Building Figurative Prints

This print from Linda Stein's Covid Story series was developed while she sheltered in place on the 31st floor of her New York City apartment building. The imagery draws from recurrin...

This print from Linda Stein's Covid Story series was developed while she sheltered in place on the 31st floor of her New York City apartment building. The imagery draws from recurrin...

This print from Linda Stein's Covid Story series was developed while she sheltered in place on the 31st floor of her New York City apartment building. The imagery draws from recurrin...

This print from Linda Stein's Covid Story series was developed while she sheltered in place on the 31st floor of her New York City apartment building. The imagery draws from recurrin...

Etching in colors on Somerset vélin paper. Paper Size: 20 x 23 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Music, Deep Rivers in My Soul, 2003. Published by The Limited Editions Club, New York; printed by Wingate Studio, Hinsdale, under the direction of Peter Pettengili, Hinsdale, 2003. Excerpted from the folio, This edition of Music, Deep Rivers in my Soul consists of CD examples printed on Somerset paper. Dan Carr and Julia Ferrari designed the typography. Cast the Spectrum and Romulus type in metal, handset the type and printed the text at Golgonooza Letter Foundry and Press in Ashuelot, New Hampshire. The color etchings were printed by hand on Somerset paper by Peter Pettengili at Wingate Studio in Hinsdale, New Hampshire. DEAN MITCHELL...

Paris, Houses and Walls is a Modern artwork realized by Orfeo Tamburi (Jesi, 1910 – Paris,1994) in the 1970s. Colored Lithograph. Hand-signed. Numbered on the lower, Edition, 125 prints. Good conditions. Orfeo Tamburi (Jesi, Ancona,1910-Paris,1994) was an Italian painter and scenic designer. After moving to Rome, Tamburi trained in the Roman School and from an early age took part in the artistic life of the city, collaborating with articles and drawings in L'Italia Letteraria , Il Selvaggio and other magazines. His artworks were exhibited in Italy - at the Venice Biennale and the Rome Quadrennial- but also abroad. Tamburi's favorite subjects were mainly landscapes, urban views and Roman, Venetian and Parisian portraits. The artist was also active as a draftsman, illustrating old and modern works of poets and writers with etchings, lithographs and drawings: he created fifty drawings for Little Rome , with a poem by Ungaretti (Urbinati 1944), Cineraccio by Leonardo Sinisgalli (Cento Amici del Book 1966) and many others. In 1979 the Editions Denoël of Paris and Il Cigno Stamperia d'Arte in Rome published a precious three-volume work entitled Paris 20 + 1 with texts by Nino Frank, Georges Pillement and Paul Guth...

Linda Stein's Below the Eyes prints draw from her Profiles series—drawings, collages and paintings of facial profiles she made in the 1960s and 1970s when she was coming to terms wit...

Image dimensions: 21.5 x 15 cm. Ancient Roman Ruins is a beautiful black and white etching and burin on laid paper, representing the Sepulcher of the Plauzia family in Tivoli and th...

View of Piazza del Quirinale is a contemporary artwork. Lithograph on paper printed by "Istituto Poligrafico dello Stato".

This early 19th century etching entitled "Veduta di Piazza Navona sopra le rovine del Circo" was created by Jean Barbault (1718-1762) after a painting by...

Portico d'Ottavia , Tempio di Giove, Tempio di Giunione, Rome is an artwork realized in Mid 19th Century . Black and white etching. Good conditions.

Mariam Biet Section is a modern artwork realized by Lino Bianchi Barriviera in 1948. Black and white etching. Signed on plate. Plate n.14 (as reported on the higher margin). The ...

Palazzo dell'Angelo 1931 Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116. [Fletcher 233] Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436. Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...

This artwork titled " Paris, Tehatre Du Chatelet" c.1980, is an original colors lithograph on Arches paper by French artist Urbain Huchet, 1930-2014. It is hand signed and numbered 1...

This artwork titled " Paris, Le Chatelet" c.1980, is an original colors lithograph on Arches paper by French artist Urbain Huchet, 1930-2014. It is hand signed and numbered 175/250 i...

Underground Chapel in Messina Cathedral is a lithograph realized in 1862. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or ...

Lithograph on paper realized by Auguste Raffet in 1838. It is part of the suite "Crimée". The scene shows an Islamic funerary monument (türbe), partially in ruins, in the Crimea or...

