Stanislaw Trzebinski

Small Square Coral on copper

2016

Signed and numbered 20/20 Silkscreen print on Somerset enhanced velvet fine art paper 330 gsm 29.7 x 42 cm Framed (matte black wooden frame, black mount, UV anti-reflective museum ...

Mixed media on Fabriano Signed lower right This work includes a certificate of authenticity. Framed (matte black wooden frame, black raised float mount on foam core, UV anti-reflect...

Mixed media on Fabriano Signed lower right This work includes a certificate of authenticity. Framed (matte black wooden frame, black raised float mount on foam core, UV anti-reflect...

Mixed media on foam board Signed lower right This work includes a certificate of authenticity. Framed (matte black wooden frame, black raised float mount on foam core, UV anti-refle...

Signed and dated lower left Framed (matte black wooden frame, black raised float mount on foam core, UV anti-reflective glass)

Signed and dated lower left Framed (matte black wooden frame, black raised float mount on foam core) Frame size 50 x 37.7 x 3 cm This work includes a certificate of authenticity Fe...

Highly collectible and coveted item: Francis Bacon von [with] John Russell (Monograph, hand signed and inscribed twice by Francis Bacon), 1972 Hardback monograph with dust jacket (ha...

An original mixed media, Photo Etching, Aquatint, Drypoint on paper by the collaboration of two artists, Robert Flemming and Mizin Shin. This piece entitled Judgment Hour measure ...

This 11.5" X 10.5" unframed mixed media pastel and ink etching on paper by Josette Simon Gestin is from the artist's series titled "No way back." On the ...

Water Snakes I, no. 9 from the first installment of Das Werk Gustav Klimts Known by various names, Women Friends, Girlfriends, Water Snakes I and what Kli...

Judith I, no. 9 from the second installment of Das Werk Gustav Klimts Much like his treatment of the Classical personage, Danae, from Greek mythology, Klimt’s depiction of Judith takes an Old Testament character, a heroine who avenges the death of her husband by killing an Assyrian king, and firmly positions her in his present-day Vienna. His multicolored collotype rips the canvas from its gilded frame which directly references the subject with its title: “Judith und Holofernes”. Now in print form, Judith, holding the severed head of a male in murky shadow, is the ultimate Viennese femme fatale. Her likeness is unmistakably similar to a former lover of Klimt’s and famous Viennese soprano, Anna von Mildenburg. Though his allusion to ancient Assyria is apt, Klimt literally lifted the gold patterned background’s design motif from a relief detail from Sennacherib’s Palace displayed in a London museum. His context then is contemporary. In a sensual and sexually powerful tour de force, Klimt’s Judith...

Water Snakes II, no. 9 from the fourth installment of Das Werk Gustav Klimts The last painting Klimt exhibited with the Secession before resigning, Water ...