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Sandra ChevrierSANDRA CHEVRIER - La Cage et L'Amour Éternel Limited ed. hand signed. Pop art2024
2024
About the Item
SANDRA CHEVRIER - La Cage et L'Amour Éternel
Date of creation: 2024
Medium: Giclée on hot press deckled edge paper
Edition: 150
Size: 30.5 x 23 cm
Condition: In mint conditions and not framed
Description: Giclée on hot press deckled edge paper. This print is hand signed and numbered in pencil by Sandra Chevrier of an edition of 150 copies.
In La Cage et L’Amour Éternel, Sandra Chevrier offers us more than just an image — she gives us a knowing wink wrapped in visual poetry on paper. This piece is part of her celebrated La Cage series, in which the Canadian artist blends hyperrealism with fragments of classic comic books to explore the timeless drama of being (super)human.
The female face — a symbol of beauty, strength, and contradiction — appears partially veiled by comic strips where muscle-bound heroes and heightened emotions coexist in glorious excess. The “cage” here isn’t made of iron bars, but of expectations, clichés, and inherited roles. And yet Sandra doesn’t serve us tragedy straight — she dresses it in colour, irony, and nostalgic pop flair.
La Cage et L’Amour Éternel is, at its core, a visual manifesto: about love that frees — but also about the kind that tightens, whether with silk gloves or vintage comic panels. A work that reads like a comic, but feels like a whisper.
ABOUT THE ARTIST
Sandra Chevrier is a Canadian artist born in 1983. As far as this artist can remember, art has always been present in her life. She reminds with special detail a specific work she saw by the Canadian artist Heidi Taillefer titled "Detritus of devotion". This work transmitted so much to her that was then, at the early age of 14 years old, when she decided that she wanted to devote herself to transmit that emotion to others.
Her work has always been full of message. In Sandra Chevrier's own words, she uses art not only to express the beauty and the tragedy that surrounds her but as a language. Her intention is not to generate a social debate but she pretends the spectator to think, to make questions him or herself questions and this way to take some time to reflect on her work.
This artists' work is very diverse in terms of mediums, she works a lot with painting, mainly oil and watercolour, and experimenting with the new has taken her to fall in love with Chinese ink, collage and mixed media. Of some of her works we find graphic prints, mainly giclées and, in lower number, screenprints that can be hand finished. This tireless creativity and her willing to artistically evolve has taken her to other industries such as textile.
Sandra Chevrier's work is characteristic, among other things, for not being labelled. In between the most traditional fine arts and the most contemporary trends like urban art and graffiti, this artist rejects being pigeonholed in one style or another, since this would limit, in her own words, the possibilities of experimenting and evolving; her mind will always be open to learn from everything that surrounds her.
Untiring worker, always creative and eager collector, she dedicates her full time to her two passions, art and her son. She lives in Montreal, Canada, and even with her growing success and her long journeys, she has no intention of moving from there. She has done many solo shows both in United States and her native Canada as well as in the European continent, Japan, Australia or New Zealand.
- Creator:Sandra Chevrier (1983, Canadian)
- Creation Year:2024
- Dimensions:Height: 12.01 in (30.5 cm)Width: 9.06 in (23 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Madrid, ES
- Reference Number:1stDibs: LU1033116389912
Sandra Chevrier
Sandra Chevrier is a Canadian contemporary artist known for her captivating portraits of women from The Cages series. Born in 1983, Chevrier got her bachelor's degree in visual and media arts from UQAM - L'Université du Québec à Montréal. As a self-taught artist, Chevrier first fell in love with art as a kid. Her art rapidly became a language on its own. At first, she drew sketches of eyes, all the time. This initial obsession is highly visible in her present work. In her portraits, Chevrier uses the contrasting mediums of paint and actual comic book cuttings to produce these intense mixed-media portraits, which express underlying messages through the female portrait.
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