Building Figurative Prints

Decorative Motifs - Arab Styles is a print on ivory-colored paper realized by Andrea Alessio in the early 20th Century. Signed on the plate on the lower. Vintage Chromolithograph. ...

Edition of 120 pieces and many Artist's proofs. Published in the Portafoglio "Tunisiaca 1995: d'aprés Auguste Lumière". Signed, numbered in the bottom with pen with dedication "To Giuseppe Marino".

Signed titled, and dated, in pencil, and annotated in lower margin "My great-great grandfather's house, built in Bentleyville, Ohio in 1831; torn down in 1956." The wood engraving i...

The Cathedral of Tarragona is a beautiful lithograph realized by Ossi Czinner in the 1970s.  Hand signed. Artist's proof. Good conditions!

Color lithograph, on Magnani-Pescia paper. Paper size 35cmx50cm, work size 27cmx42cm. Excellent condition, no defects.  Born in Rome in 1946, Franco Fortunato is an autodidact, foll...

Uses and Customs - Courtyard of the Great Hospital of Milan is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the un...

Not signed. Includes passepartout (49 x 34 cm).

The Cathedral of Tarragona is a beautiful lithograph realized by Ossi Czinner in the 1970s.  Hand signed. Artist's proof. Good conditions!

Color lithograph, on Magnani-Pescia paper. Paper size 22.5cmx33cm, work size 22.5 cm x 33 cm. Excellent condition, no defects.  Pedro Cano (Blanca, 1944), one of the greatest contem...

Image dimensions: 33.9 x 55.2 cm. Hand signed and numbered. Edition of 125 prints. Very good conditions.

Russian-born and European-educated Alexander Kachinsky was a designer of stage sets (for the Ballet Russe), furniture, and commercial interiors. His prints are in the collection of the Library of Congress, the Smithsonian American Art museum, and the Baltimore Museum of Art. He came to this country in the 1920s. An impression of this subject in the Smithsonian. "Cloudy Day," about 1940, is an idyllic country scene, possibly the artist's White Plains...

Olympic Temple is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, of the l...

Lisbon Capital of Portugal is a  lithograph realized in 1862. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or History of t...

Chateau De Choisy View is an original print realized by Anonymous artist at the end of XVIII century (about 1760). Titled below "Vue du Chateau de Choisy le Roy du côté du jardin"....

The City is an artwork realized in the 1980sy by Giuseppe Aleandro Hand signed and numbered on the lower margin. Mixed colored serigraph. Edition of 16/150 prints.

The Street is a print realized by Maxime Juan in the early 20th century. Signed on the plate Etching on paper Good condition with slight foxing.

Veduta di Tivoli mista d'Antico, e moderno (...) From the collection: “Le antichità de' contorni di Roma ossia le più famose città del Lazio. Tivoli, Albano...

Lalibela - Bièt Gàbriel is an original etching on paper realized by Lino Bianchi Barriviera in 1948. Hand-signed in pencil in the lower right. In ...

Work on paper

Shu Takahashi-Volterra is a mixed-colored offset by the Japanese artist Shu Takahashi. Good conditions.

Palazzo Colonna di Sciarra is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for consumed ...

City in Night is an original etching artwork on cardboard realized by Virgilio Retrosi, a ceramist and engraver pupil of Duilio Cambellotti. Hand-...

View of Rome is an offset print artwork on paper, realized by G. Engelmann. The artwork is signed on the plate. In very good condition. The artwork represents the roman landscape ...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Maurice Utrillo, 1956. Published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Frères, Paris. Excerpted from the volume (translated from French), This book was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnès for typography and by the Mourlot Frères for lithographs. It was shot on Vidalon blanc. Two hundred numbered copies from 1 to 200, including the first twenty with a suite on vélin paper of the Marais. It has been attached to each copy a simulated fac of the Sonnet d'Utrillo: "Lyric art...

