Fauvist Figurative Prints

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 9.5 x 12.25 inches; image size: 7.87 x 10.24 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From t...

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 9.5 x 12.25 inches; image size: 7.48 x 9.05 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 12.25 x 9.5 inches; image size: 6.69 x 7.87 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 12.25 x 9.5 inches; image size: 6.69 x 8.27 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 12.25 x 9.5 inches; image size: 9.05 x 7.08 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 12.25 x 9.5 inches; image size: 6.69 x 7.87 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...

MARC CHAGALL 1887-1985 [Shagal, Mark, Zakharovich, Moses] Vitebsk, Belarus 1887-1985 Saint-Paul-de-Vence, Alpes-Maritimes Title: When Abdullah got the Net Ashore…, from: Four Tales...

Artist: Marc Chagall Title: Christ in the Clock Portfolio: Chagall - Jacques Lassaigne Medium: Lithograph Year: 1957 Edition: 6,000 Sheet Size: 9" x 7 7/8" Image Size: 9" x 7 7/8" Si...

Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...

Artist: Marc Chagall Medium: Lithograph Title: Mother and Child before Notre Dame Portfolio: Verve Vol VII No. 27-28 Year: 1952 Edition: 6000 Signed: Unsigned Framed Size: 22" x 18 1...

Sonia Delaunay Hommage a Sonia Delaunay pour son 90eme Anniversaire, 1975 Offset lithograph poster/flyer Plate signed Very rare; published in a limited edition of unknown quantity 1...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Bacchanale". The original painting was completed circa 1922. In the 1970's after Picasso's d...

Henri Matisse Head of a Young Boy, 1946 Original etching Printed signature in the plate On BFK Rives vellum, 33 x 25 cm (c. 12,9 x 9,8 inch) Edition limited to 300 copies (unnumbere...

Mervyn Laurence London Transport Posters Lithograph 76 x 52 cm This poster was produced to promote 'London Transport Posters', a book by Mic...

A very good impression of this color lithograph. Edition of 3000. Printed by Mourlot, Paris. Published by Editions of the Metropolitan Opera, New York.

MAURICE DE VLAMINCK 1876-1958 Paris 1876-1958 Rueil-la-Gadelière, Eure-et-Loir (French) Title: Young girl Combing her Hair Jeune fille se coiffant, 1906/1957 Technique: Original Hand Signed and Numbered Woodcut...

Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...

Red Head Charles Levier, French (1920–2003) Date: circa 1970 Lithograph, signed and numbered in pencil Edition of 250 Image Size: 24 x 16 inches Size: 30 x 22 in. (76.2 x 55.88 cm)

“After Matisse” La Chute d’Icare, pochoir, from Verve, Vol. IV, No. 13, “De la couleur” Éditions de la Revue Verve, Paris 1945. An unsigned and unnumber...

Colorful Cat Face - Transfer Monotype in Water Based Ink on Paper Original transfer monotype painting by California artist Heather Speck (American, 20th...

Rare Set of Four Original Color WDCT Skira 1943 after RABELAIS (François). The Horrible and Terrible Deeds and Prowess of the Renowned Pantagruel, King of the Dipsodes, Son of the ...

Marcel Legay - From Le Café Concert is an original print, realized in 1893 by Henri-Gabriel Ibels. Black and white lithograph on paper. Good conditions except for some ripple alo...

Ouvrard - From Le Café Concert is an original print, realized in 1893 by Henri-Gabriel Ibels. Black and white lithograph on paper. Good conditions except for some ripple along th...

A very good impression of this color lithograph. Edition of 2000. Published by "L'Estampe Moderne," Paris, with the blind stamp (Lugt 2790, lower right).

Polin - From Le Café Concert is an original print, realized in 1893 by Henri-Gabriel Ibels. Black and white lithograph on paper. Good conditions except for some ripple along the ...

