratic, seemingly traditional but in fact “a modernism so contrarian,” the artist Alexi Worth wrote in a catalog essay for the Betty Cuningham Gallery in 2010, “that it feels, despite its historical sophistication, almost like a brand of outsider art.”
William Harrison Bailey...
Category
Early 2000s Contemporary Still-life Prints
Materials
Etching
Untitled (Still Life)
Located in New York, NY
William Bailey
Untitled (Still Life)
Etching and aquatint on wove paper, with full margins
1982
S. 27 1/2 x 22 in. (69.9 x 55.9 cm)
Signed and dated in pencil lower right "Bailey ...
Category
1980s Contemporary Prints and Multiples
Materials
Etching, Aquatint
$1,170 Sale Price
35% Off
Still Life - Niccone
Located in New York, NY
William Bailey’s still life paintings present seemingly everyday objects, including bowls, pitchers, and cups, in groupings that conjure the familiar world while offering a metaphysi...
Category
20th Century Contemporary Still-life Paintings
Materials
Paper, Casein
Figurative Still life painting - Seven pots
Located in Beijing, CN
Feng Shi, born in Shanghai in 1990, professional painter. In 2009, he studied in the painting department of the school of fine arts of Shanghai Normal Univer...
Category
2010s Contemporary Figurative Paintings
Materials
Watercolor
Still Life
By René Genis
Located in Berlin, MD
Rene Genis (French 1922-2004) Still Life. Mainly oranges and browns, fruits and flowers, against a background of browns with a pitcher central. The browns contain a subtle mixture ...
Category
Mid-20th Century Contemporary Still-life Prints
Materials
Lithograph
$580 Sale Price
20% Off
Untitled (Still Life)
Located in New York, NY
William Bailey Untitled Still Life 1982
Etching and aquatint, on wove paper, with full margins.
S. 27 1/2 x 22 in. (69.9 x 55.9 cm)
Signed and dated in pencil lower right "Bailey...
Category
1980s Contemporary Prints and Multiples
Materials
Etching, Aquatint
$1,170 Sale Price
35% Off