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Sandra ChevrierLA CAGE (TRIPTYCH)2022
2022
About the Item
Set of 3 prints "La Cage béatitude ravageuse," "La Cage comme des chansons qui meurent" and "La Cage et la fin d'une histoire." Giclee on Watercolor Canson 100% Coton, 310 g. paper. Each artwork is hand signed and numbered by Sandra Chevrier. Each artwork is 19 x 14.5 inches. From the edition of 100.
Artworks are in excellent condition. Sandra Chevrier studio certificate of authenticity included. All reasonable offers will be considered.
About the Artist: Sandra Chevrier (Canadian, born 1983). Currently living and working in Montreal, Canada, Sandra Chevrier - gaze collector, idea chaser and full time single mom - produces work taking her traveling over a broad range of fluctuating emotional enigmas and concepts that have set the standard of our modern communication, exposing the limitations within our world, our self-imposed expectations and the cages we have allowed to bar us from fullness of life’s experience. With work demanding to be dissected beyond it's surface value, Chevrier's portraits are quite literally torn between the fantastical heroics and iconography of comic books and the harsher underlying tragedy of oppressed female identity and the exposed superficial illusion therein. Exhibiting a male-dominated world within her 'Cages', Chevrier's subjects denounce the role given to the female counterpart therein, refusing to play the part of seducer or victim.
- Creator:Sandra Chevrier (1983, Canadian)
- Creation Year:2022
- Dimensions:Height: 19 in (48.26 cm)Width: 14.5 in (36.83 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Aventura, FL
- Reference Number:1stDibs: LU725311678952
Sandra Chevrier
Sandra Chevrier is a Canadian contemporary artist known for her captivating portraits of women from The Cages series. Born in 1983, Chevrier got her bachelor's degree in visual and media arts from UQAM - L'Université du Québec à Montréal. As a self-taught artist, Chevrier first fell in love with art as a kid. Her art rapidly became a language on its own. At first, she drew sketches of eyes, all the time. This initial obsession is highly visible in her present work. In her portraits, Chevrier uses the contrasting mediums of paint and actual comic book cuttings to produce these intense mixed-media portraits, which express underlying messages through the female portrait.
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