Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 15

Stan Lee
Taschen : Stan LEE - DELUXE editon signed in pencil and numbered #MARVEL

$5,487.17
£4,001.97
€4,600
CA$7,524.03
A$8,400.80
CHF 4,407.81
MX$103,680.70
NOK 55,406.73
SEK 51,842.82
DKK 35,003.12
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

Signed in felt pen by Stan Lee (1922-2018), and numbered AP 38 / 200 artist's proof and 800 copies. Bound volume in an acrylic box. 12,6 x 17,3 inch. 27,65 lbs, 444 pages. Taschen, 2018. Out of print work which recounts the rich career of Stan Lee, screenwriter and producer of numerous legendary Marvel series, and which includes rare photo documents, manuscripts or facsimiles.
  • Creator:
    Stan Lee (1922 - 2018)
  • Dimensions:
    Height: 17 in (43.18 cm)Width: 12 in (30.48 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Paris, FR
  • Reference Number:
    1stDibs: LU464314307652

More From This Seller

View All
A Scientist Studying Orion - Original etching handsigned and numbered
By Pierre-Yves Trémois
Located in Paris, IDF
Pierre-Yves Tremois A scientist studied Orion Original etching, 1970 Handsigned by the artist Numbered / XXIV copies (total edition of 90 + XXIV) Size 57 x 45 cm (c. 22,4 x 17,7 in)...
Category

1970s Surrealist Figurative Prints

Materials

Etching

Comedia dell'Arte - Etching, Ltd 60 copies
By Mordecai Moreh
Located in Paris, IDF
Mordecaï Moreh (1937-) Comedia dell'Arte Original etching and aquatint Handsigned in pencil Numbered / 60 copies (the number of the etching you receive...
Category

Late 20th Century Modern Figurative Prints

Materials

Etching, Aquatint

Saint Michel - Original Handsigned Lithograph
By Eduardo Arroyo
Located in Paris, IDF
Eduardo Arroyo Saint Michel, 1984 Original lithograph Handsigned in pencil On Arches vellum, 45 x 61 cm (c. 17,7 x 24 cm) Numbered /100 copies INFORMATION : This lithograph is part of the set "Oraisons funèbres", inspired by the text of André Malraux...
Category

1980s Figurative Prints

Materials

Lithograph

Portrait of Roby - Etching (Bloch #680)
By Pablo Picasso
Located in Paris, IDF
Pablo PICASSO (after) Portrait of Roby, c. 1950 Restrike etching Printed signature in the plate On Japan paper 33 x 25 cm (c. 13 x 10 in) REFERENCE : Catalog raisonne Bloch #680 Fr...
Category

Mid-20th Century Modern Portrait Prints

Materials

Etching

La plus grande beauté de Béatrice - Engraving - 150 copies
By Salvador Dalí­
Located in Paris, IDF
Salvador Dali La plus grande beauté de Béatrice (1960) Heliogravure reworked with drypoint Printed signature in the plate On BFK Rives Vellum paper Size 32.8 x 26.4 cm (c. 13 x 10...
Category

1960s Surrealist Figurative Prints

Materials

Etching

TINTIN : Tintin In America - Official print (Tintin Museum)
Located in Paris, IDF
Hergé (1907-1983) Tintin In America (Tintin en Amérique), 2024 Official poster On thick glossy paper 70 x 50 cm (c. 27.5 x 19.6 in) INFORMATION : Official and authorized edition o...
Category

2010s Modern Interior Prints

Materials

Offset

You May Also Like

Marvel Comics Library, X-Men Vol. 1. 1963–1966, Limited Collector's Edition
By TASCHEN
Located in Los Angeles, CA
The Strangest Super-Heroes of All. The foundation of a pop-culture phenomenon. When Marvel publisher Martin Goodman asked Stan Lee to deliver another new team book for his line of comics, he had no idea he’d be getting something like The X-Men. In fact, nobody could have imagined the extraordinary phenomenon the X-Men would eventually grow into—not Goodman, not Lee, not even the forward-thinking futurist Jack Kirby. What they started out as was a charming, ragtag team of misfits, devised by Lee and Kirby to be mutants—youngsters born with “X-tra” powers thrust upon them not by accidentally crossing paths with cosmic rays or a nuclear blast, but by the fate of birth—led by a no-nonsense professor who trained them to become heroes that could protect the world from menaces, mutant and otherwise. The first years of storytelling laid the foundation for much of what has put the X-Men at the crossroads of comics and popular culture: Hounded by a public that fears and misunderstands them, mutantkind find themselves at the heart of their own civil rights struggle; Cyclops, Marvel Girl, Angel, Beast, and Iceman found safety amongst themselves despite the challenges that set them apart from others in society; and Professor Xavier lined up against his ideological foe, Magneto, who had assembled a Brotherhood of Evil Mutants to take the fight for their self-preservation directly to humankind. Along the way, Lee and Kirby—who were on fire taking comics into the Marvel Age—introduced a menagerie of villains and supporting characters that would become mainstays of Marvel and its lore: the super-powered siblings Quicksilver and Scarlet Witch; the formidable Blob; the unstoppable Juggernaut; the jungle dweller from the Savage Land, Ka-Zar; the demigod from the stars, the Stranger; and Bolivar Trask and his army of mutant-hunting Sentinels. And as Lee and Kirby gave way to new talents so they could move on to new corners of the Marvel Universe, Atlas era art veteran Werner Roth teamed with writing newcomer and future X-Men legend Roy Thomas...
Category

