Sebastian Magnani

Sebastian Magnani - Marylin – Chocolate, Photography 2025

2025

Archival Pigment Print on Hahnemühle Photo Rag Ultra Smooth 305 g/m² Available sizes: 35.4 x 27.5 in (70 x 90 cm) - Edition of 7 51.2 x 39.4 in (100 x 130 cm) - Edition of 5 67 x 51...

Archival Pigment Print + Stamp on Hahnemühle Photo Rag ® Ultra Smooth 305 gsm "During my six weeks in LA, I let go of control and simply went with the flow. I spent my time creating...

MILES ALDRIDGE (*1964, Great Britain) Red Marks #1 2003 Chromogenic print Image 101,6 x 152,4 cm (40 x 60 in.) Sheet 113,6 x 164,4 cm (44 3/4 x 64 3/4 in.) Frame 117,8 x 169,3 x 5 c...

Duffy - Pirelli Ice Cream Girl - banned - signed limited edition BANNED OUTTAKE - ICE CREAM ON BREASTS - PIRELLI 1973 Image size 18x12" signed Archival Pigment print limited edition size of 12 only On the 27th of October 1972 for the first time in Pirelli Calendar history, this image was banned. It was deemed too risqué even for a publication such as this. Derek Forsyth and Allen Jones were summoned to Pirelli’s head office in Chester square to explain themselves. The chairman of the company deemed the image too perverse and it was never published. Duffy was one of the few photographers who was commissioned for three Pirelli calendars. His first two calendars were in 1965 and 1973 and his last shoot for Pirelli was also in 1973 for the Cinturato truck tyre calendar. Duffy worked with the pop artist Allen Jones and the airbrush artist Philip Castle. The airbrushing techniques used producing this calendar were incorporated on the David Bowie Aladdin Sane album cover in 1973. More About Duffy : AT DUFFY’S MEMORIAL SERVICE LORD DAVID PUTTNAM ADDRESSED THE FAMILY AND FRIENDS OF DUFFY AND SAID ‘THE WORLD NEEDS MORE DUFFY’S.’ HE THEN WENT ON TO CALL HIM A MAVERICK, SOMEBODY WHO WAS PREPARED TO TAKE RISKS WITH HIS ART FORM AND DESCRIBED DUFFY AS A ‘SUPREMELY TALENTED AND ESOTERIC MAN.’ ‘A man who thrived on risks and challenges, who lived to create.’ In 2013 Duffy was voted as one of the top most 100 influential photographer’s of all time and he richly deserves that title. When Duffy felt he had pushed the boundaries as far as he could and was no longer satisfied with stills photography...