Mévisto - From Le Café Concert is an original print, realized in 1893 by Henri-Gabriel Ibels. Black and white lithograph on paper. Good conditions except for some ripple along th...

Jeanne Bloch - From Le Café Concert is an original print, realized in 1893 by Henri-Gabriel Ibels. Black and white lithograph on paper. Good conditions except for some ripple alo...

Anna Thibaud - From Le Café Concert is an original print, realized in 1893 by Henri-Gabriel Ibels. Black and white lithograph on paper. Good conditions except for some ripples an...

Libert - From Le Café Concert is an original print, realized in 1893 by Henri-Gabriel Ibels. Black and white lithograph on paper. Good conditions except for some ripples and some...

Kam-Hill - From Le Café Concert is an original print, realized in 1893 by Henri-Gabriel Ibels. Black and white lithograph on paper. Good conditions except for some ripple along ...

RAOUL DUFY 1877-1953 Le Havre 1877-1953 Forcalquier (French) Title: Little Horses, Bathers and Seashell Petits Chevaux, Baigneuses et Coquillage, 1925 Technique: Original Hand Si...

"Mlle Landsberg" (grade planche, pl. 16), 1914 Henri Matisse (French, 1869-1954) Signed and Numbered Lower Right Edition 12/15 Image size: 7 7/8 x 4 5/16 inches Sheet size: 17 11/16 x 12 1/2 inches With frame: 19 1/2 x 14 1/2 inches Henri Matisse came from a family who were of Flemish origin and lived near the Belgian border. At eight o'clock on the evening of December 31, 1869, he was born in his grandparents' home in the town of Le Cateau in the cheerless far north of France. His father was a self-made seed merchant who was a mixture of determination and tightly coiled tension. Henri had no clear idea of what he wanted to do with his life. He was a twenty-year-old law clerk convalescing from appendicitis when he first began to paint, using a box of colors given to him by his mother. Little more than a year later, in 1890, he had abandoned law and was studying art in Paris. The classes consisted of drawing from plaster casts and nude models and of copying paintings in the Louvre. He soon rebelled against the school's conservative atmosphere; he replaced the dark tones of his earliest works with brighter colors that reflected his awareness of Impressionism. Matisse was also a violinist; he took an odd pride in the notion that if his painting eye failed, he could support his family by fiddling on the streets of Paris. Henri found a girlfriend while studying art, and he fathered a daughter, Marguerite, by her in 1894. In 1898 he married another woman, Amelie Parayre. She adopted the beloved Marguerite; they eventually had two sons, Jean, a sculptor and Pierre who became an eminent art dealer. Relations between Matisse and his wife were often strained. He often dallied with other women, and they finally separated in 1939 over a model who had been hired as a companion for Mme. Matisse. She was Madame Lydia, and after Mme. Matisse left, she remained with Matisse until he died. Matisse spent the summer of 1905 working with Andre Derain in the small Mediterranean seaport of Collioure. They began using bright and dissonant colors. When they and their colleagues exhibited together, they caused a sensation. The critics and the public considered their paintings to be so crude and so roughly crafted that the group became known as Les Fauves (the wild beasts). By 1907, Matisse moved on from the concerns of Fauvism and turned his attention to studies of the human figure. He had begun to sculpt a few years earlier. In 1910, when he saw an exhibition of Islamic art, he was fascinated with the multiple patterned areas and adapted the decorative universe of the miniatures to his interiors. As a continuation of his interest in the "exotic", Matisse made extended trips to Morocco in 1912 and 1913. At the end of 1917, Matisse moved to Nice; he would spend part of each year there for the remainder of his life. A meticulous dandy, he wore a light tweed jacket amd a tie when he painted. He never used a palette, but instead squeezed his colors on to plain white kitchen dishes...

Paul Gauguin (1848-1903) Joies de Bretagne (Kornfeld 7 B) zincograph, 1889, on simili Japon paper, from the second edition of circa 50 impressions, published by Ambroise Vollard afte...