21st Century and Contemporary Italian Books

Materials

Aluminum, Foil

Marvel Comics Library, X-Men, Vol. 1, 1963–1966, Famous First Edition Book
By TASCHEN
Located in Los Angeles, CA
The Strangest Super-Heroes of All. The foundation of a pop-culture phenomenon. When Marvel publisher Martin Goodman asked Stan Lee to deliver another new team book for his line of comics, he had no idea he’d be getting something like The X-Men. In fact, nobody could have imagined the extraordinary phenomenon the X-Men would eventually grow into—not Goodman, not Lee, not even the forward-thinking futurist Jack Kirby. What they started out as was a charming, ragtag team of misfits, devised by Lee and Kirby to be mutants—youngsters born with “X-tra” powers thrust upon them not by accidentally crossing paths with cosmic rays or a nuclear blast, but by the fate of birth—led by a no-nonsense professor who trained them to become heroes that could protect the world from menaces, mutant and otherwise. The first years of storytelling laid the foundation for much of what has put the X-Men at the crossroads of comics and popular culture: Hounded by a public that fears and misunderstands them, mutantkind find themselves at the heart of their own civil rights struggle; Cyclops, Marvel Girl, Angel, Beast, and Iceman found safety amongst themselves despite the challenges that set them apart from others in society; and Professor Xavier lined up against his ideological foe, Magneto, who had assembled a Brotherhood of Evil Mutants to take the fight for their self-preservation directly to humankind. Along the way, Lee and Kirby—who were on fire taking comics into the Marvel Age—introduced a menagerie of villains and supporting characters that would become mainstays of Marvel and its lore: the super-powered siblings Quicksilver and Scarlet Witch; the formidable Blob; the unstoppable Juggernaut; the jungle dweller from the Savage Land, Ka-Zar; the demigod from the stars, the Stranger; and Bolivar Trask and his army of mutant-hunting Sentinels. And as Lee and Kirby gave way to new talents so they could move on to new corners of the Marvel Universe, Atlas era art veteran Werner Roth teamed with writing newcomer and future X-Men legend Roy Thomas...
Category

21st Century and Contemporary Italian Books

Materials

Fabric, Paper

Marvel Comics Library, Avengers, Vol. 1. 1963–1965, Limited Collector's Ed Book
By TASCHEN
Located in Los Angeles, CA
Earth’s Mightiest Heroes Assembling the definitive Marvel Age Avengers anthology By early 1963 the foundations of the Marvel Universe had been laid. Following the introduction of the Fantastic Four in 1961 came the amazing (Spider-Man), the astonishing (Ant-Man), the strange (Doctor, that is), the incredible (Hulk), the invincible (Iron Man) and the mighty (Thor). Still, Marvel editor in chief Stan Lee realized something was missing. “I was writing these characters and I thought it would fun to put them together in a team,” he recalled. So Lee and artist Jack Kirby assembled Iron Man, Ant-Man and the Wasp, Thor, and the Hulk...
Category

21st Century and Contemporary Books

Materials

Aluminum

Marvel Comics Library, Fantastic 4, Vol. 1. 1961–1963, Famous First Edition Book
By TASCHEN
Located in Los Angeles, CA
The First Family of the Marvel Age. The ultimate collection of the world’s greatest comic magazine. Hoping to break out of a sales slump at Marvel in the early 1960s, veteran comic...
Category

2010s Books

Materials

Paper

Marvel Comics Library, Fantastic Four. Vol. 1. 1961–1963, Limited Collector's Ed
By TASCHEN
Located in Los Angeles, CA
The First Family of the Marvel Age. The ultimate collection of the world’s greatest comic magazine. Hoping to break out of a sales slump at Marvel in the early 1960s, veteran comic...
Category

21st Century and Contemporary Books

Materials

Aluminum

The Treasury Edition: Spidey Spectacular #2
By Sonny Assu
Located in Montreal, Quebec
As a kid, comic books were a form of entertainment and escape. The ideal of future monetary value in these objects was far from my kid mind. I'd crease the pages, handle the covers w...
Category

2010s Contemporary Figurative Drawings and Watercolors

Materials

Paper, Acrylic, Archival Paper