Grand Central Station New York [2018] Limited Edition Architecture Brushed aluminium Edition number 25 Image size: H:61 cm x W:91 cm Complete Size of Unframed Work: H:61 cm x W:91 cm x D:0.3cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Grand Central Station - probably my favourite building in the world. The sheer scale of it’s beauty and design is breathtaking. Opened in 1913 it sums up everything I love about New York - the hustle and bustle, the colour and the stunning architecture. This piece is created from an original photograph and painstakingly coloured digitally by hand, including every person on the concourse and the exquisite ceiling. The image is printed directly onto a thin sheet of aluminium which gives it an etched appearance, picking out the beautiful details of the station. Grand Central Station is made to order. It can usually be created and delivered in around 10-14 days. An aluminium subframe on the back makes it easy to hang. Michael has spent more than twenty years in the media industry working on entertainment programmes, talk shows, documentaries, animations and a children’s novel. But creating original and innovative art is his true passion. His latest work celebrates the beauty of the city through the shapes, outlines and colours that define its character. London, New York, Hong Kong, Singapore, Miami, Paris and Dubai all feature in Michael’s portfolio. The art is created by digitally manipulating and colouring his own photographs to produce unusual prints on aluminium, reclaimed wood, brass, even 1930’s copper-lite windows. He also creates neon, magnetic, and L.E.D installations. The metal pieces are printed on very thin sheets of brushed aluminium, giving the work an etched appearance. Michael works out of his studio at Wimbledon Art...

Color lithograph, on Magnani-Pescia paper. Paper size 35cmx50cm, work size 27cmx42cm. Excellent condition, no defects. Born in Rome in 1946, Franco Fortunato is an autodidact, follo...

Image dimensions 40.6x56.8. Belongs to the Collection "Antiquities of Cori, described and etched by Giovambat Piranesi", and printed in 1764. Beautiful first roman edition/1st state ...

Braunschweig is a beautiful color lithograph on paper, printed by von Led Kempner and published by von Schaffstein and C. Koln, Rhein. This modern artwork represents a urban and historical view of the German city of Braunschweig,in Lower Saxony, Germany, was a powerful and influential center of commerce in medieval Germany...

Roman Temple is an offset print artwork on paper, realized after G. Engelmann in the early 20th Century. The artwork is signed on the plate. In very good condition. The artwork rep...

Tourelle de la rue de la Tixeranderie is an original Modern Artwork realized in the half of the 19th Century by Charles Meryon (sometimes Méryon, 23 November 1821 – 14 February 1868). Original Etching. Fine impression printed by the artist. II/III state on V. Total dimensions: 24 x 12 cm. Passepartout is included. Excellent conditions of sheet. Reference: Salimbeni no.163; Schneiderman n. 24; Delteil n. 29. Charles Meryon (sometimes Méryon, 23 November 1821 – 14 February 1868). He was a French artist who worked almost entirely in etching, as he suffered from color blindness. Although now little-known in the English-speaking world, he is generally recognized as the most significant etcher of 19th century France. His most famous works by him are a series of views powerfully conveying his distinctive Gothic vision of Paris. He also suffered from mental illness, dying in an asylum. Meryon had sketched in Athens, Algiers and other exotic places he had visited, and by late 1840 decided to take lessons in drawing from the Toulon...

Christo, Christo and Jeanne-Claude, Javacheff Christo The Pont Neuf, Paris Wrapped (Hand Signed), from the Estate of Aviva and Jacob Bal Teshuvah, 1985 Offset lithograph poster (hand signed Christo et Jeanne-Claude) Signed Christo et Jeanne-Claude in orange crayon on the front Unnumbered 24 × 36 1/2 inches Unframed Hand signed Christo et Jeanne-Claude in orange crayon on the front unframed Accompanied by gallery issued Certificate of Guarantee & provenance This elegant vintage poster was published to promote and raise funds for Christo's famous The Pont Neuf Wrapped Project in the mid 1980s. From the estate of Jacob and Aviva Bal Teshuva - authors of books on Christo, collectors, philanthropists and friends of the artist. Provenance Estate of Aviva and Jacob Bal-Teshuva ABOUT THE PONT NEUF WRAPPED PROJECT: On September 22, 1985, a group of 300 professional workers completed the temporary work of art The Pont Neuf Wrapped. They had deployed 450,000 square feet (41,800 square meters) of woven polyamide fabric, silky in appearance and golden sandstone in color, covering: The sides and vaults of the twelve arches, without hindering river traffic. The parapets down to the ground. The sidewalks and curbs (pedestrians walked on the fabric). All the street lamps on both sides of the bridge. The vertical part of the embankment of the western tip of the Île de la Cité. The Esplanade of the Vert-Galant. The fabric was restrained by 8 miles (13 kilometers) of rope and secured by 12.1 tons of steel chains encircling the base of each tower, 3.3 feet (1 meter) underwater. The Charpentiers de Paris headed by Gérard Moulin, with French sub-contractors, were assisted by the USA engineers who had worked on Christo and Jeanne-Claude's previous projects, under the direction of Theodore Dougherty: Vahé Aprahamian, August L. Huber, James Fuller, John Thomson and Dimiter Zagoroff. Johannes Schaub, the project's director had submitted the work method and detailed plans and received approval for the project from the authorities of the City of Paris, the Department of the Seine and the State. 600 monitors, in crews of 40, led by Simon Chaput...

Etching hand watercolored realized by Giuseppe Malandrino in 1970s. Edition of VII/XXX. Excellent condition.

Landscape is an etching realized by Pierre-François Laurent in 1755. Good condition. Signed on Plate. The artwork is depicted through confident strokes. The etching was realized ...

