Skip to main content
1 of 6

Richard van Orley (II)
Corsica on the Run from the lustful Satyr - 17/18thC Engraving - Il pastor fido

ca. 1700

You May Also Like

Mythological Roman Alphabet Leaf with Celtic Motif, Letter X
By Donald Shaw MacLaughlan
Located in Middletown, NY
Engraving printed in black ink on hand-made, thin-laid paper, 3 5/8 x 3 5/8 inches (84 x 84 mm), 3/4 inch margins. In excellent condition, printed 19th century.
Category

17th Century Italian School Figurative Prints

Materials

Laid Paper, Engraving

Joe Louis vs. Max Baer at Yankee Stadium
By Joseph Webster Golinkin
Located in New York, NY
LOUIS & BAER AT YANKEE STADIUM. This lithograph from circa 1935 was printed in an edition of 50. This particular impression is signed in pencil and inscribed “25/50.” The image size is 15 7/8 x 19 ¾ inches and the paper (sheet) size is 19 1/8 x 22 7/8 inches. There are two small purple estate stamps on verso. "I define fear as standing across the ring from Joe Louis and knowing he wants to go home early." – Max Baer...
Category

1930s Naturalistic Figurative Prints

Materials

Lithograph

Historical Costumes, German antique chromolithograph print
Located in Melbourne, Victoria
'Kostume I (Altertum und Mittelalter)' (Costume – Antiquity and Middle Ages) German chromolithograph, circa 1895. Central vertical fold as issued. 240mm by 305mm (sheet)
Category

Late 19th Century Naturalistic More Prints

Materials

Lithograph

Historical Costumes, German antique chromolithograph print
Located in Melbourne, Victoria
'Kostume II (15 bis 16 Jahrhundert)' (Costumes II (15 to 16 Centuries)) German chromolithograph, circa 1895. Central vertical fold as issued. 240mm by 305mm (sheet)
Category

Late 19th Century Naturalistic More Prints

Materials

Lithograph

Historical Costumes, German antique chromolithograph print
Located in Melbourne, Victoria
'Kostume III (17 bis 18 Jahrhundert)' (Costumes III (17 to 18 Centuries)) German chromolithograph, circa 1895. Central vertical fold as issued. 240mm by 305mm (sheet)
Category

Late 19th Century Naturalistic Figurative Prints

Materials

Lithograph

"Some Town without a Name" - Signed Screen Print
Located in Soquel, CA
"Some Town without a Name" - Signed Screen Print Exhibition Poster Screen Print titled "Some Town without a Name" by Masuo Ikeda (Japanese, 1934-1997). A black headshot is seen with blue ink by the mouth and enclosed in a blue rectangle. "Masuo Ikeda" can be seen printed up top, with a list of Ten Lithographs under. Signed in pencil "Masuo Ikeda" lower right and numbered "XXXlll" middle Presented in a white mat. Mat: 36"H x 28"W Paper: 26"H x 21"W Image: 25 1/2"H x 19 1/2"W Masuo Ikeda (Japanese, 1934 - 1997) was born in 1934. Masuo Ikeda is well known a Japanese painter, printmaker, illustrator, sculptor, ceramist, novelist, and film director. He started winning prize after prize in the 1960s: the Governor of Tokyo's Prize (1962), the Tokyo Museum of Modern Art Prize (1964). In 1961 he had established himself as a printmaker by winning the Grand Prize for Printmaking at the Tokyo International Biennale of Art, but it was in foreign parts that he achieved his greatest triumphs: in 1961 the Prix d'Excellence at the Young Artists' International Biennale in Paris; in 1965 the Grand Prix at the International Print-making Biennale in Ljubljana; in 1966, the First Prize at the International Engraving Biennale in Cracow, and first prizes at the Biennales of Vienna and Venice, where he was only the second Japanese to win in this category, after Munakata Shiko in 1956. He was the first Japanese to have a one-man show at the New York Museum of Modern Art (1965). He was always on the move and spent two years in New York (1965-66), then settled for a year in Berlin (1967). Ikeda was producing prints in his studio in New York from 1969, he returned to Japan in 1980 and was based there from then on, and extended his brilliant talent beyond printmaking. In 1977, he won the 77th Akutagawa Prize (the most prestigious literary award in Japan) for his novel, Offering in the Aegean, and directed the film adaptation of the same title in 1979. His vigorous artistic activity even extended to the production of ceramic works from around 1983 onward. The Ikeda Masuo...
Category

1960s Pointillist Figurative Prints

Materials

Screen, Laid Paper

Recently Viewed

View All