Building Figurative Prints

Roofs and chimneys is a beautiful artwork realized by Orfeo Tamburi beetween 1973 and 1975. Mixed colored lithograph. Edited and printed by Graphis Arte, Livorno The artwork is fr...

Color lithograph, on Magnani-Pescia paper. Paper size 22.5cmx33cm, work size 22.5 cm x 33 cm. Excellent condition, no defects.  Pedro Cano (Blanca, 1944), one of the greatest contem...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, July 14, 1937. Notes: From the folio, A La gloire à Paris, 1937. Excerpted from the folio (translated from French), The Glory of Paris. This dedicated album by the Paris municipality was written, illustrated, engraved and printed in the year MCMXXXVII. This album was decorated and printed by J.-G. Daragnes for the City of Paris. This album has been completed to print on Vélins des Manufactures de Canson et Montgolfier et des Papeteries on July 14, 1937, D examples, the first CC of which were reserved for the subscribers of the album. EDMOND CÉRIA (1879-1954) From his childhood, Edmond Ceria showed a predisposition for music, drawing and painting. After studying at the Évian college, he entered the Geneva School of Fine Arts. Disappointed by teaching, he went to Paris in 1904, entered the Académie Julian and attended the Louvre museum where he discovered the work of Paul Cézanne which shocked him. He becomes a disciple of this new vision of the world, where sensitivity and love of nature replace genre and anecdote. According to René Barotte, “its incisive pages are reminiscent of Guardi or Canaletto. His style gradually frees itself from a certain rigor in execution. The touch becomes a sign, almost an ideogram, and the small painting appears written like a love poem. He began his career by exhibiting at the Salon des Indépendants in 1908, then at the Salon des Tuileries and the Salon d'Automne of which he was a member. In 1919, he spent a year in Tuscany which made him aware, like Corot, of the importance of light in painting. During this stay, he copied the great Italian masters including Giotto, Uccello, Masaccio. Back in France, Ceria discovered the light of Provence, painting mainly in Marseille and Sanary. In Paris, he set up in a workshop near the Observatory and frequently went down to the quays to paint the Seine, the bridges, the Concorde, the Tuileries and the Luxembourg. In 1934, he stopped his travels in Provence to discover Brittany where he spent many years. Indifferent to fashions and unfailingly attached to the nature that he stylizes, he pursues a landscape work whose light touches highlight the accidents or reflections. When the climate forced him to paint in the studio, he devoted his talent to still lifes, which testify to his love of life, just as his landscapes reflect his taste for nature. Ceria participated, with his friends Charles Dufresne, Othon Friesz and Henry de Waroquier, in the first exhibition of the Masters of Independent Art at the Petit Palais in 1937. Always alongside Dufresne, to whom he entrusted the artistic education of his son Jacques Despierre, he decorated the small foyer of the Chaillot theater with Le Théâtre...

The Pantheon Temple is an etching print on paper in the Late 19th century realized by G. Della Longa. Signed on the plate, titled. Good conditions with slight foxing and a pen mark...

View of Trinità dé Monti is an artwork realized by Giuseppe Malandrino in the 1970s. Hand colored Etching on paper. Hand-signed and numbered on the lower margin. Edition of 3/199....

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

View of Rome is an original Etching and Drypoint realized by Carlo Alberto Petrucci in 1964. Good condition included a white cardboard passpartout (37x52 cm). Hand signed by the artist with pencil. Carlo Alberto Petrucci (4 August 1881 - 11 February 1963) was an Italian engraver, painter and museologist. The son of Luigi, owner of an antique library, and Beatrice del Nero of an old Roman family, after graduating from the Leonardo da Vinci Institute he worked as an accountant. Between 1902 and 1903 he attended the evening classes of the nude school at the International Artistic Association and there he met Umberto Prencipe and Antonio Mancini...

Russia-born Ray Euffa studied at the Detroit School of Fine Arts, the Educational Alliance Art School, and Art Students League in NYC. It is New York City i...

