Graphics Figurative Prints

Gift II by Vick Vibha Date: circa 1978 Etching, signed in pencil Edition of AP Image Size: 20 x 15 inches Size: 26 in. x 21 in. (66.04 cm x 53.34 cm)

Pigment print on hahnemuhle photo rag satin 310 gsm paper. Hand signed lower right by Jason Boyd Kinsella. Hand numbered 60/75 lower left. Artwo...

ANJA VAN HERLE "Red Roses" Hand-Embellished Giclee on Canvas 48 x 34 in Born in Belgium in 1969, Anja Van Herle combines a European sense of high fashion in her artwork with an Ame...

Joe Zucker, American (1941) Date: 1982 Lithograph, signed, numbered, and dated in pencil Edition of 82/100 Image Size: 30 x 20.5 inches Size: 33 x 23 in. (83.82 x 58.42 cm)

Valentine Hugo - Surrealist Woman - Original Etching Paris, Le Gerbier, 1946 Edition of 340 French painter and illustrator. Born 1897 in Boulogne-sur-Mer. Died 1968...

Sandra’s Fantasy Helen Covensky, Polish/American (1925–2007) Date: 1980 Lithograph, signed and numbered in pencil Edition of 225 Image Size: 19 x 26 inc...

Georges Braque - Original Lithograph 1963 Dimensions: 32 x 24 cm Andre Sauret, Monte Carlo The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote and Glass , then the packet envelope of tobacco Bock in 1912-1913, or an advertisement in Damier , 1913). Inputs and inclusions refer to an external object in the table, without “emulate” this object. Away from their appearances, objects are represented in closest essence of the objects in the real world sense. This is also the time of Synthetic Cubism that Braque invented paper sculpture. There are, unfortunately, and no one is living proof of a photograph makes it possible to realize: Paper and paperboard. Métamorphoses period(1961-1963). In 1961, Georges Braque worked on a Greek head for the Louvre, which obsesses him, and he wishes to free his mind. He tried several times to bring out the paint and the result was unsatisfactory. He thinks the ultimate metamorphosis its Greek head projected in three dimensions. He calls in his studio of Baron Heger Loewenfeld, master lapidary, and he communicates his enthusiasm during the “fateful encounter.” Nine months later, in honor of the eighty years of Georges Braque, Heger Loewenfeld offers the Master of the ring Circe: the famous Greek head finally exorcised, carved in an onyx. Braque Loewenfeld then asked to identify other issues that haunt him. From dated and signed by Georges Braque, Heger gouaches Loewenfeld shapes works in the fields of jewelery, lapidary art...

Date: circa 1970 Screenprint, signed and numbered in pencil Edition of 150 Image Size: 25.5 x 18 inches Size: 30 x 22 in. (76.2 x 55.88 cm)

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

Artist: Pablo Picasso (after) Medium: lithograph, Arches paper Portfolio: Le Goût de Bonheur Year: 1970 Edition: Total of 1998 copies (666 each in German, French and English) Sheet S...

Pablo Picasso (after) Helene Chez Archimede Medium: engraved on wood by Georges Aubert Dimensions: 44 x 33 cm Portfolio: Helen Chez Archimede Year: 1955 Edition: 240 (Here it is on...

Artist: Jack Brusca, American (1939 - 1993) Title: Ride Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 200 Image Size: 24 x 24 inches Size: 26 in. x 27 in. (66....

Artist: Arman, French (1929 - 2005) Title: Glowing Guitar Year: 1978 Medium: Screenprint on Arches, Signed and Numbered in Pencil Edition: 150, AP 30 Size: 30 in. x 22 in. (76....

Alfred Manessier - Original Lithograph Colorful Abstraction 1962 From XXe Siecle Dimensions: 32 x 24 Edition: G. di San Lazzaro. Unsigned and unumbered as issued

Hand signed and numbered by the artist. 12 Color, Hand-Pulled Screen Print on Mohawk Superfine UltraWhite paper with deckled edges. Edition of 150. Artwork is in excellent condit...

A rare serigraph by world-renowned Giancarlo Impiglia. This is an opportunity not to be missed. Born in Rome, Impiglia moved to New York in the 70s, where he established a signatur...