The Temple of Glory is an original etching artwork realized by Giuseppe Vasi. Good conditions. The artwork represents the artificial Fire Machine and the temple of glory, with the ...

Eduardo Naranjo (Spain, 1944) 'Calles y sueños (Federico en Nueva York)', 2005 silkscreen on paper Image size: 23.8 x 19.9 in. (60.50 x 50.50 cm.) Surface size: 30.8 x 24.9 in. (78 x...

Decorative Motifs - Arab Styles is a print on ivory-colored paper realized by Andrea Alessio in the early 20th Century. Signed on the plate on the lower. Vintage Chromolithograph. ...

Chateau De Pau is a print on paper realized by Adolphe Rouargue (French 1810-1884)in the mid-19th Century. Signed on the plate and titled. VANNES: LAUNDRY WOMEN under the TOWER of...

This artwork "Frankfurt, Germany" c.1930 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center. The plate mark (ima...

Bengt Bockman Main Street 82-84 Year: 1974 Color Lithograph Size: 25.5 x 33.5 in. Edition: 175 Signed and numbered in pencil by the artist One of Sweden...

The Cathedral is an original Vintage Offset Print on ivory-colored paper, realized by Franco Gentilini (Italian Painter, 1909-1981), in 1970s. The state of preservation of the artwo...

This artwork titled "The Corner Drugstore" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and num...

Chiesa di S.Carlo ed Ambrogio al Corso is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except f...

Ancient View of Philadelphia is an original modern artwork realized in Italy in the first half of the 19th Century. Original Lithograph on Ivory Paper. Inscripted in capital lette...

Colosseum is a modern artwork realized by Antonio Carbonati in 1947. Black and white etching Includes passepartout Hand signed and dated on the lower margin Original title: Colosseo Palatino Celio Via dei Trionfi dai balconi di casa Carcano sul Colle Aventino Good conditions except for yellowing of paper. Antonio Carbonati (1893 - 1956).  He published a series of engravings of Rome...

Monastero e Chiesa di S.Giuseppe is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for con...

Parisien Café is a Modern artwork realized by Orfeo Tamburi (Jesi, 1910 – Paris,1994) in the 1970s. Colored Lithograph. Hand-signed. Numbered on the lower, Edition, 125 prints. Good conditions. Orfeo Tamburi (Jesi, Ancona,1910-Paris,1994) was an Italian painter and scenic designer. After moving to Rome, Tamburi trained in the Roman School and from an early age took part in the artistic life of the city, collaborating with articles and drawings in L'Italia Letteraria , Il Selvaggio and other magazines. His artworks were exhibited in Italy - at the Venice Biennale and the Rome Quadrennial- but also abroad. Tamburi's favorite subjects were mainly landscapes, urban views and Roman, Venetian and Parisian portraits. The artist was also active as a draftsman, illustrating old and modern works of poets and writers with etchings, lithographs and drawings: he created fifty drawings for Little Rome , with a poem by Ungaretti (Urbinati 1944), Cineraccio by Leonardo Sinisgalli (Cento Amici del Book 1966) and many others. In 1979 the Editions Denoël of Paris and Il Cigno Stamperia d'Arte in Rome published a precious three-volume work entitled Paris 20 + 1 with texts by Nino Frank, Georges Pillement and Paul Guth...

Church of Sant Andrea in Vercelli is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good co...

Uses and Customs -  a Palace in Lucca is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of t...

Mausoleum of the Knights is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government...

Etching on laid and watermarked paper (a double circles visible near the bell tower). 38 th Plate from the series " Views of Rome". Signed on plate on lower-left margin "Piranesi F....

Castel-Campo in Tyrol is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, o...

Temples of Iside and Serapi is an etching realized by the italian artist Giovanni Battista Piranesi in 1759. Image dimensions: 41.5 x 55.5 cm. Very precious lifetime impression. C...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

The reference number on this work is Kraeft 88. It's from an edition of 100 and is signed, dated, and numbered, in pencil. Always an intaglio printmaker, Landeck switched from a mor...