This artwork titled "The curiosity Shop" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and numbe...

Signed titled, and dated, in pencil, and annotated in lower margin "My great-great grandfather's house, built in Bentleyville, Ohio in 1831; torn down in 1956." The wood engraving i...

Architecture is an original etching on paper realized by an anonymous artist in 18th Century. In good conditions. Not signed. This is an original drawing representing an architect...

Chateau De Pau is a print on paper realized by Adolphe Rouargue (French 1810-1884)in the mid-19th Century. Signed on the plate and titled. VANNES: LAUNDRY WOMEN under the TOWER of...

Vintage View of the University of Virginia is an original modern artwork realized in Italy in the first half of the 19th Century. Original Lith...

Etching hand watercolored realized by Giuseppe Malandrino in 1970s. Edition of 93/199. Excellent condition.

Artist/Designer; Manufacturer: Massimo Vitali (Italian, b. 1944) Marking(s); notes: artist's stamp verso; ed. 59/120; 2006 Materials: offset lithograph Dimensions (H, W, D): 26.75"h,...

Out of My Window. (Vista; My Own; De Ma Fenêtre). 1916. Etching. Fletcher 4, Library of Congress 254. 7 x 5 9/16 (sheet 9 3/8 x 9 1/2). Edition 75. Good condition apart from two re...

Columns of the Temple of Minerva Poliade is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History o...

Etching on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Français...

Palazzo Torlonia in Borgo is an original black and white etching on paper, realized by Alessandro Moschetti. At the top left margin the printed inscription: "ITALIA"; top center: "R...

Work on paper

Architectural is an original etching artwork on creamy paper realized by Carlo Antonio Buffagnotti in the early 18th Century. The State of preservation is aged with diffused foxing ...

Colosseum is a modern artwork realized by Antonio Carbonati in 1947. Black and white etching Includes passepartout Hand signed and dated on the lower margin Original title: Colosseo Palatino Celio Via dei Trionfi dai balconi di casa Carcano sul Colle Aventino Good conditions except for yellowing of paper. Antonio Carbonati (1893 - 1956).  He published a series of engravings of Rome...

Richard Haas The Whitney (Marcel Breuer Building), 1979 Woodcut engraving Signed, titled, dated and numbered by the artist on the back. This is a rare Artist Proof 9/10, aside from the regular edition of 60. 22 3/4 × 18 1/4 inches Unframed This vintage 1979 woodcut engraving by the world's top architectural muralist and trompe d'oeil artist, Richard Haas, depicts the building New Yorkers nostalgically call the "Old Whitney". Long before the Whitney moved to Manhattan's trendy meatpacking district...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Sepolcro Regio, o Consolare , inciso nella rupe del Monte Albano (Royal or Consular Tomb in the Alban Hills) is an original etching realized by Giovan Battista Piranesi in 1764. Ed...

Eduardo Naranjo (Spain, 1944) 'Calles y sueños (Federico en Nueva York)', 2005 silkscreen on paper Image size: 23.8 x 19.9 in. (60.50 x 50.50 cm.) Surface size: 30.8 x 24.9 in. (78 x...

"José Manuel Ballester (Spain, 1960) 'Aeropuerto', 1993 lithograph on paper 14.6 x 20.9 in. (37 x 53 cm.) Edition of 50 ID: BAL1266-004-050 Hand-signed by author in pencil"

The image show a panoramic view of the architectural arches and the boats in the harbor of Dieppe in Normandy France. Dieppe was occupied by German naval and army forces after the f...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Image dimensions: 17.8 x 22.4 cm. Der Hagenmarkt mit der Catharinenkirche is a beautiful watercolored etching on paper, realized at the middle XIX century by the German landscapist ...

Rue des Marmousets is a black and White etching realized by Jules Herau in the Late 19th Century.  Titled in the lower. Image Size: 20x26. Very good impression. Realized by Cadar...

