Dog Figurative Prints

Lithograph and stencil on papier vélin des Manufactures d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Les Biches, 1924. Published by Édi...

ARTIST: Salvador Dali TITLE: The Fisherman MEDIUM: Lithograph SIGNED: Hand Signed EDITION NUMBER: 44/150 MEASUREMENTS: 39.87" x 23.75" CONDITION: Excellent AUTHENTICATION: ...

Death holds an audience  is an etching realized by Giambattista Tiepolo in 1785.  Death, an old nun with a veiled head leafs through a large book and holds an audience. In front of ...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Souvenirs et portraits d'artistes, 1972. Published by Fernand Mourlot, ...

Drypoint etching in brownish black ink on J. Whatman watermarked cream laid paper. 7x12 1/4 inches (177 x 312 mm), full margins. Signed and numbered 36/75 in pencil, lower margin. In...

18th-century celestial FLAMSTEED, John. Camelopardal & Auriga London, C. Nourse, 1753. Hand coloured star chart heightened with gold and silver, engraved by John Mynde, from the s...

ARTIST: Salvador Dali TITLE: LEs Chantes de Maldoror Memory of Music MEDIUM: Etching Arches paper SIGNED: Not signed PUBLISHER: Albert Skira, Paris MEASUREMENTS: 10" x13" YEAR...

Winnie the Pooh And Tiger Too - Original 1974 Lobby Card Vintage 1974 Lobby Card: Rabbit is tired of Tigger always bouncing him, so he gets Pooh and Piglet together to come up wit...

London: c 1750. Steel engraving on cream wove paper, 5 3/8 x 6 3/8 inches (sheet) (142 x 162 mm), margins trimmed inside the platemark. Scattered handling wear, creasing and edge nic...

This piece is artist signed and numbered. Jacques Despierre was born in St. Etienne France, 1912-1995. He studied at the Academie Colarrossi and also at the Ecole des Beaux arts in P...

CLINIQUE CHÉRON is a fine art lithographic re-creation after the original 1905 vintage French advertising poster created by Théophile Steinlen for the veterinary CLINIQUE CHÉRON Fran...

Three women strolling on a beach. This impression is one of the rare impressions printed monochromatically. Hirsch natural inclination was to print in lack and white but reprinted ...

Published anonymously c. 1920, Vienna, in an edition of 100, after the original watercolor and pencil on paper, titled in the plate at the top: “DIE TRAUM/BESCHAUTE” and signed and d...

Etching, drypoint, and roulette on watermarked Hallines cream laid paper, 3 3/4 x 5 7/8 inches (95 x 148 mm), full margins. A very good impression of this charming image, with all of...

Lithograph on Arches wove paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Pablo Picasso, Toros y Toreros, 1961. Published by aux Éditions Cercle d'...

Lithograph on Arches wove paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Pablo Picasso, Toros y Toreros, 1961. Published by aux Éditions Cercle d'...

Artist: Salvador Dali Medium: Woodblock engraving Title: Purgatory: Canto 7 Portfolio: The Divine Comedy: Purgatory Year: 1963 Edition: 4765 Framed Size: 19 1/8" x 16 5/8" Sheet Size...

It is hard to characterize John Baldessari’s varied practice—which includes photomontage, artist’s books, prints, paintings, film, performance, and installation—except through his ap...

A limited edition woodcut on paper print by Mychael Barratt of Vincent Van Gogh in his bedroom with his dog. Sunflowers appear in the background, brightening up a blue and purple room. Additional information: Mychael Barratt  Once upon a time in London, Morning Woodcut on paper Signed and titled in pencil Numbered from the edition of 100  Image size Height: 27.5 cm Width: 27 cm Complete size of sheet Height: 39.6 cm Width: 37.5 cm Depth: 0.2 cm ARTIST PROFILE: Mychael Barratt was born in Toronto, Canada, however, considers himself to be a Londoner since arriving for what was supposed to be a two-week stay thirty years ago. He is a narrative artist whose work is steeped in imagery relating to art history, literature, theatre and everything else that overfills his bookshelves. He was an artist in residence for Shakespeare’s Globe Theatre...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Medium: Lithograph on grand vélin Renage filigrané paper. Year: 1952 Paper Size: 12.5 x 9.5 inches; image size: 9.45 x 6.69 inches Inscription: Signed in the plate and unnumbered, as...

Contemporary figurative etching print by Polish arist living in Canada, Pawel Zablocki. Print depicts dog Tofcia in dynamic poses viewed from the side. Artist's unique technique of p...

Le Chien Courant is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet...

Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In good conditions. Including a cream-colored cardboard passepartout, 34 x 50 cm. An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...

This tenderly illustrated print depicts a black dog sitting comfortably on the lawn. A low fence and a bench can be seen in the background. Plants grow along the sides of the lawn, b...

Astrological sign of leo is a screen print on grey paper realized by Sergio Barletta, in 1980s. Signed on the lower left margin. 68 x 49 cm. In good conditions except for fairl...