Hand embellished serigraph on canvas. Hand signed and numbered on front by the artist. Not stretched. Artwork is in excellent condition. Cer...

This artwork titled "Krumau" is an color etching by noted Austrian artist Josef Eidenberger, 1899-1991 It is hand signed in pencil. The plate mark (image) size is 13 x 10.15 inches, ...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, July 14, 1937. Notes: From the folio, A La gloire à Paris, 1937. Excerpted from the folio (translated from French), The Glory of Paris. This dedicated album by the Paris municipality was written, illustrated, engraved and printed in the year MCMXXXVII. This album was decorated and printed by J.-G. Daragnes for the City of Paris. This album has been completed to print on Vélins des Manufactures de Canson et Montgolfier et des Papeteries on July 14, 1937, D examples, the first CC of which were reserved for the subscribers of the album. EDMOND CÉRIA (1879-1954) From his childhood, Edmond Ceria showed a predisposition for music, drawing and painting. After studying at the Évian college, he entered the Geneva School of Fine Arts. Disappointed by teaching, he went to Paris in 1904, entered the Académie Julian and attended the Louvre museum where he discovered the work of Paul Cézanne which shocked him. He becomes a disciple of this new vision of the world, where sensitivity and love of nature replace genre and anecdote. According to René Barotte, “its incisive pages are reminiscent of Guardi or Canaletto. His style gradually frees itself from a certain rigor in execution. The touch becomes a sign, almost an ideogram, and the small painting appears written like a love poem. He began his career by exhibiting at the Salon des Indépendants in 1908, then at the Salon des Tuileries and the Salon d'Automne of which he was a member. In 1919, he spent a year in Tuscany which made him aware, like Corot, of the importance of light in painting. During this stay, he copied the great Italian masters including Giotto, Uccello, Masaccio. Back in France, Ceria discovered the light of Provence, painting mainly in Marseille and Sanary. In Paris, he set up in a workshop near the Observatory and frequently went down to the quays to paint the Seine, the bridges, the Concorde, the Tuileries and the Luxembourg. In 1934, he stopped his travels in Provence to discover Brittany where he spent many years. Indifferent to fashions and unfailingly attached to the nature that he stylizes, he pursues a landscape work whose light touches highlight the accidents or reflections. When the climate forced him to paint in the studio, he devoted his talent to still lifes, which testify to his love of life, just as his landscapes reflect his taste for nature. Ceria participated, with his friends Charles Dufresne, Othon Friesz and Henry de Waroquier, in the first exhibition of the Masters of Independent Art at the Petit Palais in 1937. Always alongside Dufresne, to whom he entrusted the artistic education of his son Jacques Despierre, he decorated the small foyer of the Chaillot theater with Le Théâtre...

Grand Theatre of Trieste is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government...

Uses and Customs -  Ducal Palace in Modena is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History...

Oxford Street From Above By Michael Wallner [2015] limited_edition Brushed aluminium Edition number 25 Image size: H:91 cm x W:61 cm Complete Size of Un...

Sepolcro della Famiglia Plauzia, Presso il Ponte Lucano is an etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower ma...

Uses and Customs -Architecture is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the gove...

Santa Costanza in Naples is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

Interior of the Tunisian Architecture is original photolithography realized by Bettino Craxi. Artist's proof. Hand-Signed. Published in the Portafoglio "Tunisiaca 1995: d'aprés A...

Rue des Marmousets is a black and White etching realized by Jules Herau in the Late 19th Century.  Titled in the lower. Image Size: 20x26. Very good impression. Realized by Cadar...

Passage Secret du Vatican is a black and White etching realized by Pierre-Lucien Faure-Dujarric in the 1860s.  Titled in the lower. Image size: 31x23. Very good impression with wi...