Heinz Wehlisch Building Color etching Signed by hand Size: 15.2 × 22.4 on 20.1 × 26.9 inches COA provided Heinz Wehlisch was a modern artist of the late 20th century and worked in Berlin. He was a member of the professional association of visual artists in Berlin from 1946-1980; his specialty were etchings but also watercolors based on old postcard...

Vue du Temple de Mars-Vengeur is a vintage offset print artwork on paper, realized after G. Engelmann (1788-1839), in the 1970s. The artwork is signed on the plate. In very good con...

Chiesa dei SS. Vincenzo ed Anastasio a Trevi is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Go...

Chambre des Députés is an artwork realized by Alfred Cadart in the 1870s. Etching. Image size:19x25 Good conditions. Realized for the "Société des Aquafortistes. Born on the in...

Vue du Colisée, prise de l'intèrieur du Temple de la Paix is a vintage offset print artwork on paper, realized after G. Engelmann (1788-1839), in the 1970s. The artwork is signed on...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

French castle is an original etching artwork realized by an anonymous engraver of the 19th Century. Printed in series of "France Pittoresque" at the top center. Included two images...

Interno del Pronao del Tempio d'Ercole nella città di Cora is an original etching by Luigi Rossini. From the collection “Le antichità de’ contorni di Roma”(..), Rome, 1826 by L. Rossini, an artist's proof with sharp details, showing Cora’s Ruins. Signed on plate “Rossini dis. e inc.” lower-left corner, with date and place “Roma, 1825”. In very good condition. Image Dimensions: 45 x 57 cm Luigi Rossini (1790 – 1857) Like Giovanni Battista Piranesi, Luigi Rossini was an architect and his etchings have the same tendency to emphasize the massive constructions of the Ancient Rome. He became famous thanks to his etchings representing Roman landscapes and antique monuments...

Uses and Customs - Fountain of Water Paola is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History...

This artwork titled "The Corner Drugstore" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and num...

Passage Secret du Vatican is a black and White etching realized by Pierre-Lucien Faure-Dujarric in the 1860s.  Titled in the lower. Image size: 31x23. Very good impression with wi...

Etching on Vélin de Rives paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Shakespeare, Macbeth, Eaux-fortes de Gromaire, 1958. Published by Tériade,...

Four Eyed Man is a lithograph realized by Ibrahim Kodra in 1973. Edition of 100 prints. Good conditions. Ibrahim Likmetaj Kodra (22 April 1918 – 7 February 2006) was an Albanian p...

Porta Antica in Perugia is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

Maison Natale de Colette is a Lithograph on ivory-colored paper realized by Luc Albert Moreau. The artwork is in good condition. Hand-signature on the lower right corner, numbered ...

Church of Sant Andrea in Vercelli is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good co...

Seascape is an artwork realized by Giovanni Omiccioli (February 25, 1901 – March 1, 1975). Etching and drypoint. Good conditions. Giovanni Omiccioli (February 25, 1901 – March 1, ...

Une A Sienne is a black and White etching realized by Leconte de Roujou in the Late 19th Century.  Titled in the lower Image Size: 32x26 Very good impression. Realized by Cadart ...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. VII, N° 27-28, 1952. P...

Arch is original Hand-colored etching, realized by Luigi Rossini (1790–1857) with description on the lower. In good conditions with some folding. Image Dimensions: 25 x 18 cm The ...

Palazzo Altieri is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Quite Good conditions and aged ...

Rue du Rivage is an artwork realized by A.Queyroy in the 1870s. Etching. Image size: 26x21 Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative ...

Lowther Castle is an original modern artwork realized in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin in Capital Letters: L...

Circonvallazione Clodia is an original modern artwork realized by Leonardo Sinisgalli and Antonio Donghi. Black and white lithograph realized by Antonio Donghi and a text by Leonard...

Etching on Vélin de Rives paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Shakespeare, Macbeth, Eaux-fortes de Gromaire, 1958. Published by Tériade,...

Rue Du Canal à Figeac is an artwork realized by E.Mazas in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publis...

Palazzo Colonna di Sciarra is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for consumed ...