Isola Bella on Lake Maggiore is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

The reference number on this work is Kraeft 88. It's from an edition of 100 and is signed, dated, and numbered, in pencil. Always an intaglio printmaker, Landeck switched from a mor...

Uses and Customs - Tombs of the Scaligeri in Verona is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: ...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-si...

Sepulcher of Carlo di Angiò is an original etching, realized by Piroli written below the image down in the XIX century, the table is XII is written at the top of the image on the rig...

Ancient View of General Post Office is an original modern artwork realized in the first half of the 19th Century. Original Lithograph on Ivory Paper. Inscripted in capital letters...

Vue du Capitole is a print realized after Godefroy Engelmann in the 1970s. Signed on the plate Offset on paper Good condition with slight foxing.

This artwork titled "Innsbruck" is an color etching by noted Austrian artist Josef Eidenberger, 1899-1991 It is hand signed dated and dedicated in pencil. The plate mark (image) siz...

Ancient View of the Forum of Trajan, Rome, is an original modern artwork realized in Italy in the first half of the 19th Century. Original lithog...

Arístides Esteban (ARES) Hernández Guerrero (Cuba, 1963) 'Wal-Marx', N/A Silkscreen on paper 19.6 x 27.6 in. (49.7 x 70 cm.) Edition of 50 ID: ARE-201 Hand-signed by author

Richard Haas Central Synagogue - Lexington Avenue Looking North, 1991 Etching and aquatint on wove paper Signed, dated and numbered 8/35 in graphite pencil on the front; bears the or...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-sign...

Casino di Villa Mattei is an etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi (Corleone,1710 -...

Circonvallazione Clodia is an original modern artwork realized by Leonardo Sinisgalli and Antonio Donghi. Black and white lithograph realized by Antonio Donghi and a text by Leonard...

Uses and Customs - Map of Churches in Ravenna is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " Hist...

Navona Square - Rome is an original artwork realized by Giuseppe Malandrino. Original print in etching technique. Hand-signed by the artist in pencil on the lower right corner. Nu...

Architecture is an original etching on paper realized by an anonymous artist in 18th Century. In good conditions. Not signed. This is an original drawing representing an architect...

Greek Theatre is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, of the la...

Donald Hamilton Fraser (1929 – 2009) Launch Wash, Saint Michele Venice signed limited edition, no. 112/225, lithograph, Image: 50.5cm x 37.5 cm, mounted and framed, Frame: 81.7 x ...

Artist: Roger Hebbelinck (Belgian, born 1912) Title: Somme, Coucher De Soleil Year: Circa 1965 Medium: Color Etching Edition: Numbered 109/300 i...

The dimensions are for the image; there are large margins. This lithograph is signed in pencil. A native New Yorker, Ann Nooney (1900-1970) recorded the urban scene while on the Wo...

Ministere de la Marine is an artwork realized by Charles Meryon in the 1870s. Etching. Image size: 17x14 Good conditions. Realized for the "Société des Aquafortistes. Born on th...

Basilica di S.Paolo and Minici Cosinensi Monastery is vintage offset print century realized after Giuseppe Vasi in the early 20th century. Signed and titled on plate lower margin. ...

Uses and Customs -Interior  of St. Peter's Basilica is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: ...

Work on paper

"José Manuel Ballester (Spain, 1960) 'Aeropuerto', 1993 lithograph on paper 14.6 x 20.9 in. (37 x 53 cm.) Edition of 50 ID: BAL1266-004-050 Hand-signed by author in pencil"

Vintage poster realized in occasion of the exhibition of Piranesi's Etchings at Galleria Marino Rome. The exhibition was held in occasion of Piranesi's bicentenary of the death (177...

No signed. Over leaf : "Burin Original De Jean-Marie Granier" . Includes passepartout (49 x 34 cm). Excellent conditions.

Uses and Customs - Sermione Fortress on Lake Garda is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: "...

Supplicium sceleri Fraenum (Les Supplices) is an original Etching realized by Jacques Callot in 1624/34. Lettered with name of etcher (bottom right), title and four columns of French verses: 'Voy, lecteur, comme la Justice... Des effectz de la forfaicture'. Good condition included a cream colored cardboard passpartout (40x60 cm). Jacques Callot (1592 – 1635) was a baroque printmaker and draftsman from the Duchy of Lorraine (an independent state on the north-eastern border of France, southwestern border of Germany and overlapping the southern Netherlands). He is an important person in the development of the old master print...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-sign...

Map of Lucca is an etching realized by Pierre Mortier in the early 18th Century Good condition.

Color lithograph, on Magnani-Pescia paper. Paper size 22.5cmx33cm, work size 22.5cmx33cm. Excellent condition, no defects. Pedro Cano (Blanca, 1944), one of the greatest contemporar...

Bengt Bockman Main Street 82-84 Year: 1974 Color Lithograph Size: 25.5 x 33.5 in. Edition: 175 Signed and numbered in pencil by the artist One of Sweden...