Please note that in situ images are purely an indication of how a piece may look. Queen (Black) is an Limited Edition of 20 by Agent. ’Queen (Black)’ depicts twin silhouettes of the ...

Original mixed media on paper. Hand signed by the artist. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered.

6 - Color Screen Print on 290gsm Coventry Rag Fine Art Paper 18 x 24 Inches 2021 Run of : 50 This RUN comes signed, numbered and with a Certificate of ...

William the crow The woman and the bird Silkscreen printing Circa 1078 Edition of 100 copies Numbered, dated and signed in pencil by the artist. 70 x 50 cms Perfect condition 790...

Screenprint on museum board. Hand signed and numbered by the artist. HC edition. Sheet size 44 x 80 inches. Published by International Images, Putney, Vermont. Artwork is in exce...

Publisher GKM. Unframed. Edition of 120 ex. Signed and numbered. Free shipment worldwide. Arman wrote, “The bow on the strings releases an explosion of sounds,” in the book Trio à c...

Publisher GKM. Unframed. Edition of 120 ex. Signed and numbered. Free shipment worldwide. Arman explores reality. He strives to transform and sublimate artefacts into works of art....

Screenprint in 18 colours on Archivart 100% rag 4-ply Museum Board Signed and numbered in pencil with blindstamp

Hand signed and numbered by the artist. Artwork in excellent condition. Additional images are available upon request. Certificate of Authenticity is included. Please do not hesitate ...

Colour Lithograph "Giroflée bleue" (The blue violet) by George Braque from 1963 from “Lettera amorosa”: 1. Book with a text by René Char and 22 colour lithographs as well as 5 + 2 ...

Screen print on paper. Hand signed on verso by the artist. Unnumbered edition. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered. About the Artist: PREFAB77 a.k.a. Peter Manning...

It is a limited series of 5 copies. Printing on 315gr fine art paper with a white border of around 2 cm. Color photography mixed media digital collage.

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Archival digital giclee print on cotton rag paper.

Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. TP (Trail Proof) edition. All reasonable offers will be consi...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Etching, aquatint and embossing on paper Plate size: 39.5 x 39.5 cms (15 1/2 x 15 1/2 ins) Paper size: 58 x 58 cms (22 3/4 x 22 3/4 ins)

Georges Braque Page 63 from Si je mourais la-bas, 1962, captures the heart of many with its poignant and inspiring shade of cobalt blue. Rendered on cris...

Edition of 50 The Françoise Nielly limited editions are available as pigment prints on aluminium: durable and colourfast hi-definition images with a smooth glass-like luminescent ef...

Six colour lithograph, 2019, on Somerset Velvet Warm White 400gsm, signed, numbered and dated from the edition of 200, produced by Counter Studio, Margate, 76.6 x 60 cm. (30¼ x 23½ i...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 56. All reasonable offers will be considered.

Mexican visual artist. She studied sculpture and portraiture at the Llotja, School of Arts and Crafts in Barcelona. She has a degree in Plastic Arts from La Escuela Nacional de Pintu...

Limited edition (edition number TBA) Suite of four Edition of four $2,500 each, framing is additional $350

Apple (F. & S. II. 359) By Andy Warhol 1985 Signed and numbered in pencil Screenprint in colours on Lenox Museum Board 38 x 38 inches Edition of 190 plus 30 AP

Created in 2001, this silkscreen is hand signed by Robert Indiana (Indiana, 1928 - Maine, 2018) in pencil in the bottom margin and is numbered from the edition of 50 in the bottom ma...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...

Marc Chagall Cover for Derriere le Miroir, 1964 is a vibrant cover detailing the artists whimsical rendering of a man gently falling from the sky, with t...

Created by Ross Bleckner in 2019, Light Flower is hand-signed in pencil, and numbered, measuring 30 x 30 in, (76 x 76 cm), unframed, from the edition of 50.

Created in 1985 as one of ten individual prints within Andy Warhol's highly regarded Ads portoflio, Mobil is an original screenprint in colors on Lenox Museum Board. Hand-signed in p...

Published by the Welsh Arts Council, screenprinted by Priestleys.