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Sandro Chia
Large lithograph Italian Post Modernist Bright Figurative Pop Art Cubism

c.1980-1990

$2,600
£1,964.81
€2,300.19
CA$3,630.83
A$4,085.02
CHF 2,164.40
MX$50,444.86
NOK 26,533.29
SEK 25,494.84
DKK 17,158.03
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About the Item

Biography: Sandro Chia was born in Florence in 1946. He has studied at the Istituto d’Arte and then at the Accademia di Belle Arti in Florence where he graduated in 1969. After graduation, he has travelled extensively in India, Turkey and throughout Europe before settling in Rome in 1970. He was a key member of the Italian Transavanguardia movement which during its peak in the 1980’s was a part of a wider movement of Neo-Expressionist painters around the world. It was a movement that was concurrent with Memphis Milano of Ettore Sottsass design movement with its bright vibrant colors and patterns. While Chia is principally a painter, he is also an accomplished printmaker and sculptor. At Graphicstudio (at USF where this was produced) Chia produced colorful and distinctive works in a variety of media, including intaglio, lithography, heliorelief photographic woodblock, and bronze sculpture. During the 1970’s he began to exhibit in Rome and Europe, gradually moving away from conceptual works towards a more Pop Art, figurative style of painting. Between September 1980 and August 1981 he received a scholarship from the city of Monchengladbach in Germany where he moved to work for a year. The following year he moved to New York City, where he will remain for over two decades, with frequent trips back to Montalcino, near Siena in Italy. He has been part of the Italian “Transavanguardia” movement, exhibiting in many of the most important museums and galleries of the world. The principal transavantgarde artists were Sandro Chia, Francesco Clemente, Enzo Cucchi, Nicola de Maria and Mimmo Paladino. He has exhibited at the Biennale of Paris and San Paolo and three times at the Venice Biennale. His work has been part of internationally acclaimed museum group shows. Amongst his most important personal shows are exhibitions at the Stedelijk Museum of Amsterdam (1983), the Metropolitan Museum of New York (1984), the National Galerie of Berlin (1984, 1992), the Museum of Modern Art of Paris (1984); the Museums of Dusseldorf (1984), Antwerp (1989), Mexico City (1989); Palazzo Medici Riccardi in Florence (1991); the Museums of Karlsruhe (1992), Palm Springs (1993), Villa Medici in Rome (1995); Palazzo Reale in Milan (1997), the Boca Raton Museum of Art, Florida (1997), the Galleria Civica of Siena (1997), the Galleria Civica in Trento (2000), the Museo d’Arte of Ravenna (2000); Palazzo Pitti and the Museo Archeologico Nazionale of Florence (2002); and most recently the Duomo of St. Agostino in Pietrasanta (2005) and Galleria Nazionale di Arte Moderna of Rome (GNAM) (2010). In 2003, the Italian State acquired three important works of his for the permanent collection of the Italian Senate at Palazzo Madama, and in 2005 two monumental sculptures were acquired by the Province of Rome and placed in front of its headquarters in Via IV Novembre, Rome. Today he lives between Miami, Rome and his Castello Romitorio wine-making estate in Montalcino, where he also follows the production of prestigious wines, amongst which the world-famous Brunello wine which has won the 'International Wine Challenge' for best red wine in 2010.
  • Creator:
    Sandro Chia (1946, Italian)
  • Creation Year:
    c.1980-1990
  • Dimensions:
    Height: 34 in (86.36 cm)Width: 24.5 in (62.23 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    minor edge wear.
  • Gallery Location:
    Surfside, FL
  • Reference Number:
    1stDibs: LU38213632902

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Red Grooms (American, b. 1937). Lithograph in colors on wove paper, 1993 "East of Canal Street, Corner of Canal." Published by the Brooklyn Museum (Reference: Red Grooms: The Graphic Work, Walter G. Knestrick. Harry Abrams Inc Publishers, New York, 2001. Cat. no 138 page 172, Alexander & Cowles 138). Downtown Manhattan, New York City Chinatown Street scene with various vendors. Hand signed in black crayon and numbered on image at bottom edge. "8/115 Red Grooms." Dimensions 22" x 30" Printer: Sharks Lithographs Ltd, Boulder, CO Red Grooms (born Charles Rogers Grooms on June 7, 1937) is an American multimedia artist best known for his colorful pop-art constructions depicting frenetic scenes of modern urban life. Grooms was given the nickname "Red" by Dominic Falcone (of Provincetown's Sun Gallery) when he was starting out as a dishwasher at a restaurant in Provincetown and was studying with Hans Hofmann. Grooms was born in Nashville, Tennessee during the middle of the Great Depression. Red Grooms came of age in the shadow of the Abstract Expressionists. He studied at the Art Institute of Chicago, then at Nashville's Peabody College. In 1956, Grooms moved to New York City, to enroll at the New School for Social Research. A year later, Grooms attended a summer session at the Hans Hofmann School of Fine Arts in Provincetown, Massachusetts. There he met experimental animation pioneer Yvonne Andersen, with whom he collaborated on several short films. Grooms follows in the tradition of William Hogarth and Honoré Daumier, who were canny commentators on the human condition. In 1969, Peter Schjeldahl compared Grooms to Marcel Duchamp, because both embodied "a movement of one man that is open to everybody." In the spring of 1958, Grooms, Yvonne Andersen and Lester Johnson each painted twelve-foot by twelve-foot panels, which they erected with telephone poles on a parking lot adjacent an amusement park in Salisbury, MA. Inspired by artist-run spaces such as New York's Hansa Gallery and Phoenix, and Provincetown's Sun Gallery, Grooms and painter Jay Milder opened the City Gallery in Grooms' second-floor loft in the Flatiron District. When Phoenix refused to show Claes Oldenburg, Grooms and Milder dropped out of Phoenix and City Gallery presented Oldenberg's first New York exhibition, as well as that of Jim Dine. Other artists who showed at City Gallery include Stephen Durkee, Mimi Gross (daughter of Chaim Gross and Red Grooms wife), Bob Thompson, Lester Johnson, and Alex Katz. Grooms never developed the detached stance of such Pop Art practitioners as Andy Warhol, Roy Lichtenstein or James Rosenquist. Instead he painted his own life, and became, literally, an actor on the stage of life -- in this case the art-as-life "happenings" of the downtown New York scene. Inspired by George Méliès's 1902 film A Trip to the Moon...
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