Persian Medal- Triumph of Alexander the Great is a lithograph on paper realized in 1862. Titled on the lower. The artwork belongs to the Suite Uses and customs of all the peoples o...

Contemporary etching print by Polish artist Marian Bocianowski. The print depicts two cats, blach and white on the foreground with cityscape in the background. There is half of a but...

Ancient Roman Drawing, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Carlo Nolli in the 18th century. Signed on the plate. Good conditio...

Disparate volante - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. 5 from of the second edition of ...

Le Renard is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good condi...

Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a crea...

Composition is an original lithograph on paper realized by Fernand Léger (1881-1955). Very good conditions except for some little foxings. Sheet dimension: 23.5 x 26 On both sides...

Le Pyrame is an etching realized by Louis-Simon Lempereur in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Art...

Stencil The work signed in the plate 20.50 cm. x 32.50 cm. 8.07 in. x 12.8 in. (image) 41.00 cm. x 52.00 cm. 16.14 in. x 20.47 in. (frame) LCD5582

Dog is an Etching realized by Enotrio Pugliese in 1963. Limited edition of 12 copies numbered and signed by the artist. Good condition on a white cardboard. Enotrio Pugliese (May ...

Astrological sign of leo is a screen print on grey paper realized by Sergio Barletta, in 1980s. Signed on the lower left margin. 68 x 49 cm. In good conditions except for fairl...

The Milking Girl is an original modern artwork realized in 1889 by Filippo Palizzi. Original Etching. Signed and dated on plate on the lower right c...

Dog is an Etching realized by Enotrio Pugliese in 1963. Limited edition of 12 copies numbered and signed by the artist. Good condition on a white cardboard. Enotrio Pugliese (May ...

Art Deco colored etching by Louis Icart ( 1888-1950 ), France. 1925. Signed in pencil lower right: Louis Icart. Dated top left: Copyright 1925 by Gravures Modernes, Paris. Decorativ...

Elephant is an original lithograph realized in the early 1930s by Emmanuel Gondouin, (Versailles, 1883 - Parigi, 1934) The artwork is depicted through strong strokes and is part of...

Ancient View of Pont Rouge in Saint Petersburg is an original modern artwork realized in France in the first half of the 19th Century. Original B/W Lithograph on Ivory Paper. Insc...

Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a crea...

Stoats on a Rock is an original print realized in the late 19th century by an anonymous illustrator. Color lithograph representing a group of stoats: one has just captured a lttle b...

Night Night by Tammy Mackay Limited edition print and hand signed by the artist Edition of 50. Photopolymer, Chine Colle and Graphite on Paper. Images Si...

Hazy Day by Ian Phillips [2022] limited_edition and hand signed by the artist Original Linocut Edition number 23/30 Image size: H:28.5 cm x W:41 cm Complete Size of Unframed Work: H...

La Fête Nationale du Boulevard Clichy Etching, drypoint, and aquatint, 1878 Signed lower left in the plate (see photo) Printed chine collee, mounted on white wove paper Upper plate m...

Lithograph in colors on paper.. Hand signed Bennett / Benedetto (Tony Bennett's family name) and numbered. Image size 23.75 x 33.5 inches. Sheet size approx. 29 x 38 inches. Frame ...

Le Dogue de Forte Race is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du C...

The Bird is an Original lithograph on ivory-colored paper realized by Giselle Halff in 1950 ca. Hand-signed by pencil on the rear. Good conditions.

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

The Cathedral is an original Vintage Offset Print on ivory-colored paper, realized by Franco Gentilini (Italian Painter, 1909-1981), in 1970s. The state of preservation of the artwo...

Woman- Tree is an Etching realized by Leo Guida in 1970s. Hand-signed by the artist with pencil on the lower margin, numbered, edition of 40/50 prints. Good condition. Artist sens...

Medium: Lithograph on vélin paper Year: 1952 Paper Size: 12.125 x 9.25 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the album, The Circus by Toulouse...

Image Sz: 14 1/4"H x 18 1/2"W Frame Sz: 25 1/4"H x 29 1/2"W Charming sporting print of a Black Lab in the duck blind by 'Elliott' signed (LR) in a vintage...

G. Harvey’s "Evening Along the Avenue" is a quintessential example of the artist’s gift for capturing the golden elegance of a bygone era. With his hallmark touch of romantic realism...

Woodcut on vellum, 1918. Typographic Inscription on the back: Campendonk: Tiere. Holzschnitt. Framed. Image dimensions: 3.03 x 9.17 in ( 7,7 x 23,3 cm ), Sheet dimensions: 9.06 x 12.6 in ( 24,4 x 32 cm ) Catalog raisonné: Engels-Söhn 33a Heinrich Mathias Ernst Campendonk ( born 1889 in Krefeld, Germany – died...

Lon Megargee 1883-1960 "The Bronc" Wood block print Signed in plate, lower right Image size: 9 x 10 inches Frame size 21 x 21.5 inches Creator of Stetson's hat logo "Last Drop from his Hat" Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew Davis...